【摘要】：以“纖維”材料為主要媒介制作的纖維壁畫,其材料本身的豐富特質(zhì)與其“經(jīng)緯”之間交錯(cuò)變化的無限可能性存在構(gòu)成了纖維壁畫表現(xiàn)形式多樣化的物質(zhì)基礎(chǔ)。而在歷史悠久的壁畫藝術(shù)發(fā)展史里,材料一直是壁畫社會(huì)文化、藝術(shù)精神承載與傳達(dá)的重要物質(zhì)載體,每一次材料的更新與探索必將推動(dòng)壁畫面貌的日新月異。在當(dāng)代,纖維壁畫藝術(shù)進(jìn)入新的發(fā)展時(shí)代,文化的多元觀促使纖維藝術(shù)形式不斷追求個(gè)性化發(fā)展,纖維藝術(shù)已經(jīng)大大溢出原先泛義,更加關(guān)注從社會(huì)文化與藝術(shù)精神的角度衡量纖維材料傳達(dá)出的含義,對纖維壁畫的研究也從單純的形制內(nèi)容提升到文化層面,不再局限于裝飾性的初衷,而被賦予了深刻的多層次人文意義。本文即是以纖維壁畫為研究對象,從纖維壁畫藝術(shù)語言多元化的表現(xiàn)形式切入,探尋纖維壁畫豐富的人文個(gè)性,以深入挖掘公共環(huán)境中的纖維壁畫藝術(shù)因材質(zhì)工藝所展現(xiàn)出的精神內(nèi)涵,為存在于建筑空間中的現(xiàn)代壁畫帶來現(xiàn)實(shí)意義的啟發(fā)。本文正是以纖維壁畫藝術(shù)語言多元化的表現(xiàn)形式為研究核心,展開對其多角度、深層次的探索,既傳承傳統(tǒng),又融入當(dāng)代性思考及創(chuàng)作實(shí)踐經(jīng)驗(yàn),在挖掘其藝術(shù)與學(xué)術(shù)價(jià)值的同時(shí),重點(diǎn)研究現(xiàn)代纖維壁畫所蘊(yùn)含的人文精神,為社會(huì)帶來的現(xiàn)實(shí)意義,這也是本選題的創(chuàng)新之處。首先第一章,對研究對象纖維壁畫的概念進(jìn)行界定,厘清纖維藝術(shù)發(fā)展文脈。其次第二章,對現(xiàn)代纖維壁畫構(gòu)成要素從材質(zhì)特性、工藝、程式、光色、空間載體等幾個(gè)方面研究入手,探討纖維壁畫表現(xiàn)形式如何從單一走向多元化,重點(diǎn)研究在空間中如何拓展纖維壁畫新的表現(xiàn)形式。第三章,結(jié)合現(xiàn)代藝術(shù)思潮的典型案例對纖維壁畫表現(xiàn)形式多元化所產(chǎn)生的影響,揭示纖維壁畫視覺形式中隱含的時(shí)代特征,為深入挖掘纖維壁畫藝術(shù)的文化及藝術(shù)價(jià)值做鋪墊。由此展開第四章對纖維壁畫所蘊(yùn)含的人文精神的深度分析和研究,作為衍生出現(xiàn)代纖維壁畫藝術(shù)語言豐富形式的“人文性”觀念,在壁畫由傳統(tǒng)走向現(xiàn)代的精彩變革中具有靈魂導(dǎo)向的重要價(jià)值,所以也是本課題研究的關(guān)鍵所在�？傊�,本文試圖通過對纖維壁畫多元化表現(xiàn)形式的研究,以纖維壁畫表現(xiàn)形式的物質(zhì)構(gòu)成為載體,將材料、人、觀念作為一個(gè)整體,提出新的空間意識,即纖維壁畫的“壁”可理解為界面、纖維壁畫的載體之特性等,拓展了對“壁”的空間性認(rèn)識。在人文性觀念引領(lǐng)下的現(xiàn)代纖維壁畫表現(xiàn)形式,從平面走向空間、從靜止走向動(dòng)態(tài)、從裝飾走向表現(xiàn)、從實(shí)用走向?qū)嶒?yàn)的多元化發(fā)展,是觀念讓纖維無界,是應(yīng)用讓纖維壁畫藝術(shù)走向無限。曾經(jīng)的壁掛無論作為架上藝術(shù)還是空間藝術(shù),都重新獲得了一次蘇醒,是對纖維壁畫物質(zhì)與觀念上進(jìn)行的解構(gòu)和重構(gòu),為纖維壁畫藝術(shù)的發(fā)展打開一個(gè)全新的實(shí)現(xiàn)領(lǐng)域。
[Abstract]:Fiber frescoes made with "fiber" material as the main medium, the rich characteristics of the material itself and the infinite possibility of interlaced change between "longitude and weft" constitute the material basis for the variety of expression forms of fiber murals. In the history of mural art with a long history, the material has always been an important material carrier of mural social culture, artistic spirit bearing and transmission, each time the renewal and exploration of materials will promote the fresco appearance with each passing day. In the contemporary era, fiber mural art has entered a new era of development, and the pluralistic view of culture has prompted the fiber art form to pursue the individualized development constantly, and fiber art has greatly overflowed the original universal meaning. More attention is paid to measuring the meaning of fiber materials from the perspective of social culture and artistic spirit, and the research on fiber murals is also promoted from pure form content to cultural level, and is no longer limited to the original intention of decoration. And has been endowed with profound multi-level humanistic significance. This article is to take the fiber mural as the research object, from the fiber mural art language multiplex expression form cuts in, explores the fiber mural rich humanities individuality, In order to excavate the spiritual connotation of the fibre-mural art in the public environment because of the material technology, it will bring the inspiration of realistic significance for the modern mural painting existing in the architectural space. This paper focuses on the diversified expression of fiber mural art language, and explores it from many angles and deep levels, which not only inherits tradition, but also integrates contemporary thinking and creative practice experience. While excavating its artistic and academic value, this paper focuses on the humanistic spirit contained in modern fibre-mural paintings and its practical significance for society, which is also the innovation of this topic. The first chapter defines the concept of fiber mural and clarifies the context of fiber art development. Secondly, in the second chapter, from the aspects of material characteristics, technology, procedure, light color, space carrier, the paper discusses how the fibre-mural expression form from single to diversified, the second chapter, from the material characteristics, the craft, the procedure, the light color, the space carrier and so on. Focus on how to expand the new form of fiber fresco in space. The third chapter, combined with the typical case of modern art trend of thought on the fiber mural expression forms of diversity, reveal the visual form of fibre-mural implicit characteristics of the times, In order to dig into the fiber mural art culture and artistic value to do a foreshadowing. The fourth chapter analyzes and studies the humanistic spirit contained in fibre-mural paintings, which gives rise to the concept of "humanism" in the rich language of modern fibre-mural art. In the wonderful transformation of murals from tradition to modern, it has the important value of soul orientation, so it is also the key of this research. In a word, this paper tries to put forward a new space consciousness by studying the multiform manifestation of fiber mural, taking the material composition of fiber mural expression form as the carrier, taking the material, person and idea as a whole. In other words, the "wall" of the fiber-mural can be understood as the interface, the characteristics of the carrier of the fiber-mural, and so on, which expands the spatial understanding of the "wall". The expression form of modern fiber mural under the guidance of humanism, from plane to space, from static to dynamic, from decoration to expression, from practical to experimental, is the pluralistic development of the concept that makes the fiber unbounded. It is the application of fiber mural art to infinity. Once the wall hanging, whether as the frame art or the space art, has obtained a revival again, is the deconstruction and the reconstruction on the material and the idea of the fiber fresco, opens a brand-new realization domain for the fiber mural art development.
【學(xué)位授予單位】：上海大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J218.6
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本文編號：2181971