本文關(guān)鍵詞：周易象數(shù)美學(xué)研究　出處：《武漢大學(xué)》2016年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 周易 象數(shù) 美學(xué) 藝術(shù) 思維特征

【摘要】：本文主要從美學(xué)的角度系統(tǒng)的研究了《周易》中的象數(shù)思想,這種系統(tǒng)性包括《周易》象數(shù)本身的概念、思想以及《周易》象數(shù)與中國的文學(xué)藝術(shù)美(主要從音樂、書法、繪畫、文學(xué)四個角度展開論述)和中國人的詩意居住美之間的復(fù)雜的關(guān)系。其次,本文還分析了《周易》象數(shù)思想的美學(xué)化或者形象化的思維特征,這種美學(xué)化或者形象化的思維特征也是中國哲學(xué)區(qū)分于西方哲學(xué)數(shù)理邏輯思維的最主要標(biāo)志,它形成了中國文化獨有的思想模式和獨有的審美文化傳統(tǒng),對后世影響深遠(yuǎn)。于是相應(yīng)地,文章也分為以下五個部分。分別為第一章的《周易》中象的思想概念的研究和取象比類的思維方法的相關(guān)美學(xué)思想的研究；第二章和第一章的結(jié)構(gòu)對稱,研究的是《周易》中數(shù)的思想概念和運數(shù)比類的思維方法的相關(guān)美學(xué)思想的考察；第三章則在前面兩章分析的基礎(chǔ)之上展開《周易》象數(shù)思想和各門具體藝術(shù)門類之間的復(fù)雜的美的關(guān)系的考察。這里,筆者主要采取了音樂、書法、繪畫和文學(xué)四種藝術(shù)門類來展開相關(guān)研究。第四章則研究分析《周易》象數(shù)思想和中國人的詩意居住之間的美的關(guān)系,這就涉及到傳統(tǒng)的中國建筑風(fēng)水學(xué)和生態(tài)環(huán)境美的研究；最后一章則在之前所有章節(jié)的基礎(chǔ)上,綜合而深入的分析《周易》象數(shù)思想的思維特征美,并將這種中國特有的思維特征美和西方的數(shù)理邏輯哲學(xué)思維展開對比研究。具體如下：第一部分關(guān)于《周易》象數(shù)思想中象的思想的考察可以分為三小節(jié),一是首先要理解《周易》中象的地位,這就關(guān)聯(lián)到《周易》中的卦爻與爻辭。在對卦象、卦爻和爻辭展開對比和深入的分析之后,文章就接下來就是關(guān)于《周易》中象的寓意美的研究,這種象的寓意美包括《周易》卦象所帶來的各種象征寓意美。例如坤卦,就可以代表陰柔順從,厚德載物的寓意。因此可以說是一首上古時代人們關(guān)于大地的贊美詩。最后是分析取象比類的思維方法美。所謂的取象比類的思維方法美,主要就是指通過取大自然中的象或者說八卦的卦象來展開類比和想象以及思考,從而達(dá)到認(rèn)識事物內(nèi)在本性的目的。由于這種思維方法堅持從事物本身的形象性、直接性和生動性出發(fā),故而天然的具有美學(xué)的特征。第二部分則和第一部分對稱,主要研究《周易》中數(shù)的思想,也分為三小節(jié)。首先是分析數(shù)本身的概念,這里就要把《周易》中的數(shù)和西方意義上的定量的實測數(shù)作出區(qū)分,指出《周易》中的數(shù)實際上就是一種特殊的“象”,是“象”中的一種特殊形式。接著就是分析《周易》中數(shù)的寓意美。這種寓意美主要包括對后世影響甚大的太極、陰陽、五行、八卦數(shù)之美,以及與傳統(tǒng)易數(shù)思想相區(qū)別的宋朝圖書派的河圖洛書數(shù)之美。最后就是分析運數(shù)比類的思維方法美,指出《周易》象數(shù)思想中的運數(shù)的思維方法,和西方源自古希臘以來的形式邏輯思維方法不同,是體現(xiàn)中國古人獨特思維能力的一種思維方法。這種獨特的思維方法是與取象比類的思維方法如出一轍的。因此,它超越了一般所謂的形式化思維方法的空洞的毛病,是一種包含著內(nèi)容的邏輯思維方法。這樣一種獨特的運數(shù)的思維方法,在理性思維中直接包含了直觀化、感性化和形象化的因素,因而其首先就是美學(xué)的,然后才是理性的。第三部分則在前兩章分析的基礎(chǔ)上,主要考察《周易》象數(shù)思想和中國藝術(shù)美之間的復(fù)雜關(guān)系,這里的藝術(shù)主要指的是音樂、書法、繪畫、文學(xué)四種藝術(shù)。首先是音樂藝術(shù),開篇就指出音樂藝術(shù)的表達(dá)也離不開“樂象”,并分析這種“樂象”與“易象”之間的關(guān)系。然后是具體到《周易》象數(shù)思想的各個層面和音樂美之間關(guān)系的分析。包括音樂美和陰陽、五行、八卦之間的關(guān)系,音樂美和天人合一思想之間的關(guān)系。具體而言就是指出中國音樂中的五音、六律,八風(fēng),八音,十二律的思想和易學(xué)中的象數(shù)思想之間的緊密聯(lián)系,并指出當(dāng)音樂的思想和易學(xué)中的陰陽、五行、八卦以及天人合一的思想結(jié)合后,就會產(chǎn)生一種特殊的哲學(xué)意義上的美。然后就是書法領(lǐng)域,和音樂美一樣,文章也分析探討了書法美和周易象數(shù)思想之間的審美關(guān)系,這包括和周易象數(shù)思維、陰陽五行、通變思想和天人合一思想之間的關(guān)系。并指出書法中的筆法、墨法、章法所蘊含的的陰陽對稱之美,創(chuàng)造變易之美以及天人合一之美等等。繪畫領(lǐng)域也是一樣,分別論述了繪畫之美和周易象數(shù)思維方法以及太極、陰陽、五行之間的復(fù)雜的美的關(guān)系。最后是文學(xué)美,首先指出《周易》象數(shù)思想與文學(xué)美之間的親緣性,然后分別從取象,陰陽、通變的象數(shù)思想角度論述文學(xué)美和《周易》象數(shù)思想之間的關(guān)系。第四部分則是論述《周易》象數(shù)思想與中國古代的詩意居住的思想,這里就涉及到周易象數(shù)的思想與中國古代的建筑風(fēng)水美的關(guān)系。本章主要從風(fēng)水美與陰陽、五行、八卦以及河圖洛書數(shù)、天人合一的思想角度闡發(fā)中國風(fēng)水美中的易學(xué)象數(shù)思想。然后在這種分析的基礎(chǔ)之上,論述中國古代的傳統(tǒng)風(fēng)水美與現(xiàn)代生態(tài)環(huán)境之間的關(guān)系。這里著重要指出的還是《周易》象數(shù)中“天人合一”的思想。因為在筆者看來,建筑風(fēng)水美的最高境界就是《周易》象數(shù)思想中所說的“天人合一”的美的境界。也只有深入的理解了《周易》象數(shù)思想中“天人合一”的思想,我們才能讓那“天人合一”的美的建筑重新綻放在這個大地上,我們也才能真正的像古人一樣在這片大地上達(dá)到詩意的美的居住。最后一部分則是在前面論述的基礎(chǔ)上深入和系統(tǒng)的分析了《周易》象數(shù)的思維特征美。這包括取象運數(shù)的思維方法美,重象與變易的生命之美,重整體功能的結(jié)構(gòu)之美三個部分。文章中指出《周易》象數(shù)思維特征中的重整體、重功能、重變易、重結(jié)構(gòu)的思想傾向,使得中國哲學(xué)走上了一條和西方哲學(xué)截然不同的道路。從此,中華文明在另外一種形式中開出了累累碩果。雖然這樣一種碩果中沒有形成西方意義上的所謂現(xiàn)代邏輯數(shù)學(xué)和科學(xué),但是卻在形象化和美學(xué)的各個領(lǐng)域結(jié)出了非常喜人的碩果。因此,從這個意義上我們完全可以說,代表著中國最高哲學(xué)的《周易》的象數(shù)思想特征集中體現(xiàn)的就是我們這個民族的形象化思維特征,而這種思維特征首先是美學(xué)的,然后才是科學(xué)的。
[Abstract]:This paper mainly study from the aesthetic point of view of the system in the book of < > as the number of ideas, this system includes the < > as the number of the book concept, thought and image number and China > < book of literary art (mainly from music, calligraphy, painting, four aspects discusses literature and poetic China) people living in the complex relationship between the United States. Secondly, this paper also analyzes the characteristics of thinking as the number > < Zhouyi aesthetics thought or image, the main symbol of the aesthetic characteristics of thinking or visual Chinese is distinguished from the Western Philosophy Philosophy of mathematical logic thinking, it formed a unique culture Chinese thought pattern and unique aesthetic and cultural traditions, far-reaching impact on future generations. Accordingly, the article is divided into the following five parts. Respectively to study as the ideological concept of the first chapter of the book of < > in the analogy and the thinking method of phase Research on aesthetics; structure of the second chapter and the first chapter of the research is the study of symmetry, < aesthetic thoughts thinking methods in the ideological concept of Zhouyi > number and the number of the class ratio; the third chapter launches the study of Zhouyi > like < number between thought and the specific art complex of aesthetic relation on the basis of the previous two chapters analysis. Here, the author mainly adopts music, calligraphy, painting and literature of four kinds of arts to expand the research. The fourth chapter of < > as the number of changes between the poetic thoughts and Chinese living beauty, which relates to the traditional geomantic architecture and China the beauty of ecological environment research; the last chapter before all the chapters on the basis of a comprehensive and in-depth analysis of < > as the number of Zhouyi thought characteristics of beauty, and the mathematical logic thinking characteristics of the United States and the west of this unique China To carry out a comparative study series of philosophical thinking. As follows: the first part is about the investigation of Zhouyi > < like like number in the thought of thought can be divided into three sections, one is the first to understand the status of Zhouyi as < >, < > in the Zhouyi hexagrams and yaoci Association. In the images, after comparison and in-depth analysis on the hexagrams and yaoci, the next is about the beauty of the research meaning as "Zhouyi", such as the moral beauty including various images caused by the book < > the symbolism of beauty. For example it represents the feminine Kun, obedience, social commitment meaning. Can be said for this is a song about people in ancient times the earth hymns. Finally is the analysis of analogy thinking method class beauty. As a way of thinking than the so-called class beauty, mainly refers to the nature of the image or images to spread gossip analogy and imagination and thinking, In order to understand the inherent nature of things. Because of this way of thinking to things from the image itself, direct and vivid, it has a natural aesthetic characteristics. The second part is the first part of the main research and symmetry, the number of Zhouyi > < thought, is divided into three sections. The first is the analysis of the concept the number itself, here is the actual number of < > in the number and quantitative changes in Western sense make a distinction, that actually < > in the book number is a special kind of "image", is "a special form of image". Then is the analysis of < > in the book of moral beauty number. This moral beauty mainly includes the great influence on later generations of Tai Chi, yin and Yang, five elements, eight the number of beauty, and with the traditional book easy to distinguish the number of thought school Hetu number beauty. Finally is the analysis of the thinking method of luck than the class of the United States, pointed out that " The thinking method of Zhouyi in the thought of as the number > number, different forms of logical thinking methods and Western originated from ancient Greece, is a way of thinking of the ancients Chinese unique thinking ability. This is the unique thinking method and thinking method of the class is exactly the same as. Because of this, it goes beyond the so-called a formal way of thinking is a kind of empty problem consists of logical thinking method. Such a unique number in the way of thinking, rational thinking are directly involved in visual and perceptual and visual factors, the first is the aesthetic, and then the third part is rational. In the first two chapters based on the analysis of the complex relationship between the main study < > as the number of Zhouyi thought and China artistic beauty, here mainly refers to the art of music, calligraphy, painting, literature and art in four. The first is the art of music, Begins on that expression of music art also cannot do without "music image", and analyze the relationship between the "music image" and "image". Then it is specific to the analysis of the relationship between the book of < > as the number of ideas at all levels including music and music beauty. Beauty and the Yin and Yang, five elements, the relationship between gossip the beauty of music and the relationship between man and nature between ideas. It is pointed out that Chinese music in the fifth, six law, eight, eight, close ties between the twelve law thoughts and Yi as the number of ideas, and pointed out that when the Yin and Yang, music thoughts and easy to learn in the five line, gossip and the idea of harmony between man and nature combined, will produce a kind of special philosophy meaning of beauty. And then is the calligraphy field, like the beauty of music, the article also analyzed the relationship between the aesthetic beauty of calligraphy and book of changes as the number of ideas, including the book and image number thinking, yin and Yang Five, thinking of changing the relationship between man and nature and between ideas. And pointed out that the calligraphy brushwork, ink composition, which contains the Yin and Yang of symmetrical beauty, create beauty and harmony of beauty and so on. The painting field is the same, discusses the beauty of painting and Zhou Yixiang thinking method and Tai Chi Yin and Yang, five, for the complex relationship between us. Last is the beauty of literature, first pointed out that the relationship between the book of < > as the number of thoughts and literary beauty, and then from the image, yin and Yang, change as the number of point of view on the literary thought of beauty and the relationship between image number > < book of thought. The fourth part is this book < > as the number of thoughts and Chinese ancient poetic living ideas, here are related to the relationship between thought and Zhouyi as the number of China ancient Feng Shui architecture beauty. This chapter mainly from the feng shui of beauty and the Yin and Yang, five elements, eight, Hetu, heaven One point of view of Feng Shui beauty China thought of image numberology thought. Then on the basis of this analysis, the article discusses the relationship between ancient and modern beauty of traditional Fengshui China ecological environment. The important point here is < > as the number of changes in the thought of "harmony". Because in my opinion, the highest the building is the "realm of Feng Shui book > as the number of thought that the" harmony "of the realm of beauty. Only a deep understanding of Zhouyi as the number of ideas in < >" harmony ", we can make the" heaven "beautiful building in bloom again this earth, we can really like the ancients on this piece of earth to poetic beauty of living. The last part is on the basis of in-depth and systematic analysis of the" thinking features of beauty as the number of the book >. This includes image transport The number of ways of thinking of the United States, and the variation of the image of the beauty of life, the beauty of the overall function of the structure of three parts. The article pointed out that the book < > as the overall number of thinking features of the functions, weight variation, ideological tendency structure, the Chinese philosophy into a western philosophy learn the different path. Since then, Chinese civilization made fruitful in another form. Although this kind of fruit was not formed in the Western sense of the so-called modern logic of mathematics and science, but in all areas of visual and aesthetic knot in a very gratifying achievements. Therefore, in this sense we can say, as the number of features represents the highest Chinese ideological philosophy embodied in the book of < > is our national image thinking characteristics, and this is the first thought characteristic of aesthetics, and then is scientific.

【學(xué)位授予單位】：武漢大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：B221
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本文編號：1412748