本文選題：沙龍 + 古典主義文學(xué)　； 參考：《內(nèi)蒙古師范大學(xué)》2013年碩士論文

【摘要】：沙龍是17-18世紀(jì)流行于西歐上流社會(huì)，討論有關(guān)文學(xué)、愛(ài)情、藝術(shù)等話(huà)題的高雅社交場(chǎng)所。一般圍繞著一個(gè)女主人展開(kāi)，用談話(huà)的方式交流看法和觀點(diǎn)，以法國(guó)沙龍最為典型。因此，本文以法國(guó)沙龍為例，，研究法國(guó)17—18世紀(jì)沙龍文化與文學(xué)的關(guān)聯(lián)。前人有關(guān)沙龍的研究多集中在文化史的角度，有關(guān)沙龍同文學(xué)具體聯(lián)系的研究并不多。本文在把沙龍作為文化現(xiàn)象研究的基礎(chǔ)上，著重研究沙龍對(duì)17—18世紀(jì)文學(xué)的影響，從而闡釋沙龍對(duì)整個(gè)文學(xué)史的推動(dòng)作用。本篇論文主要包含引言、沙龍：近代西方一種新興文化現(xiàn)象、沙龍對(duì)西方近代西方文學(xué)的影響、西方沙龍與中國(guó)文人雅集之比較、結(jié)語(yǔ)五個(gè)部分。一方面，通過(guò)對(duì)沙龍文化的淵源和特點(diǎn)演變的分析，來(lái)探討沙龍?jiān)谖鞣轿幕l(fā)展過(guò)程中所形成的獨(dú)特文化意義，指出沙龍興盛于法國(guó)的原因，是當(dāng)時(shí)法國(guó)國(guó)王對(duì)王權(quán)的限制和法國(guó)社會(huì)中相對(duì)寬松的社會(huì)環(huán)境以及法國(guó)貴族女性政治地位的提高等多種因素綜合作用的結(jié)果。另一方面，通過(guò)對(duì)沙龍對(duì)17—18世紀(jì)西方文學(xué)的影響來(lái)論證沙龍?jiān)谖鞣轿膶W(xué)史上的重要作用，具體分析對(duì)17世紀(jì)的古典主義文學(xué)和18世紀(jì)的啟蒙主義文學(xué)在內(nèi)容和形式上的影響，強(qiáng)調(diào)沙龍?jiān)?7—18世紀(jì)的文學(xué)發(fā)展中具有重要作用。同時(shí)，為了使我們更好的認(rèn)識(shí)和了解沙龍這種西方的社交場(chǎng)所，筆者選取了與其在形式和內(nèi)涵上具有相似之處的中國(guó)文人雅集進(jìn)行比較和分析，提出西方沙龍與中國(guó)文人雅集文學(xué)影響差異的原因在于中國(guó)文人“士”的身份，是中國(guó)文人身上那種弘揚(yáng)道統(tǒng)、明道救世的使命感與道德感決定著他們對(duì)文人雅集寄托著一定的目的，而西方沙龍的參與者更多的是為了文學(xué)本身。
[Abstract]:Salon is popular in the 17-18 th century in the upper class of Western Europe, discussing literature, love, art and other topics of elegant social space. Generally around a hostess, using the way of exchange of views and views, the French salon is the most typical. Therefore, this paper takes French salon as an example to study the cultural and literary connection of French salon in the 17-18 th century. Previous studies on Sharon focus on the perspective of cultural history, but not on the specific relationship between Sharon and literature. Based on the study of Sharon as a cultural phenomenon, this paper focuses on the influence of Sharon on the literature of the 17-18 century, so as to explain the impelling effect of Sharon on the whole history of literature. This paper mainly includes the introduction, Sharon: a new cultural phenomenon in the modern West, the influence of Sharon on the western modern western literature, the comparison between the western salon and the elegant collection of Chinese literati, and the conclusion. On the one hand, through the analysis of the origin and characteristic evolution of salon culture, this paper probes into the unique cultural significance formed by Sharon in the course of the development of western culture, and points out the reason why Sharon flourishes in France. It is the result of the restriction of Wang Quan by the French king at that time, the relatively loose social environment in the French society and the improvement of the political status of the French aristocratic women. On the other hand, it demonstrates the important role of Sharon in the history of western literature through the influence of Sharon on the western literature in the 17th and 18th centuries. This paper analyzes the influence on the content and form of the classical literature of the 17th century and the enlightening literature of the 18th century, and emphasizes that Sharon plays an important role in the development of the literature of the 17th century and the 18th century. At the same time, in order to make us better understand and understand Sharon, a western social place, the author chooses the Chinese literati elegant collection, which is similar in form and connotation, to compare and analyze. It is pointed out that the reason for the difference in the literary influence between the Western Sharon and the Chinese literati is that the identity of the Chinese literati as a "scholar" is the kind of Chinese literati who carries forward Taoism. The sense of mission and morality of saving the world in Ming Tao decided that they had a certain purpose in the collection of literati elegance, while the participants in the western salon were more for the literature itself.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：I565.06

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本文編號(hào)：1991475