成長(zhǎng)的三棱鏡——《地海三部曲》的多重?cái)⑹履Ｊ?/H1>
發(fā)布時(shí)間：2018-06-23 23:52
本文選題：厄休拉·勒·魁恩 + 《地海三部曲》 ； 參考：《阜陽(yáng)師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版)》2015年06期
【摘要】：美國(guó)當(dāng)代作家厄休拉·勒·魁恩的幻想小說(shuō)《地海三部曲》由三部長(zhǎng)篇《巫師》《古墓》和《彼岸》組成。這三部小說(shuō)在人物、時(shí)間和情節(jié)上相互獨(dú)立又相互關(guān)聯(lián),每一部聚焦于一個(gè)年輕人的成長(zhǎng)。三部曲采用傳統(tǒng)的第三人稱全知視角,但是每本書(shū)的敘述焦點(diǎn)/視點(diǎn)因?yàn)橹魅斯牟煌煌�。由�?三部曲的三個(gè)不同敘事視角讓三部小說(shuō)構(gòu)成了一個(gè)三棱鏡,三個(gè)主人公和三個(gè)主題互相映襯、互相折射、互相補(bǔ)充,看似簡(jiǎn)單平淡的表面敘事之下是更復(fù)雜的多層次、多角度敘事,凸顯了人物性格的發(fā)展、故事的敘述層次和三部曲的成長(zhǎng)主題。
[Abstract]:The fantasy novel of Ursula Le queen, American contemporary writer, "the sea Trilogy" is composed of three long stories, "the wizard > the tomb > and the other." the three novels are independent and interrelated on the characters, time and plot, each of which focuses on the growth of a young man. The Trilogy uses the traditional third person omniscient perspective, but each book The focus / point of view is different from the protagonist. It is that the three different narrative perspectives of the trilogy make three novels a three prism, the three masters and the three themes reflect each other, refract each other, complement each other, and the seemingly simple and flat surface narrative is a more complex multilevel, multi angle narrative, highlighted The development of character, narrative level and theme of trilogy.
【作者單位】： 阜陽(yáng)師范學(xué)院外國(guó)語(yǔ)學(xué)院;南京師范大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：2014年安徽省高校人文社科重點(diǎn)項(xiàng)目“厄休拉·勒·魁恩‘地海’系列小說(shuō)跨文化研究”(SK2014A347)
【分類號(hào)】：I712.074
，
本文編號(hào)：2058999
本文鏈接：http://sikaile.net/yingmeiwenxuelunwen/2058999.html
本文選題：厄休拉·勒·魁恩 + 《地海三部曲》 ； 參考：《阜陽(yáng)師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版)》2015年06期
【摘要】：美國(guó)當(dāng)代作家厄休拉·勒·魁恩的幻想小說(shuō)《地海三部曲》由三部長(zhǎng)篇《巫師》《古墓》和《彼岸》組成。這三部小說(shuō)在人物、時(shí)間和情節(jié)上相互獨(dú)立又相互關(guān)聯(lián),每一部聚焦于一個(gè)年輕人的成長(zhǎng)。三部曲采用傳統(tǒng)的第三人稱全知視角,但是每本書(shū)的敘述焦點(diǎn)/視點(diǎn)因?yàn)橹魅斯牟煌煌�。由�?三部曲的三個(gè)不同敘事視角讓三部小說(shuō)構(gòu)成了一個(gè)三棱鏡,三個(gè)主人公和三個(gè)主題互相映襯、互相折射、互相補(bǔ)充,看似簡(jiǎn)單平淡的表面敘事之下是更復(fù)雜的多層次、多角度敘事,凸顯了人物性格的發(fā)展、故事的敘述層次和三部曲的成長(zhǎng)主題。
[Abstract]:The fantasy novel of Ursula Le queen, American contemporary writer, "the sea Trilogy" is composed of three long stories, "the wizard > the tomb > and the other." the three novels are independent and interrelated on the characters, time and plot, each of which focuses on the growth of a young man. The Trilogy uses the traditional third person omniscient perspective, but each book The focus / point of view is different from the protagonist. It is that the three different narrative perspectives of the trilogy make three novels a three prism, the three masters and the three themes reflect each other, refract each other, complement each other, and the seemingly simple and flat surface narrative is a more complex multilevel, multi angle narrative, highlighted The development of character, narrative level and theme of trilogy.
【作者單位】： 阜陽(yáng)師范學(xué)院外國(guó)語(yǔ)學(xué)院;南京師范大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：2014年安徽省高校人文社科重點(diǎn)項(xiàng)目“厄休拉·勒·魁恩‘地海’系列小說(shuō)跨文化研究”(SK2014A347)
【分類號(hào)】：I712.074
，
本文編號(hào)：2058999
本文鏈接：http://sikaile.net/yingmeiwenxuelunwen/2058999.html
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