發(fā)布時(shí)間：2018-04-21 21:04

  本文選題：濟(jì)慈 + 希臘神話�。� 參考：《中國(guó)社會(huì)科學(xué)院研究生院》2015年博士論文

【摘要】：濟(jì)慈從少年時(shí)期就開始關(guān)注并閱讀古希臘神話方面的書籍,這種熱愛一直貫穿他的青年時(shí)代。《恩狄彌翁》、《許佩里翁:片段》、《拉米亞》三首長(zhǎng)詩(shī)既是濟(jì)慈理解和運(yùn)用希臘神話進(jìn)行創(chuàng)作的典范,也是濟(jì)慈長(zhǎng)詩(shī)中的精品。濟(jì)慈生前展望自己死后將躋身英國(guó)偉大詩(shī)人之列,并把成名的希望寄托到長(zhǎng)詩(shī)的創(chuàng)作上,所以對(duì)長(zhǎng)詩(shī)的研究和挖掘是全面解讀濟(jì)慈的必須�！抖鞯覐浳獭肥菨�(jì)慈詩(shī)作中最長(zhǎng)的一首,詩(shī)人以《古典詞典》中狄安娜與恩狄彌翁的愛情故事為引子,創(chuàng)作了恩狄彌翁追求并獲得圓滿愛情的羅曼司。濟(jì)慈模仿《奧德賽》的雙線結(jié)構(gòu)為《恩狄彌翁》設(shè)置了雙主題,即作者濟(jì)慈的理想和恩狄彌翁的愛情;情節(jié)安排上,恩狄彌翁在歷險(xiǎn)中遇到的三段愛情故事在古希臘神話中原本與恩狄彌翁沒有交集,詩(shī)中三對(duì)情侶的故事促成了恩狄彌翁思想的升華;形象塑造上,濟(jì)慈為月神設(shè)計(jì)了三個(gè)名字四張面孔,對(duì)恩狄彌翁的形象和性格進(jìn)行了補(bǔ)充和創(chuàng)新。濟(jì)慈將《恩狄彌翁》的整個(gè)故事背景放在了英格蘭的氛圍之下,詩(shī)中的自然環(huán)境、花鳥蟲魚都具有典型的英格蘭特色,詩(shī)人還在愛情主題之外加入了自己的詩(shī)歌理想和對(duì)祖國(guó)前景的展望。《許佩里翁:片段》是濟(jì)慈創(chuàng)作史詩(shī)體裁的首次嘗試。濟(jì)慈以赫西俄德《神譜》中奧林波斯神戰(zhàn)勝并囚禁提坦神為故事原型訂立了自己的新“神譜”和朝代更迭規(guī)則,并把阿波羅作為約夫的繼任者。詩(shī)中濟(jì)慈有把自己和阿波羅混同的跡象,此外,薩圖恩和許佩里翁都可以找到現(xiàn)實(shí)和文學(xué)原型,濟(jì)慈還在詩(shī)中加入了一些古希臘神話中原本沒有的人物并賦予其獨(dú)特含義。《拉米亞》是一首愛情詩(shī),這首詩(shī)是濟(jì)慈作品中既叫好又叫座的一部。除了借鑒《憂郁的剖析》中拉米亞與里修斯的愛情悲劇,濟(jì)慈還以?shī)W維德《變形記》中的故事為原型加入了拉米亞與赫爾墨斯的交易、赫爾墨斯和林中仙女的愛情。在神話演繹之外,濟(jì)慈為詩(shī)歌加入了樹林中神靈的更替、使天使折翼的哲學(xué)這樣表達(dá)作者個(gè)人理想和思想的觀點(diǎn)和論述。三首詩(shī)除了都是希臘神話背景,還具有一個(gè)共同點(diǎn):詩(shī)中濟(jì)慈都直接或間接地表達(dá)了自己的詩(shī)歌理想和國(guó)家夢(mèng)想。個(gè)人方面,濟(jì)慈想成為阿波羅的追隨者,或更直接,成為詩(shī)神和預(yù)言之神阿波羅本人;國(guó)家方面,濟(jì)慈認(rèn)為英國(guó)詩(shī)歌將超越古希臘文學(xué)占據(jù)世界文林,英國(guó)也將作為海上強(qiáng)國(guó)而崛起。天假以年,濟(jì)慈不但可能日趨保守,他或?qū)⒊蔀橐粋�(gè)帝國(guó)事業(yè)的支持和歌頌者。
[Abstract]:Keats has been following and reading books on ancient Greek mythology since he was a teenager. This love runs through his youth. The three long poems of Emdimion, Sheperon: fragments, Ramia are not only Keats's model of understanding and using Greek mythology, but also the masterpieces of Keats's long poems. Keats looked forward to his death as one of Britain's great poets, and pinned his hopes for fame on the creation of long poems. Therefore, the study and excavation of long poems is the necessity of a comprehensive interpretation of Keats. < Endymie > is the longest of Keats's poems, and the poet is led by the love story of Diana and Endignon in the Classical Dictionary. Romance, who created Endymion's pursuit of and complete love. Keats imitates the twofold structure of "Odyssey" and sets two themes for "Endymion", that is, the author's ideal and Endymion's love; in the arrangement of the plot, The three love stories Endimignon encountered in the adventure were not intersected with Endimignon in ancient Greek mythology. The stories of the three lovers in the poem contributed to the sublimation of Endignon's thought; the image was shaped. Keats designed three names and four faces to complement and innovate the image and character of Endymion. Keats puts the whole story of Endymion in the atmosphere of England. The natural environment of the poem, the flowers, birds, insects and fish, are typical of England. In addition to the theme of love, the poet also adds his poetic ideals and prospects for the future of the motherland. < Xu Perion: fragments > is Keats's first attempt at writing epic genres. Keats' Herzod God defeated and imprisoned Titan as the archetype of the story and established his own new "divine spectrum" and the rules of dynasty change, and took Apollo as his successor. Keats shows signs of mixing himself with Apollo in the poem, and Saittun and Shepperon can both find realistic and literary archetypes. Keats also adds to the poem some characters from ancient Greek mythology and gives them a unique meaning. < Ramia > is a love poem, which is one of Keats' works that is both popular and popular. In addition to drawing on the tragic love between Ramia and Litheus in the dissection of melancholy Keats uses the story of Oweid as the prototype of the deal between Ramia and Hermes and the love between Hermes and the fairy in the woods. In addition to mythological deduction, Keats joined the replacement of gods in the woods for poetry, so that the philosophy of angel wings expressed the author's personal ideals and ideas. Apart from the Greek mythological background, the three poems have one thing in common: Keats expresses his poetic ideal and national dream directly or indirectly. On the personal side, Keats wanted to be a follower of Apollo, or more directly, Apollo himself, the god of poetry and prophecy; on the national side, Keats believed that English poetry would occupy the world's literary forests beyond ancient Greek literature. Britain will also rise as a maritime power. Not only may Keats become more conservative, he may become a supporter and eulogist of an empire.
【學(xué)位授予單位】：中國(guó)社會(huì)科學(xué)院研究生院
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2015
【分類號(hào)】：I561.072

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