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17-18世紀法國沙龍文化與文學

發(fā)布時間:2018-06-07 14:17

  本文選題:沙龍 + 古典主義文學; 參考:《內蒙古師范大學》2013年碩士論文


【摘要】:沙龍是17-18世紀流行于西歐上流社會,討論有關文學、愛情、藝術等話題的高雅社交場所。一般圍繞著一個女主人展開,用談話的方式交流看法和觀點,以法國沙龍最為典型。因此,本文以法國沙龍為例,,研究法國17—18世紀沙龍文化與文學的關聯(lián)。前人有關沙龍的研究多集中在文化史的角度,有關沙龍同文學具體聯(lián)系的研究并不多。本文在把沙龍作為文化現(xiàn)象研究的基礎上,著重研究沙龍對17—18世紀文學的影響,從而闡釋沙龍對整個文學史的推動作用。本篇論文主要包含引言、沙龍:近代西方一種新興文化現(xiàn)象、沙龍對西方近代西方文學的影響、西方沙龍與中國文人雅集之比較、結語五個部分。一方面,通過對沙龍文化的淵源和特點演變的分析,來探討沙龍在西方文化發(fā)展過程中所形成的獨特文化意義,指出沙龍興盛于法國的原因,是當時法國國王對王權的限制和法國社會中相對寬松的社會環(huán)境以及法國貴族女性政治地位的提高等多種因素綜合作用的結果。另一方面,通過對沙龍對17—18世紀西方文學的影響來論證沙龍在西方文學史上的重要作用,具體分析對17世紀的古典主義文學和18世紀的啟蒙主義文學在內容和形式上的影響,強調沙龍在17—18世紀的文學發(fā)展中具有重要作用。同時,為了使我們更好的認識和了解沙龍這種西方的社交場所,筆者選取了與其在形式和內涵上具有相似之處的中國文人雅集進行比較和分析,提出西方沙龍與中國文人雅集文學影響差異的原因在于中國文人“士”的身份,是中國文人身上那種弘揚道統(tǒng)、明道救世的使命感與道德感決定著他們對文人雅集寄托著一定的目的,而西方沙龍的參與者更多的是為了文學本身。
[Abstract]:Salon is popular in the 17-18 th century in the upper class of Western Europe, discussing literature, love, art and other topics of elegant social space. Generally around a hostess, using the way of exchange of views and views, the French salon is the most typical. Therefore, this paper takes French salon as an example to study the cultural and literary connection of French salon in the 17-18 th century. Previous studies on Sharon focus on the perspective of cultural history, but not on the specific relationship between Sharon and literature. Based on the study of Sharon as a cultural phenomenon, this paper focuses on the influence of Sharon on the literature of the 17-18 century, so as to explain the impelling effect of Sharon on the whole history of literature. This paper mainly includes the introduction, Sharon: a new cultural phenomenon in the modern West, the influence of Sharon on the western modern western literature, the comparison between the western salon and the elegant collection of Chinese literati, and the conclusion. On the one hand, through the analysis of the origin and characteristic evolution of salon culture, this paper probes into the unique cultural significance formed by Sharon in the course of the development of western culture, and points out the reason why Sharon flourishes in France. It is the result of the restriction of Wang Quan by the French king at that time, the relatively loose social environment in the French society and the improvement of the political status of the French aristocratic women. On the other hand, it demonstrates the important role of Sharon in the history of western literature through the influence of Sharon on the western literature in the 17th and 18th centuries. This paper analyzes the influence on the content and form of the classical literature of the 17th century and the enlightening literature of the 18th century, and emphasizes that Sharon plays an important role in the development of the literature of the 17th century and the 18th century. At the same time, in order to make us better understand and understand Sharon, a western social place, the author chooses the Chinese literati elegant collection, which is similar in form and connotation, to compare and analyze. It is pointed out that the reason for the difference in the literary influence between the Western Sharon and the Chinese literati is that the identity of the Chinese literati as a "scholar" is the kind of Chinese literati who carries forward Taoism. The sense of mission and morality of saving the world in Ming Tao decided that they had a certain purpose in the collection of literati elegance, while the participants in the western salon were more for the literature itself.
【學位授予單位】:內蒙古師范大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:I565.06

【參考文獻】

相關期刊論文 前3條

1 張小榮,米海;論貴族“沙龍”文化對近代法國社會經(jīng)濟發(fā)展的影響[J];西北工業(yè)大學學報(社會科學版);2002年04期

2 趙翠翠;秦武杰;;17世紀法國文化形態(tài)和貴族沙龍[J];傳承;2008年18期

3 張小榮;簡論貴族“沙龍”文化對近代法國社會發(fā)展的不利影響[J];唐都學刊;1995年05期

相關碩士學位論文 前2條

1 郭瑩瑩;近代西歐沙龍文化探析[D];華南師范大學;2007年

2 倪勤勤;18世紀末至19世紀初德意志猶太女性沙龍研究[D];華東師范大學;2009年



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