《喧嘩與騷動(dòng)》隱含核心人物之?dāng)⑹路治?/H1>
發(fā)布時(shí)間：2022-01-02 07:21
威廉·福克納是美國(guó)二十世紀(jì)的文壇巨匠,其代表作《喧嘩與騷動(dòng)》運(yùn)用多種現(xiàn)代主義文學(xué)創(chuàng)作手法及實(shí)驗(yàn)性藝術(shù)技巧,在文學(xué)界意義重大影響深遠(yuǎn)。評(píng)論界較為集中地針對(duì)小說(shuō)的主題思想、人物形象以及多種實(shí)驗(yàn)性方法等方面有深入廣泛的研究,然而從敘事策略角度出發(fā)研究作品中凱蒂的形象塑造還較為鮮見(jiàn)。本論文運(yùn)用熱拉爾·熱奈特的敘事學(xué)理論,從敘事時(shí)間、聚焦以及敘述者三個(gè)方面對(duì)《喧嘩與騷動(dòng)》進(jìn)行探索性分析,這種獨(dú)特的敘事方式導(dǎo)致獨(dú)特的人物塑造方式,看似逐漸消失的人物凱蒂,實(shí)為各個(gè)敘述者的指向中心,人物由此呈現(xiàn)多元意義,形成敘事多元的美學(xué)效果,深化了小說(shuō)主題,展現(xiàn)了美國(guó)南部貴族階級(jí)的衰落及現(xiàn)代人類發(fā)展的多元性。本論文為更深刻理解小說(shuō)人物隱含意義提供了新的視角。
【文章來(lái)源】：河北大學(xué)河北省
【文章頁(yè)數(shù)】：72 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Abstract
摘要
Chapter 1 Introduction
1.1 William Faulkner
1.2 The Sound and the Fury
1.3 Significance of the research
1.4 Organization of the thesis
Chapter 2 Literature Review and Theory Interpretation
2.1 A survey of criticisms
2.1.1 Criticisms on themes
2.1.2 Criticisms on characters
2.1.3 Criticisms on techniques
2.2 Theory interpretation
2.2.1 Narration and narratology
2.2.2 Gernard Genette’s narratology
Chapter 3 Narrative Strategies in The Sound and the Fury
3.1 Narrative time
3.1.1 Order
3.1.2 Duration
3.1.3 Frequency
3.2 Focalization
3.2.1 Definition of focalization
3.2.2 Application of focalization
3.2.3 Significance of focalization
3.3 Narrator
3.3.1 Definition of narrator
3.3.2 Application of narrator
3.3.3 Significance of narrator
Chapter 4 Image-building of Caddy
4.1 Implied center: Caddy
4.1.1 In Benjy’s disorder
4.1.2 In Quentin’s obsessions
4.1.3 In Jason’s distortion
4.1.4 In Tradition’s Directness
4.2 Multiple aesthetic senses
4.2.1 The sense of wholeness
4.2.2 The sense of prominence
4.2.3 The sense of beauty
Chapter 5 Conclusion
5.1 Summary of the paper
5.2 Limitation of the study
5.3 Implication for further research
Bibliography
Acknowledgements
本文編號(hào)：3563740
本文鏈接：http://sikaile.net/yingmeiwenxuelunwen/3563740.html
【文章來(lái)源】：河北大學(xué)河北省
【文章頁(yè)數(shù)】：72 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Abstract
摘要
Chapter 1 Introduction
1.1 William Faulkner
1.2 The Sound and the Fury
1.3 Significance of the research
1.4 Organization of the thesis
Chapter 2 Literature Review and Theory Interpretation
2.1 A survey of criticisms
2.1.1 Criticisms on themes
2.1.2 Criticisms on characters
2.1.3 Criticisms on techniques
2.2 Theory interpretation
2.2.1 Narration and narratology
2.2.2 Gernard Genette’s narratology
Chapter 3 Narrative Strategies in The Sound and the Fury
3.1 Narrative time
3.1.1 Order
3.1.2 Duration
3.1.3 Frequency
3.2 Focalization
3.2.1 Definition of focalization
3.2.2 Application of focalization
3.2.3 Significance of focalization
3.3 Narrator
3.3.1 Definition of narrator
3.3.2 Application of narrator
3.3.3 Significance of narrator
Chapter 4 Image-building of Caddy
4.1 Implied center: Caddy
4.1.1 In Benjy’s disorder
4.1.2 In Quentin’s obsessions
4.1.3 In Jason’s distortion
4.1.4 In Tradition’s Directness
4.2 Multiple aesthetic senses
4.2.1 The sense of wholeness
4.2.2 The sense of prominence
4.2.3 The sense of beauty
Chapter 5 Conclusion
5.1 Summary of the paper
5.2 Limitation of the study
5.3 Implication for further research
Bibliography
Acknowledgements
本文編號(hào)：3563740
本文鏈接：http://sikaile.net/yingmeiwenxuelunwen/3563740.html
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