不確定性和元小說:《馬賽克人》的后現(xiàn)代主義特點(diǎn)研究
發(fā)布時(shí)間:2021-09-01 10:32
羅納德·蘇克尼克是美國現(xiàn)代最杰出的猶太裔作家之一;作為一名多產(chǎn)作家,蘇克尼克已經(jīng)受到了評(píng)論界的很多關(guān)注,他本人也是多次獲獎(jiǎng)。《馬賽克人》這部小說被公認(rèn)為是一部優(yōu)秀的后現(xiàn)代作品。本文立足于后現(xiàn)代主義文學(xué)理論,主要借鑒伊哈布·哈桑和弗雷德里克·杰姆遜關(guān)于后現(xiàn)代主義文學(xué)主要特征的理論,分析論證《馬賽克人》所具備的后現(xiàn)代主義特征。本文對(duì)《馬賽克人》中不確定性和元小說特征這兩大最為突出的后現(xiàn)代主義作品特點(diǎn)做了深入的分析和探索。通過對(duì)文本的細(xì)致分析,讀者將對(duì)什么是后現(xiàn)代主義,后現(xiàn)代主義的特點(diǎn),以及《馬賽克人》這部典型的后現(xiàn)代小說有更好的理解。本文共有五個(gè)章節(jié):第一章介紹了作家蘇克尼克與小說《馬賽克人》,并對(duì)《馬賽克人》進(jìn)行了國內(nèi)外的文獻(xiàn)綜述。第二章介紹后現(xiàn)代主義理論,主要包括后現(xiàn)代主義的歷史的介紹,以及哈桑和弗雷德里克的后現(xiàn)代主義理論的詳細(xì)介紹。第三章論述了《馬賽克人》中的不確定性特征,并從語言的不確定性,人物的不確定性和體裁的不確定三個(gè)方面結(jié)合文本進(jìn)行了細(xì)致分析。第四章論述了《馬賽克人》中的元小說特征,詳細(xì)闡述了元小說的定義,元小說的特征,以及小說中的元小說敘述技巧。最后一章論述并總結(jié)《馬賽克人...
【文章來源】:江西師范大學(xué)江西省
【文章頁數(shù)】:59 頁
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Abstract
摘要
Contents
Chapter One Introduction
1.1 Ronald Sukenick and His Literary Achievements
1.2 Introduction to Mosaic Man and Its Literary Status
1.3 Literature Reviews of Mosaic Man
Chapter Two Postmodernist Theories
2.1 An Introduction to the History of Postmodernism
2.2 Ihab Hassan and Fredric Jameson’s Postmodernist Theories
Chapter Three Indeterminacy in Mosaic Man
3.1 The Definition of Indeterminacy
3.2 Indeterminacy of the Language
3.2.1 Uncertain Words
3.2.2 Fragmented Sentences
3.2.3 Pictures/Illustrations
3.2.4 Different Language Styles
3.3 Indeterminacy of the Character
3.3.1 Ron as a Boy in “Umbilicus”
3.3.2 Ron as a Young Man in Europe
3.3.3 Ron as a Traveler
3.4 Indeterminacy of the Literary Genre
3.4.1 Mosaic Man as a Travelogue
3.4.2 Mosaic Man as a Detective Story
3.4.3 Mosaic Man as a Scientific Fiction
Chapter Four Mosaic Man as a Meta-fiction
4.1 The Definitions of Meta-fiction
4.2 The Features of Meta-fiction
4.2.1 Multi-voices
4.2.2 The Interruption of the Author
4.2.3 A Combination of Narration and Comment
4.2.4 A Renewal Relationship among Authors、Readers and Characters
4.3 The Narrative Strategies of Meta-fiction Manifested in Mosaic Man
4.3.1 Exposing the Author’s Identity
4.3.2 The Use of Parody
4.3.3 The Use of Collage
Chapter Five Conclusion
Notes
Bibliography
Acknowledgements
在讀期間公開發(fā)表論文及科研情況
【參考文獻(xiàn)】:
期刊論文
[1]德里羅:“復(fù)印”美國當(dāng)代生活的后現(xiàn)代派作家[J]. 范小玫. 外國文學(xué). 2003(04)
[2]談“互文性”[J]. 殷企平. 外國文學(xué)評(píng)論. 1994(02)
碩士論文
[1]《拍賣第49批》中的后現(xiàn)代主義不確定性[D]. 賈博雅.蘭州大學(xué) 2009
本文編號(hào):3376822
【文章來源】:江西師范大學(xué)江西省
【文章頁數(shù)】:59 頁
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Abstract
摘要
Contents
Chapter One Introduction
1.1 Ronald Sukenick and His Literary Achievements
1.2 Introduction to Mosaic Man and Its Literary Status
1.3 Literature Reviews of Mosaic Man
Chapter Two Postmodernist Theories
2.1 An Introduction to the History of Postmodernism
2.2 Ihab Hassan and Fredric Jameson’s Postmodernist Theories
Chapter Three Indeterminacy in Mosaic Man
3.1 The Definition of Indeterminacy
3.2 Indeterminacy of the Language
3.2.1 Uncertain Words
3.2.2 Fragmented Sentences
3.2.3 Pictures/Illustrations
3.2.4 Different Language Styles
3.3 Indeterminacy of the Character
3.3.1 Ron as a Boy in “Umbilicus”
3.3.2 Ron as a Young Man in Europe
3.3.3 Ron as a Traveler
3.4 Indeterminacy of the Literary Genre
3.4.1 Mosaic Man as a Travelogue
3.4.2 Mosaic Man as a Detective Story
3.4.3 Mosaic Man as a Scientific Fiction
Chapter Four Mosaic Man as a Meta-fiction
4.1 The Definitions of Meta-fiction
4.2 The Features of Meta-fiction
4.2.1 Multi-voices
4.2.2 The Interruption of the Author
4.2.3 A Combination of Narration and Comment
4.2.4 A Renewal Relationship among Authors、Readers and Characters
4.3 The Narrative Strategies of Meta-fiction Manifested in Mosaic Man
4.3.1 Exposing the Author’s Identity
4.3.2 The Use of Parody
4.3.3 The Use of Collage
Chapter Five Conclusion
Notes
Bibliography
Acknowledgements
在讀期間公開發(fā)表論文及科研情況
【參考文獻(xiàn)】:
期刊論文
[1]德里羅:“復(fù)印”美國當(dāng)代生活的后現(xiàn)代派作家[J]. 范小玫. 外國文學(xué). 2003(04)
[2]談“互文性”[J]. 殷企平. 外國文學(xué)評(píng)論. 1994(02)
碩士論文
[1]《拍賣第49批》中的后現(xiàn)代主義不確定性[D]. 賈博雅.蘭州大學(xué) 2009
本文編號(hào):3376822
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