本文關(guān)鍵詞：《塵埃落定》和《喧嘩與騷動(dòng)》故鄉(xiāng)敘事比較研究　出處：《西南大學(xué)》2015年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 《喧嘩與騷動(dòng)》 《塵埃落定》 家族敘事 故鄉(xiāng)敘事 民間寫(xiě)作 詩(shī)化傾向 時(shí)間意識(shí)

【摘要】：�？思{與阿來(lái)都是處于社會(huì)轉(zhuǎn)型期的著名作家,社會(huì)的混亂與人性的喪失讓他們?cè)趯?duì)文明的落后和退化進(jìn)行反思的同時(shí),又渴望美好人性的回歸。阿來(lái)曾多次明確表達(dá)過(guò)在�？思{那里學(xué)會(huì)“很多描繪獨(dú)特地理中人文特性的方法”以及“描繪與表達(dá)苦難”的方法。有鑒于此,在影響研究的基礎(chǔ)上,分別選取阿來(lái)與福克納的代表作——《塵埃落定》和《喧嘩與騷動(dòng)》進(jìn)行比較研究具有可行性,希望以此探討兩部小說(shuō)故鄉(xiāng)敘事的同與異。兩位作家都描繪了一個(gè)家族從輝煌走向衰落的破敗圖景,期間父權(quán)淪喪、子孫出走,然而他們對(duì)傳統(tǒng)文明卻持一種理性上批判、感性上又深深迷戀的矛盾態(tài)度,在他們身上我們可以發(fā)現(xiàn)一種“往后看”的歷史觀,同時(shí),阿來(lái)與�？思{都不再追求歷史的真實(shí),取而代之的是想象與虛構(gòu)的歷史；并且他們?cè)谛≌f(shuō)中都塑造了一個(gè)富有地域特色的故鄉(xiāng),但都能跨越狹隘的區(qū)域性,對(duì)人類(lèi)普遍的生存困境進(jìn)行反思與批判。另外,兩位作家都塑造了傻子、女人、下人等人物形象,通過(guò)對(duì)比分析,我們可以發(fā)現(xiàn)不管是如�？思{般渴望用良心和理想掀起一場(chǎng)造神運(yùn)動(dòng),還是如阿來(lái)般用嘲諷和戲謔對(duì)神進(jìn)行解構(gòu)和顛覆,都突顯了他們關(guān)注人類(lèi)命運(yùn)的人道主義精神。與此同時(shí),�？思{與阿來(lái)在小說(shuō)敘事藝術(shù)上有諸多共同的追求,因此兩部小說(shuō)在詩(shī)化傾向、敘事視角、時(shí)間意識(shí)等方面有很多相似點(diǎn),但由于文化傳統(tǒng)、生活環(huán)境、時(shí)代背景的不同又導(dǎo)致兩部小說(shuō)在敘事藝術(shù)上呈現(xiàn)諸多相異之處。最后簡(jiǎn)要概括�？思{與阿來(lái)兩位作家在故鄉(xiāng)敘事上的異同,并在對(duì)比中總結(jié)阿來(lái)及中國(guó)當(dāng)代其他作家創(chuàng)作的得與失,以期見(jiàn)證文學(xué)因何而偉大。
[Abstract]:Faulkner is a famous writer and a social transformation period, the loss of chaos and human society at the same time let them in the reflection of civilization behind and degradation, and return desire for a better humanity. Alai has repeatedly made expressed to "many depicting the unique geographical cultural characteristics in the method" and "description and the expression of suffering in Faulkner. In view of this, based on studying the effect on behalf of Faulkner and Alai were selected for - > and < < settled sound has the feasibility and comparative study of commotion >, hope to explore two novel hometown narrative similarities and differences. The two writers have described a the family from the brilliant to the decline of the dilapidated picture during the patriarchal decay, children away, but they have traditional civilization but hold a rational criticism, ambivalent attitude and deep fascination with the sensibility, In them we can find a "look back" view of history, at the same time, A Lai and Faulkner are no longer pursuing the truth of history, instead of the historical imagination and fiction in the novel; and they have created a rich geographical characteristics of hometown, but can cross regional narrow, for reflection and criticism on the plight of human. In addition, the two writers have created a woman, human characters, through comparative analysis, we can find whether it is like Faulkner to conscience and ideal off a God, or like A Lai with ridicule and banter of deconstruction and God subversion, highlighted their concern about the fate of mankind's humanitarian spirit. At the same time, Faulkner and A Lai have many common pursuit in the narrative art of the novel, the two novels in the poetic inclination, narrative perspective There are a lot of similarities, time consciousness and so on, but because of the cultural tradition, living environment, the different background has led to two novels have many similarities in the narrative art. Finally a brief summary of similarities and differences between Faulkner and Alai two writers in his hometown of narration, and summarize the Alai and other writers in the creation of contemporary Chinese in contrast gain and loss, in order to witness what great literature.

【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：I106.4-03

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本文編號(hào)：1425458