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從后現(xiàn)代主義視角解讀福克納作品的哥特風格

發(fā)布時間:2018-06-23 02:27

  本文選題:?思{ + 哥特風格 ; 參考:《青島大學》2013年碩士論文


【摘要】:威廉·福克納是20世紀美國最偉大的小說家之一,一生斧就了19部長篇及129個短篇,其中主要以“約克納帕塔法”世系小說著稱于世。在創(chuàng)作中,他大量運用了哥特式手法,并以其特有的敏銳洞察力,持續(xù)深入地描寫了美國南方人物浮沉、世態(tài)炎涼和歷史變遷的社會景象,進而對人類的心靈世界進行了深刻剖析。其多數(shù)作品在人物塑造、情節(jié)設置、陰森可怕的場景描繪與神秘恐怖的氣氛渲染等方而具有明顯的哥特式特征。 當前學術界對?思{的研究幾乎涵蓋了所有的理論視角,如新批評、文化批評、心理分析、結(jié)構(gòu)主義、后結(jié)構(gòu)主義、現(xiàn)代主義以及后現(xiàn)代主義等。迄今為止,雖然有多位評論家論及?思{作品的哥特色彩,但主要集中在對其中兩三部小說的哥特元素進行個案分析,鮮有深入的專題研究,尤其沒有將其與作者作品的后現(xiàn)代特質(zhì)聯(lián)系起來考量。本文選取了作者具有哥特色彩的作品:《圣殿》、《八月之光》、《押沙龍,押沙龍!》、《獻給愛米麗的一朵玫瑰花》進行分析,并對其中所展現(xiàn)的四種哥特元素:人物、環(huán)境、情節(jié)、主題,以及其中所體現(xiàn)的后現(xiàn)代主義特征進行探究,旨在確立其作品中的哥特元素與后現(xiàn)代主義之間的聯(lián)系,從而揭示其哥特風格的獨到之處。 ?思{的哥特世界懸念迭起、暗流涌動,更重要的是他在作品中探索了人物內(nèi)心的壓抑及其暴力的釋放,反映了美國南方社會中人們的身份迷失與價值缺失,闡釋了人類因無法透徹認識自身及所處環(huán)境而產(chǎn)生的困惑與焦慮,進而表達了作者對南方黑暗腐朽的勢力及文化的控訴,對資本主義意識形態(tài)的反叛和對人性的呼喚。作者作品中的哥特藝術價值及其中所展現(xiàn)的后現(xiàn)代主義特征,兩者的有機結(jié)合具有了一種后現(xiàn)代哥特的傾向,使其作品具有了可貴的廣度和深度,對南方文學及美國文學,甚至是世界文學的繁榮都做出了很大的貢獻。
[Abstract]:William Faulkner is one of the greatest American novelists in the 20th century. In his creation, he used a lot of Gothic techniques, and with his unique keen insight, he continuously and deeply described the social scene of the people of the South of the United States, such as floating, cool and historical changes. Furthermore, it deeply analyzes the world of human mind. Most of his works have obvious Gothic characteristics in character shaping, plot setting, dark and horrible scene description and mysterious and horrible atmosphere rendering. The current academic research on Faulkner covers almost all theoretical perspectives, such as new criticism, cultural criticism, psychoanalysis, structuralism, post-structuralism, modernism and postmodernism. So far, although many critics have discussed the Gothic color of Faulkner's works, they have mainly focused on the case study of Gothic elements in two or three novels. In particular, it does not relate to the postmodernism of the author's work. This paper selects the author's Gothic works: Temple, Light in August, Absalom, Absalom!, A Rose for Emily, and analyzes the four Gothic elements: characters, circumstances, and plots. The theme, as well as the postmodernism characteristic embodied in it, aims to establish the connection between Gothic elements and postmodernism in his works, thus revealing the originality of his Gothic style. Faulkner's Gothic world is full of suspense, undercurrent, and, more importantly, he explores the inner repression of the characters and the release of violence, which reflects the loss of identity and the loss of value of people in the American Southern society. This paper explains the confusion and anxiety caused by human beings' inability to fully understand themselves and their environment, and then expresses the author's accusation of the dark and decadent forces and culture in the South, the rebellion of capitalist ideology and the call of human nature. The value of Gothic art in the author's works and its postmodernism features, the organic combination of the two has a tendency of post-modern Gothic, which makes his works have a valuable breadth and depth, to the Southern literature and American literature. Even the prosperity of world literature has made great contributions.
【學位授予單位】:青島大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:I712.074

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