【摘要】：文學(xué)作品必須是一個有機統(tǒng)一體,作品各內(nèi)在因素必須"一致""統(tǒng)一""和諧",這一觀點并沒有充分的哲學(xué)根據(jù)和文學(xué)史根據(jù)。傳統(tǒng)的經(jīng)典作品也可能具有后現(xiàn)代性�！冻潜ぁ肥且粋�分裂和解構(gòu)的文本,具體表現(xiàn)為:不具有風(fēng)格上的統(tǒng)一、內(nèi)容上的統(tǒng)一、結(jié)構(gòu)上的統(tǒng)一,不是內(nèi)在的有機統(tǒng)一,故事和情節(jié)都缺乏清晰的描寫與交代,情緒、情調(diào)、思想、表述、手法等通常都不一致。沒有傳統(tǒng)小說的那種"主題",描寫和敘述有很大的跳躍性,描寫與描寫之間、敘述與敘述之間缺乏主體上的邏輯性,缺乏事件上的前因后果。小說到處相互矛盾,比如時間上的矛盾、人物性格上的矛盾、敘述人稱上的矛盾等。卡夫卡把"矛盾"正�；恕�
[Abstract]:Literary works must be an organic unity, and the internal factors of the works must be "consistent", "unified" and "harmonious". There is no sufficient philosophical basis and literary history basis for this view. The traditional classical works may also have postmodernity. "Castle" is a divided and deconstructed text, which is manifested in that there is no unity in style, unity in content, unity in structure, not internal organic unity. Stories and plots lack clear descriptions and explanations, emotions, thoughts, expressions, techniques, etc. Without the "theme" of traditional novels, there is a great leap in description and narration. Between description and description, between description and narration, there is no logic in subject and lack of cause and effect on events. The novel contradicts each other everywhere, such as the contradiction of time, the contradiction of character, the contradiction of narrator and so on. Kafka normalized the contradiction.
【作者單位】： 浙江師范大學(xué)人文學(xué)院;
【分類號】：I521.074

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