本文關(guān)鍵詞： 潤例 海上 書畫家 生存狀態(tài) 清末民國　出處：《浙江大學(xué)》2007年博士論文　論文類型：學(xué)位論文

【摘要】： 近代以來上海商業(yè)化進(jìn)程導(dǎo)致了繁榮的海上書畫交易，而海上書畫的繁榮是以潤例為中介來實(shí)現(xiàn)的，對(duì)清末民國以來海上書畫潤例的研究，不僅能讓我們進(jìn)一步了解當(dāng)時(shí)上海商業(yè)化程度和書畫交易情況，還能讓我們進(jìn)一步了解當(dāng)時(shí)在上海生活的書畫家們的生存狀態(tài)。 藝術(shù)家的生存狀態(tài)分為三個(gè)層次：第一層次是普通人的生活質(zhì)量、生活水平、生活關(guān)系；第二層次是藝術(shù)家的創(chuàng)作狀態(tài)和以藝術(shù)品為中介的人際關(guān)系；第三層次是文化人的社會(huì)參與程度、社會(huì)關(guān)系。通過對(duì)近代海上書畫潤例及以潤例為中介的書畫交易活動(dòng)的分析，本文試圖揭示當(dāng)時(shí)海上書畫家們的生活質(zhì)量與生活水平、創(chuàng)作狀態(tài)與人際關(guān)系、社會(huì)角色與社會(huì)責(zé)任等方面內(nèi)容。 全文共分八個(gè)部分： 緒論從近代上海的商業(yè)化進(jìn)程對(duì)上海書畫市場(chǎng)影響的角度，分別探討了近代上海的商業(yè)化進(jìn)程、明清以降江浙商業(yè)傳統(tǒng)與上海書畫市場(chǎng)的形成、商業(yè)化進(jìn)程中的海上書畫家等問題，提出書畫家已經(jīng)不再是傳統(tǒng)意義上的藝術(shù)家，而是具有現(xiàn)代意義上的藝術(shù)商品生產(chǎn)者這一觀點(diǎn)。同時(shí)，這部分還介紹了本課題研究的現(xiàn)狀、意義、視角、思路和研究方法。 第一章從歷史學(xué)和經(jīng)濟(jì)學(xué)角度，，對(duì)潤例本身進(jìn)行了研究。從歷史學(xué)的角度，本文對(duì)潤例概念的歷史發(fā)展進(jìn)行了梳理，探討了“潤例”概念的歷史沿革，分析了清末民國時(shí)期上海書畫潤例興起的歷史基礎(chǔ)。從經(jīng)濟(jì)學(xué)的角度，著重分析了潤例的經(jīng)濟(jì)學(xué)內(nèi)涵，包括潤例與價(jià)值的關(guān)系、潤例與價(jià)格的關(guān)系及書畫潤例的柔性定價(jià)性質(zhì)等問題。 第二章是關(guān)于潤例的制定、發(fā)布及實(shí)現(xiàn)途徑的研究。清末民國書畫市場(chǎng)的顯著特征，就是書畫家能較好地運(yùn)用各種媒體和中介發(fā)布潤例，進(jìn)行有效的廣告宣傳和推銷。而此時(shí)潤例的制定方式、類型、實(shí)現(xiàn)途徑等方面都表現(xiàn)出了多樣性，這些都構(gòu)成海上書畫市場(chǎng)成熟的標(biāo)志之一。 第三章運(yùn)用社會(huì)學(xué)的方法分析了書畫家及其作品購藏者的不同職業(yè)和身份分類，幫助我們?nèi)胬斫鈺嫾业纳钍澜纾接懥撕Ｉ蠒嬞彶厝说馁彶匦睦韺?duì)書畫家創(chuàng)作狀態(tài)的影響。同時(shí)，這些購藏者還是海上書畫家們最重要的人際交往對(duì)象，是書畫家生活圈子的重要組成部分。 第四章運(yùn)用統(tǒng)計(jì)學(xué)的方法，分析了書畫家的不同社會(huì)層次和不同生活水平層次。在海上書畫家與其他行業(yè)尤其是其他文化行業(yè)從業(yè)者的收入情況對(duì)比中，本文初步認(rèn)為，海上書畫家的生活收入高于當(dāng)時(shí)上海市民的平均收入，海上書畫家的平均生活水平高于當(dāng)時(shí)的上海市民的平均收入水平，他們的生活水平與其他文化人士相當(dāng)。本章還分析了影響海上書畫家生活水平的其他因素。 第五章研究了海上書畫家在潤例發(fā)布中體現(xiàn)出的社會(huì)角色及社會(huì)責(zé)任。海上書畫家們?cè)跐櫪l(fā)布和書畫交易中，體現(xiàn)出書畫家們?cè)谧杂X地扮演一定的社會(huì)角色、承擔(dān)一定的社會(huì)責(zé)任，以謀求社會(huì)承認(rèn)的心態(tài)。本文重點(diǎn)分析了海上書畫家所扮演的現(xiàn)代商業(yè)廣告主體這一社會(huì)角色，同時(shí)將海上書畫家所承擔(dān)的社會(huì)責(zé)任與賑災(zāi)義賣等社會(huì)公益事業(yè)結(jié)合起來，體現(xiàn)出商業(yè)社會(huì)書畫家們獨(dú)特的生存方式。 第六章運(yùn)用比較的方法，對(duì)京派與海派進(jìn)行了比較。這種比較分兩方面：京派書畫與海派書畫的不同市場(chǎng)化程度和受此因素影響京派與海派書畫家的不同生存狀態(tài)。海派以現(xiàn)代藝術(shù)市場(chǎng)運(yùn)作為特征，京派以傳統(tǒng)書畫流通方式為特征：北京書畫家多與官僚交接，而上海書畫家多與商人親近。 結(jié)語探討了書畫潤例的表現(xiàn)形式與傳播方式的變遷過程，揭示了海上書畫潤例折射出的書畫家的生存狀態(tài)以及海上書畫潤例在書畫商品化進(jìn)程中的作用、海上書畫潤例在商品化進(jìn)程中存在的問題及潤例對(duì)當(dāng)代書畫市場(chǎng)的啟示。
[Abstract]:Since modern Shanghai commercial process led to the boom of the sea and the sea of painting and calligraphy painting and calligraphy exchange, prosperity is to remuneration as an intermediary to achieve the study on marine remuneration in the late Qing Dynasty since the Republic of China, not only allows us to further understand that Shanghai commercial and trading and, so that we can further understand the survival state of painting and calligraphy people living in Shanghai at that time.
The artist's survival state is divided into three levels: the first level is the quality of life of ordinary people living standard and life relations; the second level is the creation of artists and art as an intermediary state in interpersonal relationship; the third level is the human culture and social participation, social relations. Through the analysis of modern remuneration and to the sea the remuneration for intermediary and trading activities, the paper tries to reveal that the artists' quality of life and standard of living, the creation of the state and the interpersonal relationship, social roles and social responsibility and other aspects.
The full text is divided into eight parts:
The introduction from the commercialization of modern Shanghai calligraphy and painting market in Shanghai influence angle, discusses the commercialization process of modern Shanghai, Jiangsu and Zhejiang in Ming and Qing Dynasties formed commercial tradition and Shanghai art market, in the process of commercialization of the sea painter, painting and calligraphy has been put forward is not the traditional sense of the artist, but this is a view of modern art commodity producers. At the same time, this part also introduces the present situation, the research significance, perspectives, ideas and research methods.
The first chapter from the angle of history and economics, the remuneration itself is studied. From the perspective of history, the historical development of the concept of the remuneration is reviewed, discussed the history of the "Remuneration" concept, analyzes the history of Qing Dynasty and the Republic of China Shanghai based remuneration rise. From the angle of economics, analyzes the economics the connotation of remuneration, including the relationship between remuneration and value, and the relationship between the price of the remuneration remuneration and flexible pricing nature of the problem.
The second chapter is about the establishment of remuneration, approach and implementation features. Released in late Qing painting market, is painting and calligraphy can better use of various media and intermediary remuneration for effective advertising, publicity and marketing. The way, while making the remuneration of the type, the way show diversity all these constitute one symbol of the sea, calligraphy and painting market.
The third chapter uses the method of Sociology Analysis of different occupation and identity classification of artists and their works collectors, help us fully understand the art of life world, to investigate the effect of marine painting Tibetan psychology on the purchase of the purchase of painting creation state. At the same time, these collectors or artists are the most important interpersonal communication is an important part of the object, and the circle of life.
The fourth chapter uses statistical methods, analysis of the painting and calligraphy of the different levels and different levels of social life in the sea. Painting and other industries especially the comparative income of other cultural industry practitioners, this paper believes that the average income of the artists living in the Shanghai people's high income, the average income level of the average life the level of painting and calligraphy of the sea was higher than the people of Shanghai, their standard of living and other cultural figures. This chapter also analyzes other factors which affect the artists living standards.
The fifth chapter studies the artists in the social role and social responsibility reflects the remuneration in the publication. The artists in painting and calligraphy and the remuneration released transaction, reflects the artists play certain roles in consciously, commitment to social responsibility, to seek social recognition attitude. This paper focuses on the analysis of the sea painting and calligraphy played by modern commercial advertising the social role, while the artists assume social responsibility and relief charity and other public welfare undertakings combine to reflect the commercial society of artists unique modes of living.
The sixth chapter uses the comparative method of Beijing and Shanghai are compared. It is divided into two aspects: different degree of market of Beijing and Shanghai Painting and calligraphy and painting by different survival state of the influencing factors of Beijing and Shanghai. Shanghai painting to modern art market as features, the characteristics of traditional painting and calligraphy circulation: Beijing painting and calligraphy officals, while Shanghai and many businessmen close.
The conclusion discusses the changing process of form and mode of transmission of remuneration, revealing the role of sea remuneration reflects the painter's survival state and sea remuneration in painting in the process of commercialization, problems and Enlightenment in the commercialization of the remuneration in the remuneration of contemporary art market.

【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2007
【分類號(hào)】：J209.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 喬志強(qiáng);;晚清民國時(shí)期美術(shù)界賑災(zāi)濟(jì)困活動(dòng)探析[J];湛江師范學(xué)院學(xué)報(bào);2011年01期

相關(guān)碩士學(xué)位論文 前6條

1 姜小麗;晚清海上畫派書畫市場(chǎng)研究[D];山東大學(xué);2012年

2 周靜;近代上海箋扇莊研究[D];上海師范大學(xué);2012年

3 王曉笛;民國前期（1912-1937）書畫潤例研究[D];南京藝術(shù)學(xué)院;2012年

4 侯文佳;中國畫家職業(yè)化的歷史與體制研究[D];中央美術(shù)學(xué)院;2013年

5 曲家輝;清代瓷繪博古圖像研究[D];首都師范大學(xué);2013年

6 梅松松;晚清（1840-1911）文人鑒藏活動(dòng)研究[D];首都師范大學(xué);2012年

本文編號(hào)：1498544