民俗藝術(shù)學(xué)視角下的祝壽圖像研究
發(fā)布時(shí)間：2019-03-06 14:10
【摘要】：祝壽圖像是植根于我國(guó)傳統(tǒng)文化沃壤之中,并長(zhǎng)期應(yīng)用于人生禮俗生活的一種民俗藝術(shù)樣式。該圖像的生成有生命信仰的觀念基礎(chǔ)和豐厚的傳統(tǒng)文化蘊(yùn)涵,不僅體現(xiàn)出國(guó)人對(duì)長(zhǎng)壽的企盼、祝愿和追求,也是展現(xiàn)國(guó)人生命信仰風(fēng)俗的鮮活“斷切面”。可以說(shuō),祝壽圖像兼具了風(fēng)俗性、應(yīng)用性、典型性和象征性等特征,其物化形態(tài)是視覺(jué)藝術(shù)的,本質(zhì)屬性卻是民俗藝術(shù)的。盡管祝壽圖像的主題意旨集中于祝頌長(zhǎng)壽,但實(shí)質(zhì)上,又融入了生命倫理和民間信仰等文化元素。因此,它以視覺(jué)形式傳遞福壽祝愿和渲染壽誕禮俗氣氛的同時(shí),也為包括人生禮俗在內(nèi)的社會(huì)風(fēng)俗增添了藝術(shù)色彩和文化理趣。作為傳承有序的民俗藝術(shù)樣式,祝壽圖像的生成邏輯和文化功能,實(shí)乃緣自于人們對(duì)生命長(zhǎng)度的苦苦追求,以及對(duì)現(xiàn)世生活的執(zhí)著與眷戀。祝壽圖像的最初生成源自星辰信仰,而在其發(fā)展和衍化過(guò)程中,又逐漸融入壽國(guó)、壽人意涵和儒家孝道倫理的文化因子,尤其是世俗觀念中的福壽觀、多子觀和富貴觀等吉祥內(nèi)涵的滲透,皆成為考索和解讀該圖像生成機(jī)制的重要線索與基點(diǎn)之所在。從祝壽圖像符號(hào)構(gòu)成系統(tǒng)來(lái)看,其意象構(gòu)成譜系頗為豐富,涉及人物、動(dòng)物、植物、無(wú)機(jī)界中的諸多物象。這些意象元素的采用,是歷史認(rèn)知、古代天文、民間風(fēng)俗、神話故事等的匯聚,亦是祝壽圖像亦幻亦真、虛實(shí)結(jié)合的結(jié)果。從祝壽圖像中意象構(gòu)成主題與創(chuàng)作動(dòng)機(jī)來(lái)說(shuō),主要是沿襲了古代文化中形象思維和觀物取象的傳統(tǒng),體現(xiàn)出中國(guó)傳統(tǒng)民間美術(shù)的思維模式。圖像的主題皆圍繞著長(zhǎng)壽寓意而展開(kāi),因此,無(wú)論是壽意鮮明而強(qiáng)烈的構(gòu)成元素(如壽星、仙桃),還是作為輔材(如貓、蝶、牡丹、桂花),或帶有象征意義(如山、石、日、月)的符號(hào),皆可視為探究中華民族福壽文化密碼的一把“鑰匙”。尤為值得一提的是,自宋元以來(lái)文人士大夫階層涉足祝壽圖像創(chuàng)用以來(lái),諸如梅、竹、菊和松、柏之類的帶有士人階層清貞品格和文化情趣的意象元素便融入到圖像之中,加之那些格調(diào)不俗的題畫(huà)詩(shī)文附著一起集中傳達(dá)福壽之意,更為祝壽圖像注入了雅文化的精神品位,也從一個(gè)側(cè)面豐富和提升了這種民俗藝術(shù)樣式的文化內(nèi)蘊(yùn)。而就民俗藝術(shù)的應(yīng)用來(lái)看,祝壽圖像亦呈現(xiàn)出明顯的類型化傾向,而且它關(guān)涉到圖像的民俗功能和文化應(yīng)用的諸多問(wèn)題,對(duì)其分析應(yīng)立足本原文化背景和兼顧到等級(jí)社會(huì)制度下的文化情境,諸如：不同的社會(huì)階層、文化層次、職業(yè)、性別,以及壽主的審美趣味等,在祝壽圖像的應(yīng)用類型中皆得以充分體現(xiàn)。可以說(shuō),對(duì)祝壽圖像應(yīng)用和創(chuàng)作特色進(jìn)行必要的歸類,不僅有助于其功能研究細(xì)化和深入,也是剖析和抽繹該圖像創(chuàng)用特征及其存在意義的極佳視角�？傊�,對(duì)于祝壽圖像的研究,不妨可視作體認(rèn)中華民族深層文化心理結(jié)構(gòu)的一種有效方式。而綜合運(yùn)用交叉學(xué)科視野和研究方法,深入探討祝壽圖像的生成機(jī)制、意象構(gòu)成、應(yīng)用類型和功能演化,更有助于從學(xué)理層面深度把握該圖像作為民俗藝術(shù)“類”的規(guī)律和其所具備“種”的特點(diǎn),從而厘清該圖像民俗藝術(shù)價(jià)值、綜合文化價(jià)值及其存在意義。而就學(xué)科意義來(lái)說(shuō),祝壽圖像的研究不僅對(duì)于美術(shù)史和民俗學(xué)的個(gè)案研究具有積極的意義,而且有助于推動(dòng)民俗藝術(shù)學(xué)研究向縱深發(fā)展。
[Abstract]:Zhu Shou image is rooted in the traditional culture of Chinese culture, and has long-term applied to the life of life in life. The generation of the image is based on the concept of life belief and the rich traditional cultural implication, which not only reflects the hope, wishes and the pursuit of the long-life of the people of the country, but also the living "cut-off section" of the people's life belief custom. It can be said that the image of the birthday has the characteristics of custom, application, typicality and symbolization, and its physical and chemical form is the visual art, the essential attribute is the folk art. Although the theme of the birthday image is intended to focus on the longevity of the toast, it is in essence the cultural elements of life ethics and folk beliefs. Therefore, it also adds the artistic color and the cultural interest to the social custom, including the custom of life, in the same time as the visual form of the life of the life and the atmosphere of the life of the life. As an orderly folk art style, the generation logic and the cultural function of the birthday image are the pursuit of life length from people, and the persistence and love of life in the present world. In the process of its development and development, the original generation of the Zhu-Shou image is derived from the belief of the stars, and in the course of its development and development, it is gradually integrated into the cultural factors of the Shouguo, the Shou Man and the Confucian filial piety ethics, especially the life view, the multi-view and the rich view of the secular concept, and the infiltration of the auspicious connotation. It is the main clue and base point of the examination and interpretation of the image generation mechanism. In that system of the symbol of the image symbol of the birthday, the image composition of the image is abundant, and it relates to many of the figure, the animal, the plant and the inorganic community. The use of these image elements is the convergence of historical cognition, ancient astronomy, folk customs, and fairy tales. It is also the result of the combination of the images of the birthday and the real and the reality. From the image of the birthday to the theme and the motivation of the creation, it is mainly the tradition of the image thinking and the image-taking in the ancient culture, which reflects the mode of thinking of the traditional folk art in China. The subject of the image is spread around the meaning of longevity, and therefore, it is the symbol of the symbolic (such as a mountain, a stone, a day, a month) as an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or a symbol (such as a mountain, a stone, a day, a month), It can be regarded as a "key" to explore the cultural password of the Chinese nation. It is especially worth mentioning that since Song Yuan, the scholar of the scholar has been involved in the image creation of the birthday, and the image elements, such as plum, bamboo, chrysanthemum and pine, and cypress, with the character and cultural interest of the scholar, are integrated into the image. In addition, the cultural connotation of the folk art style is enriched and promoted from a side by means of the concentrated communication of the meaning of the life of the life and the image of the life of the life. On the basis of the application of folk art, the image of the birthday also presents a marked tendency, and it is concerned with many problems of the folk function and the cultural application of the image, and the analysis should be based on the original cultural background and the cultural context under the social system, such as: The different social strata, the cultural level, the occupation, the gender, and the aesthetic taste of the life main are fully reflected in the application type of the birthday image. It can be said that the necessary classification of the application and creation features of the birthday and birthday is not only helpful to the refinement and in-depth of its function, but also an excellent perspective for the analysis and extraction of the characteristics of the image creation and its significance. In short, for the study of the birthday image, it may be regarded as an effective way to recognize the deep cultural psychological structure of the Chinese nation. By using the cross-subject field of view and the research method, the generation mechanism, the image composition, the application type and the function evolution of the birthday image are discussed in detail, and the law of the image as the "class" of the folk art and the characteristics of the "species" are more helpful to the depth of the learning level. So as to clarify the value of the folk art of the image, the comprehensive cultural value and the significance thereof. The research not only has positive significance for the case studies of art history and folklore, but also contributes to the development of the study of folk art.
【學(xué)位授予單位】：東南大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：J205
，
本文編號(hào)：2435594
[Abstract]:Zhu Shou image is rooted in the traditional culture of Chinese culture, and has long-term applied to the life of life in life. The generation of the image is based on the concept of life belief and the rich traditional cultural implication, which not only reflects the hope, wishes and the pursuit of the long-life of the people of the country, but also the living "cut-off section" of the people's life belief custom. It can be said that the image of the birthday has the characteristics of custom, application, typicality and symbolization, and its physical and chemical form is the visual art, the essential attribute is the folk art. Although the theme of the birthday image is intended to focus on the longevity of the toast, it is in essence the cultural elements of life ethics and folk beliefs. Therefore, it also adds the artistic color and the cultural interest to the social custom, including the custom of life, in the same time as the visual form of the life of the life and the atmosphere of the life of the life. As an orderly folk art style, the generation logic and the cultural function of the birthday image are the pursuit of life length from people, and the persistence and love of life in the present world. In the process of its development and development, the original generation of the Zhu-Shou image is derived from the belief of the stars, and in the course of its development and development, it is gradually integrated into the cultural factors of the Shouguo, the Shou Man and the Confucian filial piety ethics, especially the life view, the multi-view and the rich view of the secular concept, and the infiltration of the auspicious connotation. It is the main clue and base point of the examination and interpretation of the image generation mechanism. In that system of the symbol of the image symbol of the birthday, the image composition of the image is abundant, and it relates to many of the figure, the animal, the plant and the inorganic community. The use of these image elements is the convergence of historical cognition, ancient astronomy, folk customs, and fairy tales. It is also the result of the combination of the images of the birthday and the real and the reality. From the image of the birthday to the theme and the motivation of the creation, it is mainly the tradition of the image thinking and the image-taking in the ancient culture, which reflects the mode of thinking of the traditional folk art in China. The subject of the image is spread around the meaning of longevity, and therefore, it is the symbol of the symbolic (such as a mountain, a stone, a day, a month) as an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or a symbol (such as a mountain, a stone, a day, a month), It can be regarded as a "key" to explore the cultural password of the Chinese nation. It is especially worth mentioning that since Song Yuan, the scholar of the scholar has been involved in the image creation of the birthday, and the image elements, such as plum, bamboo, chrysanthemum and pine, and cypress, with the character and cultural interest of the scholar, are integrated into the image. In addition, the cultural connotation of the folk art style is enriched and promoted from a side by means of the concentrated communication of the meaning of the life of the life and the image of the life of the life. On the basis of the application of folk art, the image of the birthday also presents a marked tendency, and it is concerned with many problems of the folk function and the cultural application of the image, and the analysis should be based on the original cultural background and the cultural context under the social system, such as: The different social strata, the cultural level, the occupation, the gender, and the aesthetic taste of the life main are fully reflected in the application type of the birthday image. It can be said that the necessary classification of the application and creation features of the birthday and birthday is not only helpful to the refinement and in-depth of its function, but also an excellent perspective for the analysis and extraction of the characteristics of the image creation and its significance. In short, for the study of the birthday image, it may be regarded as an effective way to recognize the deep cultural psychological structure of the Chinese nation. By using the cross-subject field of view and the research method, the generation mechanism, the image composition, the application type and the function evolution of the birthday image are discussed in detail, and the law of the image as the "class" of the folk art and the characteristics of the "species" are more helpful to the depth of the learning level. So as to clarify the value of the folk art of the image, the comprehensive cultural value and the significance thereof. The research not only has positive significance for the case studies of art history and folklore, but also contributes to the development of the study of folk art.
【學(xué)位授予單位】：東南大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：J205
，
本文編號(hào)：2435594
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