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消費(fèi)社會(huì)視域下《更多的人死于心碎》解析

發(fā)布時(shí)間:2018-08-04 19:39
【摘要】:索爾·貝婁被認(rèn)為是繼海明威和福克納后,美國文壇最杰出的作家。在1976年,,貝婁由于對當(dāng)代文化富于人性的理解和精妙的分析獲得諾貝爾文學(xué)獎(jiǎng)。在其諸多小說中,貝婁都曾表露過對消費(fèi)為主導(dǎo)的消費(fèi)社會(huì)和物質(zhì)至上的消費(fèi)現(xiàn)象的批判,其作品《更多的人死于心碎》這部小說也是如此。貝婁在《更多的人死于心碎》中描述了當(dāng)代物質(zhì)主義和享樂主義的消費(fèi)社會(huì)現(xiàn)狀,并對現(xiàn)代消費(fèi)社會(huì)中人類精神荒原的現(xiàn)狀進(jìn)行思考。本論文旨在從小說主人公貝恩·克拉德對純真浪漫的柏拉圖式愛情的向往、對傳統(tǒng)理想有序婚姻模式的追求、和對親密親情關(guān)系的眷戀以及自己信念原則的堅(jiān)守等幾個(gè)方面心碎歷程的分析,探討消費(fèi)社會(huì)視域下《更多的人死于心碎》中,當(dāng)代人類精神荒原的現(xiàn)狀,并為讀者展示貝婁對當(dāng)代荒誕英雄貌似荒誕的對理想王國的執(zhí)著追求的描寫。 本篇論文包括四個(gè)部分: 第一部分(第零章)對作家、作品、國內(nèi)外研究現(xiàn)狀進(jìn)行簡要介紹,以期讀者對論文的背景知識有全面的了解。 第二部分(第一章)闡釋鮑德里亞提出的消費(fèi)社會(huì)理論,對消費(fèi)和消費(fèi)社會(huì)的概念進(jìn)行界定,同時(shí)總結(jié)消費(fèi)社會(huì)的三個(gè)特點(diǎn)。即在消費(fèi)社會(huì)中消費(fèi)活動(dòng)由消費(fèi)物品的使用價(jià)值向消費(fèi)其符號價(jià)值轉(zhuǎn)換、人類道德觀由傳統(tǒng)清教價(jià)值觀向享樂主義價(jià)值觀轉(zhuǎn)換、生產(chǎn)為主導(dǎo)的社會(huì)結(jié)構(gòu)向消費(fèi)主導(dǎo)轉(zhuǎn)換。為后文消費(fèi)社會(huì)的特點(diǎn)導(dǎo)致的負(fù)面影響(符號化、物化、異化)和對貝恩·克拉德心碎經(jīng)歷影響的分析做鋪墊。 第三部分(第二章、第三章和第四章)分別分析了消費(fèi)社會(huì)中,貝恩·克拉德的符號化導(dǎo)致其柏拉圖式純真愛情理想的破滅,異化導(dǎo)致的傳統(tǒng)觀念上天倫之樂的婚姻模式的破滅和物化導(dǎo)致的對親情眷戀和信念原則的堅(jiān)守的失敗。這部分為讀者展示了主人公愛情、婚姻和親情原則幾個(gè)方面心碎歷程的根源,即消費(fèi)社會(huì)對人類精神的壓抑,操縱和控制,使人失去行動(dòng)力、失去尊嚴(yán)、失去自我。 第四部分(第五章)分析當(dāng)代消費(fèi)社會(huì)的荒原景觀,以及人類在失樂園上對一方樂土的貌似荒誕的追求。首先通過對瑪?shù)贍栠_(dá)、拉亞蒙醫(yī)生、契尼克法官、肯尼斯、蒂塔、特里基、州長及其幕僚等人物的分析,展現(xiàn)消費(fèi)社會(huì)中當(dāng)代人的精神現(xiàn)狀。其次從荒誕社會(huì)新的道德觀對傳統(tǒng)道德觀的勝利,貝恩對精神世界一方凈土的執(zhí)著守望,當(dāng)代人與魔鬼協(xié)議的終結(jié)等三方面展現(xiàn)荒誕世界中的荒誕英雄的追求。 總之,通過主人公貝恩·克拉德的心碎人生經(jīng)歷,貝婁不僅展示了當(dāng)代人精神荒原的現(xiàn)狀,更對導(dǎo)致荒原景觀的消費(fèi)社會(huì)以及消費(fèi)文化進(jìn)行了批判。同時(shí)通過描寫貝恩永不放棄希望、執(zhí)著追求,毅然做出離開瑪?shù)贍栠_(dá)飛往北極研究苔蘚的決定,表明人類在消費(fèi)社會(huì)中能夠?qū)ふ业狡届o、有序樂園的可能性。
[Abstract]:Saul Bellow is regarded as the most outstanding writer in American literature after Hemingway and Faulkner. In 1976, Bellow won the Nobel Prize for Literature for his understanding of contemporary culture and its subtle analysis. In many of his novels, Bellow has criticized the consumption-dominated consumer society and the consumptive phenomenon of material supremacy, as well as his novel "more people die of heartbreak". Bellow describes the current situation of modern materialism and hedonism in "more people dying of heartbreak", and thinks about the present situation of human spirit wasteland in modern consumer society. This thesis aims at the pursuit of the traditional ideal and orderly marriage model from the novel protagonist Baincrad's yearning for the pure romantic platonic love and the pursuit of the traditional ideal and orderly marriage mode. And the analysis of the heartbreak course in several aspects, such as the attachment to the intimate kinship relationship and the adherence to the principles of one's own beliefs, to explore the current situation of the contemporary human spiritual wasteland in "more people dying of heartbreak" in the perspective of the consumer society. And show the reader Bellow's description of the seemingly absurd pursuit of the ideal kingdom. This thesis consists of four parts: the first part (Chapter 0) briefly introduces the writer, works, domestic and foreign research status so that readers can have a comprehensive understanding of the background of the paper. The second part (chapter one) explains Baudrillard's theory of consumer society, defines the concept of consumption and consumer society, and summarizes the three characteristics of consumer society. That is, in the consumer society, the consumption activity changes from the use value of the consumer goods to the symbolic value of the consumption, the human morality changes from the traditional Puritan values to the hedonistic values, and the production-oriented social structure transforms to the consumption-oriented. It paves the way for the negative influence (symbolization, materialization, alienation) caused by the characteristics of the later consumer society and the analysis of the influence of Baincrad's heartbreak experience. The third part (chapter two, chapter three and chapter four) analyzes separately that the symbolization of Baincrad leads to the collapse of his platonic ideal of pure love. Alienation leads to the breakdown of the traditional concept of happy marriage and the failure of materialization to stick to the principles of affection and belief. This part shows readers the root of the heartbreak course of the protagonist's love, marriage and kinship principle, that is, the consumer society depresses, manipulates and controls the human spirit, so that people lose their action, dignity and self. The fourth part (chapter five) analyzes the wasteland landscape of contemporary consumer society and the seemingly absurd pursuit of a happy land in paradise lost. First, through the analysis of Mathilda, Dr. Laarmon, Judge Chenick, Kenneth, Tita, Triki, Governor and his staff and other characters, it shows the contemporary spirit of consumer society. Secondly, it shows the pursuit of absurd heroes in the absurd world from three aspects: the victory of the new morality of the absurd society over the traditional morality, the persistence of Bain in the spiritual world and the end of the agreement between contemporary people and the devil. In a word, through the heart-breaking life experience of the protagonist Baincrad, Bellow not only shows the present situation of the spiritual wasteland of contemporary people, but also criticizes the consumer society and consumer culture that lead to the wasteland landscape. At the same time, by describing Bain never giving up hope, persistent pursuit, the decision to leave Mathilda to fly to the Arctic to study moss, shows that human beings can find the possibility of peaceful, orderly paradise in the consumer society.
【學(xué)位授予單位】:哈爾濱師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:I712.074

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