【摘要】：當(dāng)代漢語(yǔ)中語(yǔ)體紛繁復(fù)雜，隨著網(wǎng)絡(luò)時(shí)代的到來(lái)而興起的群言體，有別于傳統(tǒng)語(yǔ)體的特點(diǎn)。群言體雖然是互聯(lián)網(wǎng)時(shí)代的產(chǎn)物，但早在春秋時(shí)代就已略顯雛形，只是借助新媒體的不斷發(fā)展，利用網(wǎng)絡(luò)語(yǔ)言多變性的特點(diǎn)進(jìn)行了一次新的語(yǔ)言實(shí)踐。群言體是指根據(jù)一定的結(jié)構(gòu)形式或內(nèi)部關(guān)系羅列出來(lái)的不同對(duì)象或群體體現(xiàn)不同身份或價(jià)值觀的一種話語(yǔ)形式。 根據(jù)群言體的性質(zhì)特點(diǎn)可將群言體分為群言采訪體和群言寫(xiě)照體兩大類(lèi)：群言采訪體主要是一些紀(jì)實(shí)性質(zhì)的采訪稿或者是對(duì)真實(shí)人物話語(yǔ)的一種羅列呈現(xiàn)，這種群言體的內(nèi)容是客觀真實(shí)的，不可杜撰，其功能是紀(jì)實(shí)；群言寫(xiě)照體是虛構(gòu)、仿擬出來(lái)的不同對(duì)象群言的言語(yǔ)羅列，其功能是娛樂(lè)。 群言體不是簡(jiǎn)單的一種話語(yǔ)羅列，它自身具有一些不同于傳統(tǒng)語(yǔ)體的新特點(diǎn)：（1）復(fù)調(diào)性主要是指群言體內(nèi)部多種聲音的不同觀點(diǎn)，彼此之間相互獨(dú)立，但是又相互依賴。每個(gè)群言體內(nèi)部的話語(yǔ)項(xiàng)沒(méi)有語(yǔ)義上的重復(fù)，也并無(wú)語(yǔ)用上的銜接，但是通過(guò)一定的內(nèi)部關(guān)系，多個(gè)話語(yǔ)項(xiàng)并列存在，就像音樂(lè)中的不同聲部；（2）群言體也是一種特殊的對(duì)話，不僅是文中所謂的各種觀點(diǎn)的發(fā)話人之間的對(duì)話，也是文章作者和讀者的對(duì)話；（3）后續(xù)性是它區(qū)別于其他語(yǔ)體的又一大特點(diǎn)，相較于傳統(tǒng)語(yǔ)體，群言體是一種開(kāi)放性的語(yǔ)體，它可以通過(guò)作者或讀者自身的創(chuàng)造性承接著上文繼續(xù)創(chuàng)作，這種后續(xù)性也是它爆紅于網(wǎng)絡(luò)等新媒體的最終原因；（4）群言體每個(gè)話語(yǔ)項(xiàng)之間的獨(dú)立性也使其具有不穩(wěn)定性，各個(gè)話語(yǔ)項(xiàng)的順序可以錯(cuò)亂調(diào)整，但并不會(huì)影響群言體的整體語(yǔ)言效果；群言體紅于網(wǎng)絡(luò)，足見(jiàn)它娛樂(lè)功能的強(qiáng)大性，在當(dāng)今信息社會(huì)中，，群言體以全新面貌逐漸走進(jìn)人們的視野，確立其語(yǔ)體地位。 從群言體的內(nèi)部要素來(lái)看，話題是群言體的第一要素，它有著提綱挈領(lǐng)的作用；說(shuō)話人、受話人和第三方發(fā)話人作為群言體中的主要角色要素，它們彼此之間的特殊對(duì)話關(guān)系，也體現(xiàn)了群言體的獨(dú)特性。就群言體內(nèi)部的銜接關(guān)系而言，復(fù)現(xiàn)關(guān)系主要是指群言體語(yǔ)言內(nèi)容層面的特點(diǎn)，而羅列關(guān)系和推進(jìn)關(guān)系是群言體語(yǔ)言結(jié)構(gòu)層面的主要特點(diǎn)。群言體常見(jiàn)的修辭格有對(duì)比、排比、比喻、仿擬等，各種修辭手法的套用增加了群言體的比較功能和娛樂(lè)功能。
[Abstract]:The contemporary Chinese language style is complicated, with the advent of the Internet era, the rise of the group style, different from the characteristics of the traditional style. Although the group style is the product of the Internet era, as early as the Spring and Autumn period, a new language practice has been carried out with the help of the continuous development of the new media and the variability of the network language. Group style refers to a discourse form in which different objects or groups embody different identities or values according to certain structural forms or internal relations. According to the characteristics of the group, the group can be divided into two categories: the group interview and the group writing: the group interview is mainly a documentary interview or a list of the real people's discourse, and it can be divided into two categories: the group speech interview style is mainly the documentary nature of the interview manuscript or a listing of the real person discourse. The content of this kind of group is objective and real, which can not be made up of, and its function is to be on-the-record; Group writing is a fictional, imitated list of words of different objects, whose function is to entertain. Group style is not a simple list of words, it itself has some new characteristics different from the traditional style: (1) polyphonic mainly refers to the different views of various voices in the group style, which are independent of each other, but dependent on each other. There is no semantic repetition and no pragmatic cohesion in each group, but through a certain internal relationship, a number of discourse items exist side by side, just like the different parts of the music; (2) the group style is also a special kind of dialogue, which is not only the dialogue between the speakers of the so-called views in the text, but also the dialogue between the author and the reader of the article; (3) continuity is another major feature that distinguishes it from other styles. Compared to traditional styles, group style is an open style, and it can continue to create through the creativity of the author or the reader themselves. This kind of continuity is also the ultimate reason why it has become popular with the Internet and other new media; (4) the independence of each discourse item also makes it unstable, and the order of each discourse item can be misadjusted, but it will not affect the overall linguistic effect of the group style; The group style is more popular than the network, and fully shows the strength of its entertainment function. In today's information society, the group style gradually enters people's field of view with a new look and establishes its stylistic status. From the point of view of the inner elements of the group style, the topic is the first element of the group style, and it plays an important role in the outline. The speaker, the receiver and the third party speaker as the main role elements in the group style, their special dialogue relationship between each other, also embodies the uniqueness of the group style. As far as the cohesion relationship within the group style is concerned, the recurrence relationship mainly refers to the characteristics of the content level of the group language, while the list relation and the promotion relationship are the main characteristics of the group language structure level. The common figures of speech in group style are contrast, comparison, metaphor, imitation and so on. The application of various rhetorical devices increases the comparative function and entertainment function of group style.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：H15

【共引文獻(xiàn)】

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