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《野草在歌唱》的馬克思主義和榮格無意識解讀

發(fā)布時間:2023-04-04 05:12
  多麗絲·萊辛是當(dāng)代享有最高榮譽而且是最受歡迎的女作家之一。她在2007年獲得了諾貝爾文學(xué)獎。《野草在歌唱》是她的第一部小說。小說講述了20世紀(jì)30年代,南非農(nóng)場上一個叫瑪麗的白人被她的黑人男傭殺害的悲劇。近年來,國內(nèi)外針對《野草在歌唱》的文學(xué)評論很多。 在反復(fù)閱讀原著之后,我們不禁要問:這場悲劇是怎么發(fā)生的?仔細(xì)思考不難看出,這既有其外因,又有其內(nèi)因。本論文以馬克思主義和榮格的無意識理論為基礎(chǔ)分析了悲劇發(fā)生的內(nèi)因和外因。 特納夫婦生活在20世紀(jì)30年代的南部非洲。當(dāng)時整個南非的經(jīng)濟生活非常落后,各種政治和文化的規(guī)章制度強加給每個人。從馬克思主義的觀點出發(fā),不難看出:由于經(jīng)濟和社會壓力而間接將特納夫婦推向毀滅。 女主人公瑪麗從小經(jīng)受著家庭貧困,父母婚姻不和睦的折磨,心理產(chǎn)生了不健康的傾向。用榮格的個人無意識理論分析她的童年,可以看出她的城市生活,她和迪克的婚姻,還有她對黑人的態(tài)度都被童年痛苦的經(jīng)歷影響著。和迪克結(jié)婚后,她從自己丈夫那里得不到快樂。當(dāng)遇到摩西斯之后,她愛上了自己的黑人男傭。因為他完全符合她內(nèi)心深處的阿妮姆斯。但是她又不敢公開他們那違反道德的戀情,因為人格面具抑制著她的行動。...

【文章頁數(shù)】:56 頁

【學(xué)位級別】:碩士

【文章目錄】:
摘要
Abstract
1 Introduction
    1.1 An Introduction to Lessing and The Grass Is Singing
    1.2 Criticisms on The Grass Is Singing at Home and Abroad
        1.2.1 Literary Review at Abroad
        1.2.2 Literary Review at Home
    1.3 The Significance and Main Arguments of the Thesis
2 Theoretical Foundation
    2.1 General Introduction to Marxism
        2.1.1 The Birth of Marxism
        2.1.2 The Main Arguments of Marxism
        2.1.3 The Influences of Marxism on Doris Lessing
    2.2 Jungian Theory of Unconscious
        2.2.1 The Origins of Jungian Analytical Psychology
        2.2.2 Jungian Theory of the Personal Unconscious and the Collective Unconscious
        2.2.3 The Archetype
        2.2.4 Jung's Influences on Doris Lessing
3 The Impersonal and Oppressive Social Context
    3.1 The Economic Background and Its Influence on the Couple
        3.1.1 The Economic Conditions of Southern Africa In 1930s
        3.1.2 The Economic Influence on the Life of the Tuners
    3.2 The Forcefully Restrictive Collective Code
    3.3 The Impersonal Class Struggle between the Whites
4 The Personal Unconscious Interpretation of The Grass Is Singing
    4.1 Mary's Frustration in Her Childhood
    4.2 The Effect of the Former Frustration
5 The Archetype Interpretation of The Grass Is Singing
    5.1 Mary and Jungian Archetypes
        5.1.1 The archetype Animus Embodied on Mary
        5.1.2 The Function of the Persona
    5.2 The Shadow and the Anima Embodied on Moses
        5.2.1 The archetype shadow embodied on Moses
        5.2.2 The Anima Affecting on Moses
    5.3 The Failure of Realizing the Self
6 Conclusion
References
Acknowledgements



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