本文關(guān)鍵詞： 首屆 中國 設(shè)計(jì) 大展 平面設(shè)計(jì) 自主性　出處：《美術(shù)觀察》2013年02期 　論文類型：期刊論文

【摘要】：正首屆中國設(shè)計(jì)大展給了中國平面設(shè)計(jì)一次巨大的自審機(jī)會(huì)。對(duì)于標(biāo)榜自主性崛起的中國設(shè)計(jì)界而言,平面設(shè)計(jì)如何"回到中國"、如何建立中國自己的標(biāo)準(zhǔn),應(yīng)該更多地思考平面設(shè)計(jì)的本質(zhì)回歸,而不僅僅是內(nèi)容的中國化。從此次大展平面部分優(yōu)秀獎(jiǎng)的分布來看,兩項(xiàng)給了書籍設(shè)計(jì),一項(xiàng)給了文字設(shè)計(jì),另外兩項(xiàng)給了一個(gè)公益的裝置藝術(shù)項(xiàng)目和電視廣告,顯示了大展向著平面設(shè)計(jì)更廣的外延擴(kuò)張的決心,而曾幾何時(shí)作為平面設(shè)計(jì)代表的海報(bào)令人吃驚地?zé)o一獲獎(jiǎng)。這
[Abstract]:The first China Design Exhibition has given China's graphic design a great opportunity for self-examination. For the Chinese design community, which boasts the rise of autonomy, how does graphic design "return to China" and how to establish its own standards? We should think more about the return of the essence of graphic design, not just the Sinicization of the content. Judging from the distribution of the awards of excellence in the plane part of the exhibition, two items have been given to book design, one to text design. Two other projects have been given to a pro bono installation project and television commercials, showing the determination of the exhibition to expand towards a broader extension of graphic design, and posters that were once representatives of graphic design were surprisingly unawarded.
【分類號(hào)】：J524
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本文編號(hào)：1498368