傳統(tǒng)山水畫(huà)美學(xué)特征與現(xiàn)代山地休閑住區(qū)規(guī)劃研究
本文選題:傳統(tǒng)山水畫(huà) + 美學(xué) ; 參考:《西北大學(xué)》2013年碩士論文
【摘要】:現(xiàn)代山地休閑住區(qū)規(guī)劃不同于山地旅游規(guī)劃或房地產(chǎn)規(guī)劃,是集山地旅游、景觀規(guī)劃、山地居住規(guī)劃等于一體的規(guī)劃形式。其出現(xiàn)的根本原因是人們對(duì)于目前的居住環(huán)境提出了新的要求。山地休閑住區(qū)規(guī)劃的開(kāi)發(fā)和建設(shè)沒(méi)有現(xiàn)行的標(biāo)準(zhǔn)可依據(jù),所以本文對(duì)于規(guī)劃理論部分的研究將涉及山地旅游規(guī)劃、景觀規(guī)劃、山地城市規(guī)劃、古典園林等多方面理論。而山地休閑住區(qū)規(guī)劃理論體系的建立的也是對(duì)于景觀環(huán)境美學(xué)、生態(tài)美學(xué)和中國(guó)傳統(tǒng)文化等多方面理論的完善。 近年來(lái)隨著對(duì)森林資源開(kāi)發(fā)速度的加快,各類型項(xiàng)目層出不窮,產(chǎn)生的問(wèn)題也愈發(fā)明顯;森林景區(qū)開(kāi)發(fā)對(duì)于自然風(fēng)景區(qū)的生態(tài)環(huán)境造成危害、不合時(shí)宜的人工建筑破壞了原有的風(fēng)貌和空間秩序、缺乏文化主題的建設(shè)也難以融入當(dāng)?shù)氐沫h(huán)境和文化。 傳統(tǒng)山水畫(huà)是我國(guó)傳統(tǒng)藝術(shù)文化的代表,其美學(xué)特征和思想內(nèi)涵經(jīng)上千年的凝煉以具有非常高的藝術(shù)價(jià)值。本文從研究山水畫(huà)美學(xué)特征入手,通過(guò)對(duì)傳統(tǒng)山水畫(huà)的分析歸納,研究山水畫(huà)的思想精髓,人工要素形態(tài)以及空間布局特征;認(rèn)識(shí)自然美的特點(diǎn),以山水畫(huà)美學(xué)布局特征為依據(jù),探討了景觀視覺(jué)廊道評(píng)價(jià)法和天際線分析法,得出原則來(lái)引導(dǎo)同樣山水局勢(shì)下的休閑地產(chǎn)規(guī)劃�;舅悸窂膫鹘y(tǒng)山水畫(huà)藝術(shù)美學(xué)特征,來(lái)認(rèn)識(shí)自然美特征,再把這些認(rèn)識(shí)應(yīng)用于現(xiàn)代山地休閑住區(qū)規(guī)劃,升華創(chuàng)造出具有藝術(shù)表現(xiàn)美的山水人居景觀。 論文共分為六個(gè)部分,在分析傳統(tǒng)山水畫(huà)美學(xué)特征后,對(duì)山水畫(huà)中的建筑和人工要素布局規(guī)劃做歸納總結(jié);從多個(gè)方面論述山水畫(huà)美學(xué)特征引導(dǎo)規(guī)劃的適用性和借鑒意義;論述該引導(dǎo)方法的規(guī)劃原則;在此基礎(chǔ)上以柞水安溝云山湖為例應(yīng)用山水畫(huà)美學(xué)引導(dǎo)原則;最后做出了總結(jié)并對(duì)該方法的優(yōu)劣勢(shì)進(jìn)行分析。
[Abstract]:The planning of modern mountain leisure settlements is different from mountain tourism planning or real estate planning. It is a planning form that integrates mountain tourism, landscape planning and mountain residential planning. The root cause of its emergence is that people put forward new requirements for the current living environment. There is no current standard for the development and construction of mountain leisure settlement planning, so the study of planning theory in this paper will involve mountain tourism planning, landscape planning, mountain city planning, classical garden and many other theories. The establishment of the theoretical system of mountain leisure settlement planning is also to improve the landscape environment aesthetics, ecological aesthetics and Chinese traditional culture. In recent years, with the rapid development of forest resources, various types of projects emerge one after another, and the problems are becoming more and more obvious. The exploitation of forest scenic spots causes harm to the ecological environment of natural scenic spots. The anachronistic artificial building destroys the original style and space order, and it is difficult to integrate into the local environment and culture without the construction of cultural theme. Traditional landscape painting is the representative of Chinese traditional art culture, its aesthetic characteristics and ideological connotation have been condensed for thousands of years to have very high artistic value. This paper begins with the study of aesthetic characteristics of landscape painting, through the analysis and induction of traditional landscape painting, studies the essence of landscape painting, the shape of artificial elements and the characteristics of space layout, and recognizes the characteristics of natural beauty. Based on the characteristics of landscape painting aesthetic layout, this paper discusses the landscape visual corridor evaluation method and skyline analysis method, and draws the principles to guide the leisure real estate planning under the same landscape situation. The basic idea is to recognize the characteristics of natural beauty from the aesthetic characteristics of traditional landscape painting, and then apply these understandings to the planning of modern mountain leisure settlements, and sublimate to create landscape human settlements with artistic beauty. The thesis is divided into six parts. After analyzing the aesthetic characteristics of traditional landscape painting, it summarizes the layout of architectural and artificial elements in landscape painting, discusses the applicability and significance of guiding planning of aesthetic features of landscape painting from many aspects. This paper discusses the planning principles of this guiding method; takes Angou Yunshan Lake as an example to apply aesthetic guiding principles of landscape painting; finally summarizes and analyzes the advantages and disadvantages of this method.
【學(xué)位授予單位】:西北大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:TU984.12
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