空與幻：村上春樹小說創(chuàng)作中的“幼兒文學(xué)”
發(fā)布時間：2018-10-19 13:59
【摘要】：村上春樹(1949年——),日本小說家、美國文學(xué)翻譯家。他被大江健三郎認(rèn)為是當(dāng)代日本文學(xué)基本走向的代表人物之一,也被稱為第一位純正的“二戰(zhàn)后時期作家”,“當(dāng)代最偉大的作家之一”,還被譽(yù)為日本1980年代的文學(xué)旗手。他是諾貝爾文學(xué)獎的熱門候選人,1987年《挪威的森林》問世,不久后因該作的暢銷引發(fā)了“村上春樹現(xiàn)象”。 村上春樹在他的許多作品中都塑造了充滿叛逆?zhèn)�性和反叛精神的人物形象,其作品處處彰顯著對自由的渴望,這種反叛和自我最早出現(xiàn)在村上春樹的處女作《且聽風(fēng)吟》中,其另一部作品《世界盡頭與冷酷仙境》又一次對反叛和自我進(jìn)行了探索,日本評論家川本三郎在評述這兩部作品時稱之為“幼兒文學(xué)”,但這一概念提出之后,未得到充分的論證。本文運用文本細(xì)讀的方法,結(jié)合影響研究的方法和敘事視角理論,對村上春樹的“幼兒文學(xué)”做出分析。 在這兩部“幼兒文學(xué)”作品中,人物充滿了叛逆?zhèn)�性和反抗精神,他們無法融于現(xiàn)實的世界,追求只屬于自己的生活,追求能夠獲得靈魂的自由和完全的自我的世界。盡管他們未能徹底擺脫現(xiàn)實的世界,但他們主觀上不想與現(xiàn)實世界同流合污,并為此做出了不計后果的反抗和努力。作為“幼兒”的他們只關(guān)注自己,努力保全自己不被同化,追求幼兒的純凈性,不去關(guān)注歷史和戰(zhàn)爭這些社會化、成人化的問題。這兩部作品呈現(xiàn)出“空”與“幻”的審美特征,在“空”與“幻”的背后,村上春樹的“幼兒文學(xué)”蘊(yùn)藏著的則是作者追尋真正的自我、捍衛(wèi)靈魂的自由的精神實質(zhì)。 村上春樹的“男孩”性格和“斗士”個性體現(xiàn)出其對自由的渴望,也促成其創(chuàng)作“幼兒文學(xué)”。在“幼兒文學(xué)”之后,作者在創(chuàng)作中更加重視社會責(zé)任感,從逃離社會向介入社會轉(zhuǎn)變,“幼兒文學(xué)”也逐漸向著還原歷史,揭露現(xiàn)實的作品方向發(fā)展,出現(xiàn)像《奇鳥行狀錄》這樣的力作�！坝變何膶W(xué)”叩開了村上春樹的創(chuàng)作之門,叛逆的人物形象和追求自由的努力在其日后的文學(xué)創(chuàng)作中依然可見,同時,“幼兒文學(xué)”也帶領(lǐng)讀者進(jìn)行了一次精神上的自由之旅,使讀者在心靈上獲得了自由的慰藉。
[Abstract]:Haruki Murakami (1949), Japanese novelist and translator of American literature. He is regarded as one of the representative figures of the basic trend of contemporary Japanese literature, also known as the first pure "postwar writer", "one of the greatest contemporary writers", and also known as the flagship of Japanese literature in the 1980s. He was a popular candidate for the Nobel Prize in Literature. In 1987, the Norwegian Forest came out, and soon after it became popular, it triggered the Murakami phenomenon. In many of his works, Murakami portrays characters who are full of rebellious personality and rebellious spirit. His works are full of yearning for freedom, and this rebellion and self first appeared in Murakami's first work, "listen to the wind." His other work, the end of the World and the Cold Wonderland, once again explores rebellion and self. When Japanese critic Saguro Kawamoto comments on these two works, he calls them "infant literature," but after this concept is put forward, There is not enough argument. This paper analyzes Murakami Haruki's "early childhood literature" by using the method of text reading, the method of influence research and the theory of narrative angle of view. In these two works, the characters are full of rebellious personality and rebellious spirit. They can not melt into the real world, pursue their own life, pursue the world of freedom and complete self which can obtain the soul. Although they can not completely get rid of the real world, but they do not want to share with the real world subjectively, and made reckless resistance and efforts. As "children", they only pay attention to themselves, strive to preserve themselves from assimilation, pursue the purity of children, do not pay attention to the socialization and adult problems of history and war. These two works show the aesthetic characteristics of "emptiness" and "fantasy". Behind the "empty" and "fantasy", Murakami's "infant literature" contains the spiritual essence of the author's pursuit of the true self and the freedom of defending the soul. Murakami's character of "boy" and "fighter" embodies his desire for freedom, and also contributes to his creation of "infant literature". After "early childhood literature", the author pays more attention to the social responsibility in his creation, from escaping the society to getting involved in the society, and the "infant literature" is gradually developing towards the direction of restoring history and exposing the reality of the works. Something like the Strange Bird Walking. "Infant Literature" has opened the door of Murakami's creation. The rebellious character image and the pursuit of freedom are still visible in his later literary creation. At the same time, "Infant Literature" also leads the reader on a spiritual journey of freedom. The reader was comforted in his mind.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I313.074
本文編號：2281345
[Abstract]:Haruki Murakami (1949), Japanese novelist and translator of American literature. He is regarded as one of the representative figures of the basic trend of contemporary Japanese literature, also known as the first pure "postwar writer", "one of the greatest contemporary writers", and also known as the flagship of Japanese literature in the 1980s. He was a popular candidate for the Nobel Prize in Literature. In 1987, the Norwegian Forest came out, and soon after it became popular, it triggered the Murakami phenomenon. In many of his works, Murakami portrays characters who are full of rebellious personality and rebellious spirit. His works are full of yearning for freedom, and this rebellion and self first appeared in Murakami's first work, "listen to the wind." His other work, the end of the World and the Cold Wonderland, once again explores rebellion and self. When Japanese critic Saguro Kawamoto comments on these two works, he calls them "infant literature," but after this concept is put forward, There is not enough argument. This paper analyzes Murakami Haruki's "early childhood literature" by using the method of text reading, the method of influence research and the theory of narrative angle of view. In these two works, the characters are full of rebellious personality and rebellious spirit. They can not melt into the real world, pursue their own life, pursue the world of freedom and complete self which can obtain the soul. Although they can not completely get rid of the real world, but they do not want to share with the real world subjectively, and made reckless resistance and efforts. As "children", they only pay attention to themselves, strive to preserve themselves from assimilation, pursue the purity of children, do not pay attention to the socialization and adult problems of history and war. These two works show the aesthetic characteristics of "emptiness" and "fantasy". Behind the "empty" and "fantasy", Murakami's "infant literature" contains the spiritual essence of the author's pursuit of the true self and the freedom of defending the soul. Murakami's character of "boy" and "fighter" embodies his desire for freedom, and also contributes to his creation of "infant literature". After "early childhood literature", the author pays more attention to the social responsibility in his creation, from escaping the society to getting involved in the society, and the "infant literature" is gradually developing towards the direction of restoring history and exposing the reality of the works. Something like the Strange Bird Walking. "Infant Literature" has opened the door of Murakami's creation. The rebellious character image and the pursuit of freedom are still visible in his later literary creation. At the same time, "Infant Literature" also leads the reader on a spiritual journey of freedom. The reader was comforted in his mind.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I313.074
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