本文選題：符號(hào)學(xué) + 民俗寓意��； 參考：《昆明理工大學(xué)》2013年碩士論文

【摘要】：云南紙馬主要分布在云南的東西北地區(qū),通常都是白族、漢族、彝族、藏族、納西族、傈僳族、傣等民族。云南紙馬是中華民族文化的重要組成部分,它有著較為悠久的歷史、豐富的文化內(nèi)涵,對(duì)云南少數(shù)民族歷史文化的研究不僅具有云南地方歷史、文化研究的局部意義,同樣也具有中國(guó)民間文化研究的普遍意義。研究云南少數(shù)民族的文化、歷史不僅對(duì)云南紙馬視覺(jué)符號(hào)的語(yǔ)義解讀、文化特色、藝術(shù)特點(diǎn)以及語(yǔ)境的研究有著積極的意義,同樣也對(duì)云南歷史、文化的傳承與現(xiàn)代化有著積極的意義。 本論文在查閱國(guó)內(nèi)外文獻(xiàn)資料和設(shè)計(jì)實(shí)踐基礎(chǔ)上,運(yùn)用符號(hào)學(xué)原理,分析了云南紙馬的視覺(jué)符號(hào),以及云南紙馬圖案民俗寓意,探討了云南紙馬在制作時(shí)需要的材料及工具和制作方法。從色彩、構(gòu)圖、造型以及表現(xiàn)手法方面對(duì)它的藝術(shù)特征進(jìn)行分析。從視覺(jué)藝術(shù)、符號(hào)學(xué)理論方向?qū)υ颇霞堮R圖案進(jìn)行研究,對(duì)云南紙馬視覺(jué)符號(hào)研究可以拓展符號(hào)學(xué)、視覺(jué)藝術(shù)的應(yīng)用和研究領(lǐng)域,云南紙馬傳承的民族文化可以得到深入的了解。云南紙馬是一種視覺(jué)藝術(shù)符號(hào),云南紙馬圖案很豐富。根據(jù)云南紙馬的宗教內(nèi)容、符號(hào)語(yǔ)義和民俗寓意,把文化的民族性和時(shí)代性與我們的日常生活需要結(jié)合起來(lái),不斷創(chuàng)新并創(chuàng)造出具有時(shí)代精神具有現(xiàn)代審美的作品,將云南紙馬的優(yōu)勢(shì)釋放出來(lái)進(jìn)行商品化,積極走向市場(chǎng)；豐富紙馬的種類并將紙馬應(yīng)用到產(chǎn)品外觀包裝設(shè)計(jì)、廣告、家居設(shè)計(jì)、時(shí)裝等。 云南紙馬是一代又一代的勞動(dòng)人民創(chuàng)造的藝術(shù)品,有的藝術(shù)品經(jīng)過(guò)歲月的流逝已經(jīng)消逝不在了,有的流傳下來(lái)卻數(shù)量極少。而云南紙馬能夠流傳至今是因?yàn)槿藗儾粩嘟Y(jié)合生存的民俗使用與生活需要去進(jìn)行創(chuàng)造,并且保留著從遠(yuǎn)古先民那傳承下來(lái)的民族文化氣息,于是有著自己獨(dú)特的藝術(shù)風(fēng)貌和造型特征,是我國(guó)珍貴的歷史文化遺產(chǎn)。
[Abstract]:Yunnan paper horse is mainly distributed in the east and northwest of Yunnan. It is usually Bai, Han, Yi, Tibetan, Naxi, Lisu, Dai and other ethnic groups. Yunnan paper horse is an important part of Chinese culture. It has a long history and rich cultural connotations. Also has the Chinese folk culture research universal significance. To study the culture of Yunnan ethnic minorities, history is not only of positive significance to the semantic interpretation, cultural characteristics, artistic characteristics and context of Yunnan paper-horse visual symbols, but also to the history of Yunnan. The inheritance and modernization of culture have positive significance. On the basis of consulting literature and design practice at home and abroad, this paper analyzes the visual symbols of Yunnan paper-horse and the meaning of Yunnan paper-horse design folklore by using the semiotics principle. This paper discusses the materials, tools and methods of making Yunnan paper horses. From the color, composition, modeling and expression of its artistic features are analyzed. The study of Yunnan paper-horse pattern from the perspective of visual art and semiotics theory, the study of Yunnan paper-horse visual symbol can expand the field of semiotics, the application and research of visual art. Yunnan paper horse inheritance of national culture can be deeply understood. Yunnan paper horse is a visual art symbol, Yunnan paper horse design is very rich. According to the religious content, symbolic semantics and folk moral of Yunnan paper-horse, combining the nationality and times of culture with the needs of our daily life, we constantly innovate and create works with the spirit of the times and modern aesthetics. The advantage of Yunnan paper horse is released to be commercialized, and the variety of paper horse is enriched and applied to packaging design, advertisement, home design, fashion and so on. Yunnan Paper Horse is a work of art created by working people from generation to generation. And Yunnan paper horses can be passed down to this day because people constantly combine the folk customs of survival with the needs of life to create, and retain the national cultural atmosphere inherited from the ancient ancestors. Therefore has its own unique artistic style and modelling characteristic, is our country precious historical and cultural heritage.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J505

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李樂(lè)山;產(chǎn)品符號(hào)學(xué)的設(shè)計(jì)思想[J];裝飾;2002年04期

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本文編號(hào)：2064874