本文選題：嚴歌苓 + 男性形象��； 參考：《廣西師范大學》2013年碩士論文

【摘要】：目前對嚴歌苓小說作品的研究,主要集中在對三類題材的探討上。一類是表現(xiàn)作者獨特女性體驗的“雌性”主題,一類是具有濃郁“邊緣意識”的表現(xiàn)移民的歷史、文化沖突等的主題,一類是反映文革時期記憶的人性主題。然而對女性作家的研究一般都走入關注作者筆下的女性形象這一思維定勢,對作者筆下的男性形象卻缺乏應有的關注。本文試圖采用逆向思維,反觀女性作家作品中設置和描述刻畫出的男性形象,并考察這些男性形象與女性之間復雜的關系,通過這個獨特的視角,來重新審視作家的女性觀乃至人性觀。本文采用文本細讀的方法,選取幾部具有典型意義的作品,將作品中的男性分為身體殘疾和心理缺陷兩種類型,分別探討其“殘缺”特質。從而揭示作品中“殘缺”男性形象的設置意義,并通過這種設置來透視他們與“雌性”女性之間的阻礙與溝通、尷尬與和諧。進而,通過對這種兩性關系的剖析,體會作家“隱蔽的女權主義”。 本文的第一章作為全篇的緒論部分,對作家嚴歌苓的生平以及小說創(chuàng)作情況做了一個大致的梳理,一定程度上揭示了作家的生活經(jīng)歷對其創(chuàng)作的影響。并通過對其作品研究現(xiàn)狀的整理和綜述,發(fā)掘本文的寫作價值,將本文的寫作思路完整地闡述出來。 第二章分為兩個部分,主要探討嚴歌苓筆下富有“雌性”特質的女性形象,以及與之相對應的,具有“殘缺”特質的男性形象�！按菩浴钡奶刭|主要從母性、情欲、完美的人性三個方面分別加以詮釋。“殘缺”,這個本文所探討男性形象的關鍵詞,在第二章的第二個部分首次出現(xiàn)。筆者首先對嚴歌苓筆下的男性形象所出現(xiàn)的意義進行了探討,指出這些男性形象最大的特征即為“殘缺”,進而對“殘缺”的定義加以解釋說明,并將其歸納為殘疾和心理缺陷兩大類型,為后面的具體論述做了概括。 第三章探討的重點是“殘缺”中殘疾的一類男性形象,分別以《老人魚》、《天浴》、《海那邊》三篇小說中的男主人公為代表,對這類或是肢體殘疾或是智力殘疾的男性形象進行了具體的分析,尤其將關注的重心投放在他們與小說中充滿著生機的女性形象的對比之中。 第四章主要探討“殘缺”中具有心理缺陷的一類男性形象。筆者又從心理缺陷所產(chǎn)生的外在誘因的角度,將其進一步分為因為文革所帶來心理創(chuàng)傷的男性,以及因為移民所產(chǎn)生心理缺陷的男性。前者以《我不是精靈》、《老囚》中的兩位男主人公為例,闡述了經(jīng)歷過政治風暴的男性們如何以“殘缺”的姿態(tài)在以后的歲月中“茍活”下去。后者以《少女小漁》、《拉斯維加斯的謎語》、《約會》、《紅羅裙》中的幾位男主人公為例,透過他們在異域環(huán)境下的種種遭遇,探索他們痛苦交織、矛盾重重的內心世界。其心理缺陷最突出的表現(xiàn),就是他們失去了健全的人格,人性被扭曲到病態(tài)的地步,心理的極端變異,以及對女性(準確地來說是母親)的病態(tài)依戀。與作品中堅韌的女性形象對比,更加凸顯了他們的“殘缺”特質。 第五章則是對前面具體論述所做的總結歸納,“殘缺”男性與“雌性”女性之對比,正是嚴歌苓“隱蔽女權主義”體現(xiàn)之一。
[Abstract]:This paper focuses on the study of Yan Geling ' s novelist , mainly focuses on the discussion of three types of themes . One is the theme of " female " which expresses the unique female experience of the author . The author tries to explore the female image of the author ' s image by means of reverse thinking .


The first chapter of this article , as the introduction part of the whole , makes a general research on the life of Yan Geling , the author and the creation of the novel , and reveals the influence of the writer ' s life experience on his creation .


The second chapter is divided into two parts , which mainly discuss the female image of " female " in Yan Geling ' s pen , and the male image corresponding to the " female " trait . The characteristics of " female " are mainly interpreted in the second part of chapter 2 . The author first discusses the meaning of the male image under Yan Geling ' s pen , then explains the definition of " disability " , and summarizes it as two major types of disability and psychological defect , and summarizes the following detailed discussion .


The third chapter focuses on the male image of the disability in the " disability " , which is represented by the male hero in the three novels of the old man ' s fish , the daily bath and the other three novels , and makes a concrete analysis of the male image of this kind or the physical disability or the intellectual disability , in particular the focus of attention is put on the contrast between them and the female image of the life machine .


The fourth chapter mainly discusses a kind of male image with psychological defects in the " disability " . The author further divides the male characters from the psychological defects into the male with psychological trauma caused by the cultural revolution , and the male hero who has experienced the psychological defects caused by the immigrants . The former shows that the men who have experienced the political storm have lost their sound personality , the human nature is distorted to the state of morbid state , the extreme variation of psychology , and the female ( exactly the mother ) ' s morbid attachment . Compared with the tough female image in the works , the author points out their " incomplete " characteristics .


The fifth chapter summarizes the previous concrete discussion , and the contrast between the male and female is one of the reflection of Yan Geling ' s " hidden feminism " .

【學位授予單位】：廣西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074

【引證文獻】

相關碩士學位論文 前2條

1 陳琳琳;嚴歌苓小說中的男性形象研究[D];曲阜師范大學;2016年

2 王玉俠;嚴歌苓小說中的男性群像研究[D];蘭州大學;2016年

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本文編號：1793439