本文關(guān)鍵詞：原型批判視域下的葉芝詩(shī)歌研究　出處：《南京航空航天大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 葉芝 詩(shī)歌 神話 原型批評(píng)

【摘要】：威廉姆·布特勒·葉芝是愛(ài)爾蘭文藝復(fù)興運(yùn)動(dòng)的主要領(lǐng)導(dǎo)人之一，，也是二十世紀(jì)最偉大詩(shī)人、劇作家、作家之一。他不僅對(duì)于促進(jìn)愛(ài)爾蘭文化的發(fā)展做出了不可磨滅的貢獻(xiàn)，而且對(duì)現(xiàn)代英國(guó)詩(shī)歌的發(fā)展也產(chǎn)生了巨大的影響。葉芝對(duì)古典神話和民間傳說(shuō)進(jìn)行了深入研究，他在詩(shī)歌領(lǐng)域中經(jīng)常采用神話題材進(jìn)行創(chuàng)作，并取得了巨大成就；這些神話原型展現(xiàn)了他的力量與勇氣，更喚醒了愛(ài)爾蘭人民對(duì)于自由和平等的向往和熱情。1923年，葉芝被授予諾貝爾文學(xué)獎(jiǎng)。 本文將葉芝詩(shī)歌研究置于原型批判的視角之中，以葉芝詩(shī)歌整體為對(duì)象，始于對(duì)神話與詩(shī)歌關(guān)系的探究。根據(jù)弗萊、費(fèi)雷澤、榮格三人對(duì)原型批判的認(rèn)識(shí)，本文從神話對(duì)葉芝的影響出發(fā)，分析了愛(ài)爾蘭神話、希臘神話、宗教哲學(xué)、神秘主義等因素對(duì)葉芝及其創(chuàng)作的影響。通過(guò)上述文本分析，本文得出了原罪原型、復(fù)活原型、追尋原型在不同的神話中展現(xiàn)出的統(tǒng)一的邏輯框架，并進(jìn)一步挖掘了此三種原型在葉芝詩(shī)歌中的具體表現(xiàn)，并最終得出結(jié)論：葉芝詩(shī)歌的原罪原型、復(fù)活原型以及追尋原型集中體現(xiàn)了作者對(duì)永生的向往、對(duì)人類(lèi)命運(yùn)的悲憫，以及對(duì)愛(ài)的永恒追求。 本文認(rèn)為，葉芝在詩(shī)歌中多用神話和原型，旨在增加他詩(shī)歌中的象征意義和神秘色彩，探索現(xiàn)代人的心靈并反映他們的“集體無(wú)意識(shí)”；并通過(guò)在當(dāng)代和傳統(tǒng)之間構(gòu)建一個(gè)生生不息的平行結(jié)構(gòu)，給現(xiàn)代社會(huì)帶來(lái)一種宏大而穩(wěn)定的秩序。
[Abstract]:William Buttler Yeats was one of the main leaders of the Irish Renaissance and was the greatest poet and playwright of 20th century. One of the writers, he not only made indelible contribution to the development of Irish culture. And the development of modern English poetry also had a great impact. Yeats studied the classical mythology and folklore deeply, he often used mythical themes to create in the field of poetry. And made great achievements; These mythical archetypes show his strength and courage and awaken the Irish people's yearning and enthusiasm for freedom and equality. In 1923 Yeats was awarded the Nobel Prize for Literature. This paper puts the study of Yeats's poetry in the perspective of archetypal criticism, taking Yeats poetry as a whole, beginning with the exploration of the relationship between mythology and poetry, according to the understanding of archetypal criticism by Frei, Ferrezer and Jung. Based on the influence of mythology on Yeats, this paper analyzes the influence of Irish mythology, Greek mythology, religious philosophy and mysticism on Yeats and his creation. Resurrection archetypes, seeking the unified logical framework of archetypes in different mythology, further excavating the concrete performance of these three archetypes in Yeats's poetry, and finally reaching a conclusion: the original sin prototype of Yeats's poetry. The resurrection archetypes and the pursuit archetypes embody the author's yearning for eternal life, his compassion for the fate of mankind, and the eternal pursuit of love. This paper argues that Yeats uses myths and archetypes in his poems to increase the symbolism and mystery in his poems, to explore the hearts of modern people and to reflect their "collective unconsciousness". And by constructing a continuous parallel structure between contemporary and traditional, it brings a great and stable order to modern society.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：I562.072

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 傅浩;創(chuàng)造自我神話:葉芝作品中的互文[J];外國(guó)文學(xué);2005年03期

2 何林;;抒情的變革——略論葉芝的“面具理論”[J];作家;2009年20期

本文編號(hào)：1402030