19世紀(jì)最偉大詩人之一的約翰·濟(jì)慈通常用優(yōu)美的詩句描繪生動(dòng)多彩的美景,并抒發(fā)他對(duì)人生的種種感悟。他的詩包含了浪漫主義文學(xué)歌頌大自然,推崇想象力,強(qiáng)調(diào)感情色彩,重視藝術(shù)效果等諸多創(chuàng)作元素,無論在形式或還是內(nèi)容上都給人留下了美的享受。濟(jì)慈的重要美學(xué)理念“自我否定力”尤其體現(xiàn)了詩人自身的分裂與詩人無個(gè)性意識(shí)。盡管濟(jì)慈提出的“自我否定力”包含了現(xiàn)代性、后現(xiàn)代性思想和“美既是真,真即美”超越塵俗的精神,但對(duì)這一理念的詳細(xì)闡述在文學(xué)研究與文藝?yán)碚撆u(píng)中并未得到充分的重視。濟(jì)慈的詩歌不僅是世界文學(xué)寶庫的珍貴遺產(chǎn),“自我否定力”對(duì)后世的詩歌創(chuàng)作也有著及其深遠(yuǎn)的影響。本文以“自我否定力”為視角,從對(duì)美的訴求、自我否定和人景交融三個(gè)方面來探討濟(jì)慈詩歌的美學(xué)價(jià)值。 本文由五個(gè)部分組成。第一部分簡(jiǎn)要介紹了濟(jì)慈的生平其主要的詩歌創(chuàng)作并回顧國(guó)內(nèi)外對(duì)濟(jì)慈詩歌的重要文學(xué)批評(píng)；第二部分旨在通過濟(jì)慈詩歌和書信探討“自我否定力”體現(xiàn)的美學(xué)思想對(duì)其詩歌創(chuàng)作及其人生觀的影響；第三部分結(jié)合濟(jì)慈的詩歌展現(xiàn)詩人基于“自我否定力”消除自我身份后充分發(fā)揮想象力,并最后達(dá)到物我交融境界的心理過程,盡管這個(gè)過程會(huì)有矛盾和不穩(wěn)定的因素,但是濟(jì)...

【文章頁數(shù)】：51 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
摘要
Abstract
Contents
Introduction
    0.1 Keats the Poet
    0.2 An Overview of Keatsian Criticism
    0.3 Keats' Study of This Thesis
Chapter One Negative Capability as Keats'Aesthetic Principle
    1.1 The Origin of Negative Capability
    1.2 Poetic Intuition:"Beauty in all Things
        1.2.1 The Beauty of Nature
        1.2.2 The Beauty of Love
    1.3 The Truth of Beauty
Chapter Two Negative Capability Exemplified in Keats'Poetry
    2.1 A Realization of Keats'Negative Capability
    2.2 The Psycho-Aesthetical Interpretation of Keats'Poetry
        2.2.1 Physiognomy of Intuition
        2.2.2 Self-Annihilation
        2.2.3 Imagination and Empathy
    2.3 "Pleasure Pain":The Harmony of Contradictories
Chapter Three Negative Capability Inherited and Shared by Modern Poets
    3.1 T. S. Eliot — Wise "Impersonality"
    3.2 W. B. Yeats — The Radical "Anti-self"
    3.3 Elizabeth Bishop—The "Burning Water" & "Hard Sea"
Conclusion
Bibliography



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