發(fā)布時(shí)間：2022-01-12 07:56

　　約瑟夫·康拉德成為著名作家與其思想的模糊性密不可分。模糊性讓他的作品既反映又質(zhì)疑針鋒相對(duì)的文化思潮。與其他人一樣,他受所處時(shí)代的影響。然而,他對(duì)這些觀點(diǎn)的洞察力和預(yù)見性無人能比。處于維多利亞晚期向早期現(xiàn)代文化過渡的歷史時(shí)期,康拉德既是浪漫的,又反對(duì)浪漫,既保守又叛逆。他的作品兼容了19世紀(jì)和20世紀(jì)不同時(shí)期的思想文化特點(diǎn)�！逗诎抵摹肥强道伦顬橹匾沧顬閭ゴ蟮淖髌分�。該作品內(nèi)涵豐富、意思模糊,充滿了不可解決的諸多矛盾。本論文以《黑暗之心》為例,旨在揭示他所處的時(shí)代背景、康拉德模糊性思想的形成和多意文本之間錯(cuò)綜復(fù)雜的關(guān)系。本文的第一個(gè)問題是要回答康拉德對(duì)黑人、白人、帝國(guó)和語言所持有的態(tài)度。第二個(gè)問題是要解決康拉德的思想是如何形成的。當(dāng)然,康拉德并不是被動(dòng)機(jī)械地受意識(shí)形態(tài)、社會(huì)階層和經(jīng)濟(jì)歷史的影響。他在受社會(huì)歷史和個(gè)人經(jīng)歷的影響的同時(shí),也在不同程度上改變歷史和書寫自己的人生。第三個(gè)問題關(guān)于康拉德的意識(shí)形態(tài)如何在他的作品中體現(xiàn)和讀者如何評(píng)價(jià)《黑暗之心》中自相矛盾的內(nèi)容。為了回答以上問題,本論文采用多種研究方法。后殖民主義研究方法主要用來闡釋康拉德的東方主義思想;解構(gòu)主義理論主要用來解構(gòu)小... 

【文章來源】：華南理工大學(xué)廣東省 211工程院校 985工程院校 教育部直屬院校

【文章頁數(shù)】：89 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
摘要
Abstract
Chapter I Introduction
    1.1 Conrad’s place in literary history
    1.2 Literature Review
        1.2.1 Conradian study abroad
        1.2.2 Conradian study at home
    1.3 The bird’s eye view of Heart of Darkness
    1.4 Marlow, the spokesman of Conrad
    1.5 The focus of this thesis
Chapter II Conrad‘s ambivalence toward the Black in Heart of Darkness
    2.1 The novel as a work of anti-racism
        2.1.1 Conrad’s sentiments towards the dying Black
        2.1.2 Conrad’s praises of the Black
    2.2 The novel as a work of racism
        2.2.1 Orientalism
        2.2.2 Conrad’s discrimination towards the Black
        2.2.3 Kurtz African mistress vs. Intended
    2.3 Conclusion
Chapter III Conrad‘s ambivalence toward the White in Heart of Darkness
    3.1 Conrad’s pro-white worldview
        3.1.1 The theory of Darwinism
        3.1.2 The superiority of the White
        3.1.3 Conrad’s Victorian Ethic
        3.1.4 Conrad’s vindication of Kurtz
    3.2 Conrad’s anti-white worldview
        3.2.1 The White’s foolishness
        3.2.2 The White’s greediness
        3.2.3 The White’s pointlessness
    3.3 Conclusion
Chapter IV Conrad‘s ambivalence toward the empire in Heart of Darkness
    4.1 The Empire in Europe
    4.2 Conrad‘s pro-imperialist attitude
        4.2.1 Marlow‘s lie to Intended
        4.2.2 Conrad‘s idea of empire
        4.2.3 The Thames vs the River Congo
    4.3 Conrad‘s anti-imperialist attitude
        4.3.1 The miserable situation in Africa
        4.3.2 Conrad‘s complicated description of The Thames
        4.3.3 Conrad‘s mockery of passengers on Nellie
        4.3.4 Conrad‘s conflicting attitudes toward imperialism
    4.4 Conclusion
Chapter V Conrad‘s ambivalence toward words in Heart of Darkness
    5.1 Conrad‘s positive attitude toward words
    5.2 Conrad‘s negative attitude toward words
    5.3 The ambivalent images & words in Heart of Darkness
        5.3.1 The image of Kurtz
        5.3.2 Kurtz: The horror! The horror!
        5.3.3 The concept of darkness
    5.4 Conclusion
Chapter VI The source of Conrad‘s double consciousness
    6.1 Time crisis
    6.2 The Polish Background
    6.3 Conrad‘s later life
    6.4 Cultural conflicts in Amy Forster
    6.5 Conclusion
Chapter VII Conclusion
Works Cited
攻讀碩士學(xué)位期間取得的研究成果



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