發(fā)布時(shí)間：2018-05-16 02:11

  本文選題：大眾文化 + 大眾圖像��； 參考：《東北師范大學(xué)》2008年碩士論文

【摘要】： 中國(guó)的大眾文化崛起于20世紀(jì)后半葉,它是中國(guó)當(dāng)代社會(huì)出現(xiàn)的一種引人注目的文化現(xiàn)象。伴隨著經(jīng)濟(jì)改革的歷史化進(jìn)程,市場(chǎng)經(jīng)濟(jì)的不斷發(fā)展,大眾文化引領(lǐng)社會(huì)潮流,無(wú)數(shù)的商業(yè)廣告鋪天蓋地的出現(xiàn)在街頭、報(bào)紙、雜志、網(wǎng)絡(luò)和電視中,使任何人都無(wú)法回避,同時(shí)大量的流行圖書,包括漫畫、影視和多媒體產(chǎn)品也應(yīng)運(yùn)而生,它們都包含在大眾圖像的范疇之內(nèi),對(duì)人們產(chǎn)生巨大的影響,由于這種圖像的泛濫,在一定程度上改變了人們的審美方式和生存方式,也在一定程度上改變了藝術(shù)家的創(chuàng)作方式,成為藝術(shù)家可資利用的資源和材料。因此,很多藝術(shù)家不僅在創(chuàng)作方式和圖像的呈現(xiàn)方式上發(fā)生了巨大的改變,而且在題材和觀念的表達(dá)上也發(fā)生了巨大的轉(zhuǎn)變。在這種條件下,深入思考大眾圖像對(duì)我國(guó)當(dāng)代油畫創(chuàng)作產(chǎn)生的影響和它們之間的關(guān)系,以及它對(duì)油畫創(chuàng)作影響的利與弊都有助于我們清醒的認(rèn)識(shí)當(dāng)代藝術(shù)的發(fā)展和未來(lái)。通過(guò)分析法和觀察法試圖研究、梳理大眾圖像對(duì)中國(guó)當(dāng)代油畫創(chuàng)作的影響,并結(jié)合藝術(shù)家個(gè)案,具體論述他們?cè)趧?chuàng)作過(guò)程中如何使用大眾圖像以及大眾圖像對(duì)他們?cè)趧?chuàng)作中的影響,使作為傳統(tǒng)媒介的油畫獲得了全新的發(fā)展空間。同時(shí),通過(guò)研究當(dāng)代油畫創(chuàng)作發(fā)展的現(xiàn)狀,發(fā)現(xiàn)大眾圖像也猶如一把雙刃劍,在一定程度上也給繪畫藝術(shù)帶來(lái)了危機(jī),使一部分藝術(shù)家在盲目的創(chuàng)作中缺少了必要的人文關(guān)懷和批判立場(chǎng)的改變,而且還出現(xiàn)了圖像媚俗化傾向的現(xiàn)象,對(duì)這些現(xiàn)象進(jìn)行具體分析,使我們?cè)诳隙ù蟊妶D像對(duì)油畫創(chuàng)作積極意義的同時(shí),也應(yīng)該明確它為油畫創(chuàng)作帶來(lái)的不利因素,清醒地意識(shí)到當(dāng)代藝術(shù)在矛盾中前行的客觀現(xiàn)實(shí)。
[Abstract]:The rise of Chinese popular culture in the second half of the 20th century is a remarkable cultural phenomenon in contemporary Chinese society. With the historical process of economic reform, the continuous development of market economy, mass culture leading the social trend, countless commercial advertisements appear in the streets, newspapers, magazines, networks and television, so that no one can avoid it. At the same time, a large number of popular books, including comics, films and multimedia products, have also emerged. They are all included in the category of popular images, which have a great impact on people. Because of the proliferation of such images, To a certain extent, it has changed people's aesthetic style and way of living, and to some extent has changed the way of artists' creation, and has become the resources and materials that artists can use. Therefore, many artists not only have great changes in the way of creation and presentation of images, but also in the expression of themes and ideas. Under this condition, it is helpful for us to have a clear understanding of the development and future of contemporary art by thinking deeply about the influence of mass image on contemporary oil painting creation in our country and the relationship between them, as well as the advantages and disadvantages of its influence on oil painting creation. Through the method of analysis and observation, this paper tries to study the influence of popular images on Chinese contemporary oil painting creation, and combines with the case of artists. This paper discusses how they use mass images in the process of creation and the influence of mass images on their creation, which makes oil painting, as a traditional medium, gain a new development space. At the same time, by studying the present situation of the development of contemporary oil painting, we find that the public image is also like a double-edged sword, and to some extent, it also brings about a crisis to the painting art. It makes some artists lack the necessary humanistic concern and the change of critical stand in the blind creation, and also appears the phenomenon of image vulgarization tendency, carries on the concrete analysis to these phenomena, So that while we affirm the positive significance of popular image to oil painting creation, we should also make clear the unfavorable factors that it brings to oil painting creation, and soberly realize the objective reality that contemporary art moves forward in contradiction.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J213

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

1 王櫻潔;論觀念藝術(shù)對(duì)重慶油畫發(fā)展的影響[D];重慶師范大學(xué);2011年

2 鄭麗莉;關(guān)于油畫教學(xué)中參照照片創(chuàng)作問(wèn)題的思考[D];河北師范大學(xué);2010年

3 羅瀟;中國(guó)當(dāng)代油畫圖像化表現(xiàn)形式中民族元素運(yùn)用研究[D];重慶師范大學(xué);2010年

4 游偉;當(dāng)代中國(guó)油畫藝術(shù)“卡通化”表現(xiàn)形式的探析[D];贛南師范學(xué)院;2012年

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本文編號(hào)：1894973