【摘要】：隱喻不僅是一種語言現(xiàn)象,它更是人類思維的一種方式。思維的認(rèn)知和文化又有著密切的聯(lián)系。另外,隱喻極大地影響著我們認(rèn)知能力的構(gòu)建以及對詩歌的理解。因此本文試圖從文化的角度比較分析中英詩歌文本中的隱喻,找出其中相似和不同的隱喻的文化原因,從而更好的理解隱喻在中英詩歌中的運(yùn)用及其隱喻的文化共性和文化差異。本文主要包含七個部分的內(nèi)容： 緒論介紹了本文研究的背景,原因以及總體框架。 第一章主要論述了與本文研究有關(guān)的文獻(xiàn)綜述。本章首先論述了國外隱喻研究發(fā)展史上的一些重要理論,特別是作為本文理論依據(jù)的概念隱喻理論。其次論述了隱喻在中國的研究現(xiàn)狀以及將來的研究方向和趨勢,再次是詩歌中的隱喻的國內(nèi)外研究現(xiàn)狀以及本文的研究目的和意義。 第二章主要討論了隱喻和詩歌、隱喻和文化之間的關(guān)系,并且從多方面論述了隱喻,文化的定義和分類。 第三章主要是對莎士比亞“十四行詩”和李商隱“無題”詩中的隱喻作了系統(tǒng)的比較,先分別介紹莎士比亞和李商隱及他們的作品,然后具體分析了兩位詩人在不同目標(biāo)域的隱喻的相似和不同之處。 第四章從文化的角度深入探討了莎士比亞十四行詩和李商隱無題詩中相似和不同隱喻背后的原因,通過分析發(fā)現(xiàn)詩中相似隱喻主要是由于相似的身體經(jīng)驗和認(rèn)知結(jié)構(gòu),不同隱喻的原因是由于歷史背景,地理環(huán)境,宗教,社會習(xí)俗,文學(xué)傳統(tǒng),哲學(xué)背景等方面的差異。 第五章是根據(jù)分析結(jié)果所得出的結(jié)論,即隱喻具有文化共性和文化差異。另外本文的研究能促進(jìn)讀者更好的理解詩歌和文化語境中的隱喻。 結(jié)論部分總結(jié)了本文主要討論的問題以及本研究的局限。 本論文基于概念隱喻理論,分析了莎士比亞“十四行詩”和李商隱“無題”詩中的隱喻的共性及差異以及背后的文化原因,本文的研究有助于促進(jìn)讀者對于隱喻的文化共性和文化差異的理解。
[Abstract]:Metaphor is not only a linguistic phenomenon, but also a way of human thinking. The cognition of thinking is closely related to culture. In addition, metaphor greatly affects the construction of our cognitive ability and our understanding of poetry. Therefore, this paper attempts to compare and analyze metaphors in Chinese and English poetry texts from the perspective of culture, and find out the cultural reasons for the similarities and differences in metaphors among them. So as to better understand the use of metaphor in Chinese and English poetry and its cultural commonality and cultural differences. This paper mainly consists of seven parts: introduction introduces the background, reasons and overall framework of this study. The first chapter mainly discusses the literature review related to this paper. This chapter first discusses some important theories in the history of metaphorical research abroad, especially the conceptual metaphorical theory, which is the theoretical basis of this thesis. Secondly, it discusses the current situation of metaphor research in China, the direction and trend of future research, and the domestic and foreign research status of metaphor in poetry, as well as the purpose and significance of this paper. The second chapter mainly discusses the relationship between metaphor and poetry, metaphor and culture, and discusses the definition and classification of metaphor and culture from many aspects. The third chapter makes a systematic comparison of the metaphors in Shakespeare's sonnet and Li Shangyin's Inquisition. First, it introduces Shakespeare and Li Shangyin and their works respectively. Then the similarities and differences of metaphors between the two poets in different target domains are analyzed in detail. The fourth chapter probes into the reasons behind similar and different metaphors in Shakespeare's sonnet poems and Li Shangyin's unthemed poems from the perspective of culture. Through the analysis, it is found that similar metaphors in Shakespeare's sonnets are mainly due to similar body experiences and cognitive structures. Different metaphors are due to the differences in historical background, geographical environment, religion, social customs, literary tradition, philosophical background and so on. The fifth chapter is based on the conclusion that metaphor has cultural commonness and cultural differences. In addition, this study can promote readers to better understand metaphors in poetry and cultural context. The conclusion summarizes the main issues discussed in this paper and the limitations of this study. Based on the theory of conceptual metaphor, this paper analyzes the similarities and differences of metaphors in Shakespeare's sonnet poem and Li Shangyin's unthemed poem, as well as the cultural reasons behind it. The study of this paper helps to promote readers' understanding of the cultural commonness and cultural differences of metaphors.
【學(xué)位授予單位】：成都理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I106.2-03

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本文編號：2454640