文學(xué)作品里不乏形形色色的動物形象,而在生態(tài)危機愈演愈烈已經(jīng)嚴重威脅到人類生活的今天,環(huán)保和有關(guān)動物保護的主題越來越受到西方學(xué)術(shù)界關(guān)注。于十九世紀七十年代初露端倪的生態(tài)批評順應(yīng)時代潮流,正發(fā)展成后現(xiàn)代的主流文學(xué),它提倡從人類文化中挖掘生態(tài)破壞的思想根源,從而找到解決生態(tài)危機的真正路子,為人類與自然和諧共處提供理論支持。本文從西方經(jīng)典動物小說中動物形象與人類關(guān)系入手,試用生態(tài)批評理論解讀文學(xué)作品中動物與人類從弱到強,從疏離到緊密的復(fù)雜關(guān)系,并揭示出受多種文學(xué)思潮影響下兩者關(guān)系的發(fā)展變化過程,從中得出動物形象與人類共存,也以其與自然緊密聯(lián)系的天性制約警示人類,如果繼續(xù)按人類中心主義生存與生態(tài)理論背道而馳,必將受到大自然的報復(fù)。本論文由五部分構(gòu)成。第一部分詳細闡釋了生態(tài)批評理論的產(chǎn)生,發(fā)展及在文學(xué)領(lǐng)域的表現(xiàn)及最新發(fā)展狀況,其中主要論述非人類中心主義理論。第二部分對動物小說發(fā)展歷史做梳理,介紹對動物形象與人類關(guān)系這一主題的研究狀況,試圖梳理出一條明晰的線索說明兩者相依存的緊密關(guān)系,闡述本文的創(chuàng)新意義。第三,四部分是本文的主體部分,以前現(xiàn)代主義動物小說和現(xiàn)代動物小說為界,選取西方動物小說中典型的動... 

【文章來源】：遼寧師范大學(xué)遼寧省

【文章頁數(shù)】：50 頁

【學(xué)位級別】：碩士

【文章目錄】：
摘要
Abstract
1 Introduction
    1.1 Brief Introduction to Animal Novel
    1.2 Literature Review of Relationship between Animals’Image and Human Being in Literary Works
    1.3 Thesis Statement
2 The Theoretical Foundation
    2.1 Brief Introduction to Eco-criticism
    2.2 Non-anthropocentrism Theory
        2.2.1 Animal Rights Theory
        2.2.2 Biocentrism
        2.2.3 Eco-centrism
    2.3 Summary
3 Interpretation of Animal Images in Pre-modern Animal novels
    3.1 Relationships between Animal Totems and Human Beings
        3.1.1 Brief Introduction to Totem Worship
        3.1.2 Animal Totem Worship
        3.1.3 Animal Totem Worship and Reflections in Literary Field
        3.1.4 Animal Totem Worship and Original Ecological Thoughts
        3.1.5 Summary
    3.2 Human’s Microphone --- The Golden Ass
        3.2.1 To look the World from an Ass’s Perspective
        3.2.2 The Combination of Animal’s Figure and Human’s Character
        3.2.3 Relationship between Animal Image and Human Beings in This Period
    3.3 A horse’s True Story---Black Beauty
        3.3.1 Black Beauty and Romanticism
        3.3.2 “Black Beauty’s Unusual Journey
        3.3.3 Features of Pre-modern Animal Novel Reflected in Black Beauty
        3.3.4 Human-animal Relation in Black Beauty
4 Interpretation of Animal Images in Modern Animal Novels
    4.1 Unyielding Whale--- Moby Dick
        4.1.1 Ecological Foundation of Moby Dick
        4.1.2 Natural Beauty in Moby Dick
        4.1.3 Ecological Thoughts in Moby Dick
        4.1.4 Features of Modern Animal Novel Reflected in Moby Dick
        4.1.5 Human-Animal Relation in Moby Dick
    4.2 A Voice from Nature—The Call of the Wild
        4.2.1 Buck’s Return to Nature
        4.2.2 Ecological Thoughts in The Call of the Wild
        4.2.3 Eco-centrism and Wildness Complex Embodied in The Call of the Wild
        4.2.4 The Eco-relation of the Human and the Animal in The Call of the Wild
    4.3 Animals’Gospel —Never Cry Wolf
        4.3.1 Development of Animal Novel in Late 20th Century
        4.3.2 Ecological Thoughts in Never Cry Wolf
        4.3.3 Human-Animal Relation in Never Cry Wolf
5 Conclusion
Bibliography
Acknowledgements


【參考文獻】：
期刊論文
[1]圖騰崇拜對生態(tài)保護的意義[J]. 劉玉鮮,唐文.  藝術(shù)探索. 2009(04)
[2]試論《金驢記》對后世歐洲文學(xué)作品的影響[J]. 李志斌.  湖北大學(xué)學(xué)報(哲學(xué)社會科學(xué)版). 2005(06)

博士論文
[1]動物小說——人類的綠色凝思[D]. 孫悅.上海師范大學(xué) 2008

碩士論文
[1]彼得·辛格的動物解放思想研究[D]. 徐東芳.南京理工大學(xué) 2010
[2]杰克·倫敦的生態(tài)情結(jié)[D]. 姜乘鶴.曲阜師范大學(xué) 2010
[3]動物解放思想研究[D]. 王珀.中國社會科學(xué)院研究生院 2009
[4]尊重自然：對赫爾曼·麥爾維爾的《白鯨》的生態(tài)研究[D]. 韓玲.吉林大學(xué) 2007
[5]杰克·倫敦動物小說研究[D]. 李亮.華中師范大學(xué) 2006
[6]西頓動物小說管窺[D]. 鄭朝琳.上海師范大學(xué) 2005



本文編號：3441710