發(fā)布時(shí)間：2018-05-27 13:46

  本文選題：《熱河日記》 + 燕行錄��； 參考：《中央民族大學(xué)》2013年博士論文

【摘要】：中國(guó)和朝鮮半島世代的友好交流留下了豐富的“燕行錄”文學(xué),朝鮮實(shí)學(xué)思想家樸趾源創(chuàng)作的《熱河日記》可謂其中的壓卷之作。1780年,樸趾源隨堂兄樸明源率領(lǐng)的朝鮮赴清賀乾隆皇帝七十壽誕的使節(jié)團(tuán)來(lái)到中國(guó),回國(guó)后依見(jiàn)聞創(chuàng)作了日記體紀(jì)行文——《熱河日記》。這部著作被稱為“實(shí)學(xué)全書(shū)”,樸趾源用實(shí)學(xué)思想家的眼光對(duì)清朝的政治、經(jīng)濟(jì)、制度、文化、民俗等進(jìn)行了觀察描寫(xiě),其中不乏對(duì)中國(guó)文物制度、歷史典籍的精辟見(jiàn)解；《熱河日記》猶如一副徐徐展開(kāi)的畫(huà)圖,把十八世紀(jì)的盛清社會(huì)風(fēng)貌展現(xiàn)出來(lái),并以高屋建瓴的批判意識(shí)對(duì)朝鮮的現(xiàn)實(shí)進(jìn)行了深刻反思,提出了切合朝鮮社會(huì)實(shí)際的具體改革措施。本論文運(yùn)用實(shí)證的方法,爬梳資料,鉤沉考訂,考論并重,在政治、文化和散文發(fā)展史的廣闊背景下考察《熱河日記》的創(chuàng)作,從時(shí)代背景和社會(huì)環(huán)境出發(fā),闡釋了樸趾源在朝鮮李朝中后期的思想動(dòng)態(tài)及《熱河日記》出現(xiàn)的深層內(nèi)因,對(duì)《熱河日記》的思想價(jià)值、文獻(xiàn)學(xué)價(jià)值及創(chuàng)作藝術(shù)等進(jìn)行了較為全面、綜合的研究。 樸趾源所生活的時(shí)代是朝鮮封建社會(huì)開(kāi)始出現(xiàn)瓦解征兆的過(guò)渡性轉(zhuǎn)折期：農(nóng)業(yè)生產(chǎn)逐漸恢復(fù),商品經(jīng)濟(jì)日漸發(fā)展,社會(huì)生產(chǎn)關(guān)系悄然轉(zhuǎn)型；社會(huì)問(wèn)題嚴(yán)重,農(nóng)民起義頻發(fā)；通過(guò)中國(guó)傳來(lái)的“西學(xué)”——自然科學(xué)思想和明清實(shí)學(xué)的傳播促使了民族意識(shí)的覺(jué)醒。在這樣的時(shí)代背景下,實(shí)學(xué)思想產(chǎn)生并發(fā)展,文學(xué)藝術(shù)的“去理學(xué)化”傾向也愈發(fā)明顯,各種嶄新的思想因素在十八世紀(jì)的李朝悄然萌發(fā)。樸趾源敏感地把握了當(dāng)時(shí)的深層現(xiàn)實(shí)矛盾和社會(huì)發(fā)展的新動(dòng)向,并通過(guò)《熱河日記》的創(chuàng)作表達(dá)其改革思想。 《熱河日記》的體例將編年和記事綜合起來(lái),對(duì)燕行旅程以日記形式按編年體記述,對(duì)不容易以日記形式記述的重要內(nèi)容,則采用專題的形式獨(dú)立記述,整部作品結(jié)構(gòu)合理,脈絡(luò)明晰,重點(diǎn)突出�！稛岷尤沼洝分杏涹w散文大致可分為四類：臺(tái)閣名勝記、山水游記、書(shū)畫(huà)器物記和人事雜記；此外還有論說(shuō)文、小說(shuō)和筆記文。《熱河日記》中出現(xiàn)了大量的中國(guó)文獻(xiàn),樸趾源對(duì)中國(guó)文獻(xiàn)的關(guān)注和甄選突出了其反理學(xué)立場(chǎng),憑借深厚的漢學(xué)修養(yǎng)和對(duì)中國(guó)當(dāng)時(shí)學(xué)術(shù)成就的全面了解,樸趾源在《熱河日記》中辨?zhèn)慰闭`、馳辨逞才,并有意識(shí)地關(guān)注了與朝鮮有關(guān)的文獻(xiàn),彰顯其民族情懷。 對(duì)中國(guó)人文地理、清朝的文物制度的考察激發(fā)了樸趾源的改革思想�！稛岷尤沼洝访枘〕鰪镍喚G江到北京這一旅途中的名山大川、田野河流,中國(guó)遼闊、豐富的地貌帶給樸趾源嶄新的地理感受,飽覽群書(shū)、博古通今的樸趾源對(duì)行程中的名勝、遺址進(jìn)行考據(jù)鉤沉,展現(xiàn)其愛(ài)國(guó)情懷及學(xué)術(shù)修養(yǎng)；《熱河日記》全面展示了清朝的先進(jìn)文物制度,包括清代的政治統(tǒng)治術(shù)、經(jīng)濟(jì)社會(huì)和文化生活的各個(gè)方面。在考察清朝、反思朝鮮社會(huì)的“華夷觀”及現(xiàn)實(shí)狀況的基礎(chǔ)上,樸趾源提出了“利用厚生”的具體改革措施,包括限民名田,耕耘樹(shù)藝,鼓勵(lì)工商、貿(mào)易富國(guó),振興實(shí)業(yè)等,以實(shí)現(xiàn)朝鮮的國(guó)富民強(qiáng)。 《熱河日記》中的雜錄部分具有高超的思想藝術(shù)成就。雜錄的論述內(nèi)容在理勢(shì)與語(yǔ)勢(shì)映襯下表達(dá)出樸趾源的政治使命感；見(jiàn)聞錄記述了旅途中所經(jīng)歷的古北口遺址、白河、避暑山莊的景觀及使行團(tuán)的活動(dòng),在景物描寫(xiě)中傳達(dá)出審美主體的心理感受；筆記文具有耳聞目睹的現(xiàn)實(shí)性,內(nèi)容豐富,形式自由,不拘一格,頗具史料價(jià)值及文化價(jià)值。《熱河日記》中的雜錄即事名篇,雜而不散,內(nèi)容豐富,文風(fēng)多樣,語(yǔ)言明潔曉暢,文學(xué)意味濃厚。 《熱河日記》的創(chuàng)作藝術(shù)達(dá)到了朝鮮游記文學(xué)的巔峰�！稛岷尤沼洝匪茉炝缩r活的中國(guó)形象,包括從王侯貴族到一般文士的人物群相、十八世紀(jì)清朝的全景圖式的鮮活社會(huì)場(chǎng)景；進(jìn)行了豐富而生動(dòng)的藝術(shù)形象塑造,包括文學(xué)典型和文學(xué)意境兩類�！稛岷尤沼洝窐銓�(shí)而尖銳的論辯藝術(shù)主要體現(xiàn)在兩方面：燭察時(shí)弊,放言無(wú)忌的政論和廣征博引、曲折盡情的論述風(fēng)格；諷刺藝術(shù)尖銳而深刻,揭露批判了兩班階層虛偽的封建道德和禮教；語(yǔ)言樸實(shí),深于取象,將多變的句式、生動(dòng)的比喻、連環(huán)錯(cuò)綜的排比和靈活精當(dāng)?shù)牡涔是擅罱Y(jié)合,形成了雅潔曉暢、追樸求真的語(yǔ)言風(fēng)格。 《熱河日記》是“燕行錄”文學(xué)的集大成之作,堪稱朝鮮游記文學(xué)史的里程碑；其深刻的思想性和批判性震撼了李氏王朝的統(tǒng)治階層,引發(fā)了著名的“文體風(fēng)波”；后人對(duì)樸趾源著作的結(jié)集、出版和紀(jì)念活動(dòng)持續(xù)不斷。《熱河日記》承載著樸趾源對(duì)十八世紀(jì)后期中、朝兩國(guó)的冷靜審視,以靈活多樣的藝術(shù)手段描繪了特定歷史時(shí)期的社會(huì)狀況,以開(kāi)闊的視野、深刻的內(nèi)容、靈活的形式、深遠(yuǎn)的影響展現(xiàn)出一位朝鮮改革家的思想高度和民族情懷,是游記文學(xué)及域外漢文學(xué)創(chuàng)作的杰出代表。
[Abstract]:The friendly exchange between China and the Korean Peninsula has left a rich "swallow record" literature. The "hot river diary", which was created by Pu Zhiyuan, a Korean real thinker, is a masterpiece of.1780. This book is called "the diaries of the hot river". This book is called "the whole book of real learning". He has observed the political, economic, institutional, cultural and folk customs of the Qing Dynasty with the eyes of the real thinkers, including the brilliant views on the Chinese cultural relics and historical books. To show the social features of the eighteenth Century Sheng Qing society, and to make a profound reflection on the reality of Korea with the critical consciousness of a strategically advantageous position, and put forward the concrete reform measures to meet the reality of the Korean society. From the background of the times and the social environment, from the background of the times and the social environment, the author explains the ideological trend of the late Li Zhaozhong and the deep inner cause of the diary of the "hot river", and makes a comprehensive and comprehensive study of the ideological value, the literature value and the artistic creation of the diary of the hot river.
The time in which Pu was living was a transitional period in which the Korean feudal society began to disintegrate: the agricultural production was gradually restored, the commodity economy was developing, the social production relationship was quietly transforming, the social problems were serious, the peasant uprisings were frequent, and the "Western learning" passed through China, the natural science thought and the biography of Ming and Qing Dynasties. In the background of such a time, the tendency of the "go to science" is becoming more and more obvious in the background of this era, and the new ideological factors have sprouted in the Li Dynasty in the eighteenth Century. The creation of the diary of the "hot river" expresses his thought of reform.
The style of the diary of the "hot river" will be integrated with chronicle and Chronicle. It is described in the form of diary in the form of diary in the form of diaries. The important content which is not easy to be described in the form of diaries is described independently in the form of special topics. The whole work is reasonable in structure, clear and focused. The prose prose of "hot river diary >" can be divided into four categories: Tai Ge The record of the scenic spots, the travels of the mountains and rivers, the records of the calligraphy and the records of the articles and the miscellaneous personnel of the personnel; in addition to the discourse, the novels and the notes. There are a lot of Chinese literature in the diary of the hot river. The attention and selection of the yuan yuan to the Chinese literature has highlighted its anti science position, with a deep understanding of Chinese culture and the comprehensive understanding of the academic achievements of the time in China, Pu Zhiyuan In the diary of "hot river", we can distinguish between errata and errata, and consciously focus on documents related to North Korea, highlighting its national feelings.
The study of Chinese cultural geography and the cultural relics system of the Qing Dynasty inspired the reform thought of the Yuan Dynasty. "Hot river diary >" depicts the famous mountains and great rivers from the Yalu River to Beijing, the field rivers, the vast land, the rich landforms to bring the brand new geographical feelings, the book full of books, the ancient and modern places of park to the tourist attractions, The site carries out the textual criticism and unfolds his patriotic feelings and academic accomplishment. "Hot river diary" has fully demonstrated the advanced cultural relics system of the Qing Dynasty, including the political rule of the Qing Dynasty, the economic society and all aspects of cultural life. On the basis of examining the Qing Dynasty and reflecting on the "view of the Chinese and the Yi" and the reality of the Korean society, the yuan put forward the "profit". The specific reform measures of "Sheng Sheng" include limiting the people's famous fields, cultivating trees and arts, encouraging commerce and industry, trading rich countries and revitalizing industries, so as to realize the strong and prosperous state of the DPRK.
The miscellaneous records in the diary of the "hot river" have superb artistic and artistic achievements. The content of the description of the miscellaneous records expresses the political sense of mission of Pu Yuan under the situation of reason and language, and records the landscape of the ancient North mouth, the White River, the Mountain Resort and the activities of the tour group, which conveys the aesthetic subject in the description of the scenery. The note stationery has the reality, the content rich, the form free, the informal, the historical material value and the cultural value.
The writing art of "hot river diary" has reached the peak of Korean travel literature. "Hot river diary >" portrays vivid Chinese images, including the vivid social scenes of the panoramic images of the Qing Dynasty in eighteenth Century, including the figures from the princes and nobles to the general literati, and the vivid and vivid images of art, including literary and literary artistic conception. The two category. < hot river diaries > simple and sharp argumentative art is mainly reflected in two aspects: candling the abuse of the time, saying the political theory and the extensive introduction, the zigzag discourse style; the satirical art is sharp and profound, exposing and criticizing the hypocritical feudal ethics and the courtesy of the two classes; the words are simple, deep in the image, the changeable sentence pattern, vivid The metaphor, the combination of the interlocking parallelism and the flexible and precise allusion, forms the language style of elegance and simplicity.
"Hot river diary" is a masterpiece of "Yan's record" literature, which is a milestone in the history of Korean travel literature; its profound ideological and critical shock has shocked the ruling class of Li's Dynasty and triggered the famous "style of style"; the later generations of the books of the park, publishing and commemorative activities continue. With a calm examination of the two countries in the late eighteenth Century, he depicted the social conditions of a specific historical period in a flexible and diverse art means in the late eighteenth Century, with a wide range of vision, profound content, flexible form and profound influence to show the ideological level and national feelings of a Korean reformer, which is a travel literature and the creation of Chinese literature. An outstanding representative.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：I312.076

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相關(guān)期刊論文 前7條

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本文編號(hào)：1942362