庫爾特·馮內(nèi)古特是美國當代文壇上頗具影響的作家,其創(chuàng)作生涯跨越了大半個世紀。作為二戰(zhàn)后黑色幽默文學(xué)的代表,從二十世紀五十年代起,他就擁有廣泛的讀者群。1969年后陸續(xù)發(fā)表的《五號屠場》、《冠軍早餐》、《囚鳥》等后現(xiàn)代主義文學(xué)作品正式奠定了他在小說界的地位,也使他成為了后現(xiàn)代主義作家的典型代表。后現(xiàn)代主義文學(xué)摒棄了傳統(tǒng)小說創(chuàng)作原則,在作品的情節(jié)內(nèi)容上,具有明顯的虛構(gòu)性與荒誕性特征。在藝術(shù)手法上,注重藝術(shù)形式與藝術(shù)技巧的創(chuàng)新,表現(xiàn)出隨意性、不確定性的特征。 本文以后現(xiàn)代主義元小說創(chuàng)作理論為理論基礎(chǔ),介紹了拼貼藝術(shù)的起源及相關(guān)的概念,特別是拼貼藝術(shù)在元小說創(chuàng)作中的應(yīng)用,并且以馮內(nèi)古特的多部作品為例證。全文共分為五個部分,重點介紹了后現(xiàn)代主義元小說的敘事策略,具體分析了馮內(nèi)古特諸多拼貼藝術(shù)中的時空拼貼、敘評拼貼、版式拼貼、雅俗拼貼等在《五號屠場》,《冠軍早餐》,《時震》中的應(yīng)用,從而探討拼貼這一藝術(shù)是如何為解讀主題服務(wù)的。

【文章頁數(shù)】：59 頁

【學(xué)位級別】：碩士

【文章目錄】：
Abstract
中文摘要
Contents
Chapter One Introduction
    1.1 Purpose of the Study
    1.2 The Background of the Present Study
    1.3 The Organization of the Thesis
    1.4 The Creative Point of the Thesis
Chapter Two Theoretical Analysis of Post-modernist Metafiction
    2.1 The Definitions of Post-modernism
    2.2 The Definitions of Metafiction
    2.3 The Features of Metafiction
        2.3.1 The Prominent Dialogue Potential
        2.3.2 The Exposure of the Difference between Art and Reality
        2.3.3 The Combination of Narration and Comment
        2.3.4 Relationships between Author and Characters
        2.3.5 Relationships between Author and Readers
    2.4 The Narrative Strategies of Metafiction
        2.4.1 Exposing the Author's Identification
        2.4.2 Parody
        2.4.3 Collage
Chapter Three Collage
    3.1 The Definition of Collage
    3.2 The Origin and Features of Collage
    3.3 The Applications of Collage in Literature
        3.3.1 The Definition of Literature Collage
        3.3.2 The Applications of Collage by Modernist and Post-modernist Novelists
        3.3.3 Western Scholars' Views of Literature Collage
Chapter Four The Applications of Collage Art in Kurt Vonnegut's Post-modernist Metafiction
    4.1 Life and Main Works of Vonnegut
        4.1.1 Life of Vonnegut
        4.1.2 Main Works of Vonnegut
    4.2 The Narrative Strategies of Vonnegut's Post-modernist Metafiction
        4.2.1 Popularization Trend
        4.2.2 Absurdity
        4.2.3 Fictionality
        4.2.4 Fragmentation
    4.3 The Applications of Collage in Kurt Vonnegut's Post-modernist Metafiction
        4.3.1 The Space-Time Collage
        4.3.2 The Narration and Comment Collage
        4.3.3 The Stylistic Collage
        4.3.4 The Layout Collage
        4.3.5 The Vulgar and Elegant Collage
        4.3.6 The Fiction and Reality Collage
        4.3.7 The Research Significance of Collage
Chapter Five Conclusion
Acknowledgements
Bibliography



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