本文關(guān)鍵詞：后殖民女性主義視角下的《所羅門之歌》　出處：《西北大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 《所羅門之歌》 后殖民女性主義 斯皮瓦克 黑人女性 身份

【摘要】：本文旨在從后殖民女性主義這一視角來分析《所羅門之歌》中黑人女性身份和主體性的重構(gòu),從而為這部作品的解讀提供了新的視角。 托尼·莫里森是美國當(dāng)代文學(xué)史上最為杰出的小說家之一,也是首位獲得諾貝爾文學(xué)獎(jiǎng)的美國黑人女作家。黑人和女性的雙重身份使她能夠以特有的視角來審視黑人女性的內(nèi)心世界,并以小說這種形式來關(guān)注和記錄黑人女性的命運(yùn)。后殖民女性主義產(chǎn)生于20世紀(jì)八九十年代,是由后殖民主義和女性主義結(jié)合形成的一種新的批評理論。不同于西方女性主義,這一理論強(qiáng)調(diào)處于弱勢地位的女性,尤其是第三世界女性的呼聲和訴求。《所羅門之歌》是一部以黑人男性為主人公的作品,但莫里森同時(shí)也在這部作品中刻畫了一組栩栩如生、性格迥異的黑人女性形象。作品反映了白人的西方文化和黑人的傳統(tǒng)文化之間的對峙與沖突,隨著自我意識的覺醒,黑人女性重新找回了話語權(quán)和主體性。 本文運(yùn)用后殖民主義和女性主義的共同點(diǎn),從后殖民女性主義視角,對美國黑人女性作家托尼·莫里森的小說《所羅門之歌》進(jìn)行了解讀,同時(shí)探討了父權(quán)制和白人文化霸權(quán)對黑人女性的精神壓迫和毒害,黑人的民族文化傳統(tǒng)傳承的重要性,黑人女性自我意識的覺醒和抗?fàn)幰约昂谌伺陨矸莸闹貥?gòu)。本文的解讀豐富了《所羅門之歌》的分析視角,并為讀者對這部作品的理解提供了新的視野和見解。
[Abstract]:The purpose of this paper is to analyze the reconstruction of the identity and subjectivity of black women in Song of Solomon from the perspective of post-colonial feminism, thus providing a new perspective for the interpretation of the novel. Tony Morrison is one of the most outstanding novelists in the history of contemporary American literature. She is also the first black American writer to win the Nobel Prize for Literature. The dual identity of black and female enables her to examine the inner world of black women from a unique perspective. The post-colonial feminism came into being in the 1980s and 1990s in 20th century. It is a new critical theory formed by the combination of postcolonialism and feminism. Different from western feminism, this theory emphasizes women in a weak position. "Song of Solomon" is a work in which black men are the protagonists, but Morrison also portrays a group of lifelike characters in this work. The works reflect the confrontation and conflict between white western culture and black traditional culture. With the awakening of self-consciousness, black women regain their right of speech and subjectivity. Using the common denominator of post-colonialism and feminism, this paper interprets the novel "Song of Solomon" by Tony Morrison, a black American female writer, from the perspective of post-colonial feminism. At the same time, it discusses the spiritual oppression and poison of patriarchal system and white cultural hegemony to black women, and the importance of the inheritance of black national cultural tradition. The awakening and struggle of the self-consciousness of black women and the reconstruction of the identity of black women enrich the analytical perspective of Song of Solomon and provide readers with a new perspective and insights to understand the novel.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I712.074

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本文編號：1400797