發(fā)布時(shí)間：2018-03-17 17:13

  本文選題：《遙望》　切入點(diǎn)：敘事策略　出處：《遼寧大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：《遙望》是一部敘事手法極其精湛的小說,它運(yùn)用多種敘事手段,刻意營(yíng)造廣闊的時(shí)空背景和原始的文化風(fēng)情,構(gòu)建出一種讓人回味無窮的虛構(gòu)時(shí)空,蘊(yùn)含著不同于一般小說的深刻涵義,已被譽(yù)為后現(xiàn)代小說敘事的經(jīng)典。 本論文將以敘事學(xué)及相關(guān)理論為依據(jù),對(duì)小說《遙望》進(jìn)行深入研究,力爭(zhēng)做到詳盡全面,科學(xué)合理。論文一方面承襲經(jīng)典敘事學(xué)的傳統(tǒng)研究模式,深入文本內(nèi)部進(jìn)行敘事解讀，一方面盡可能突破經(jīng)典敘事學(xué)的封閉式研究,汲取后經(jīng)典敘事學(xué)關(guān)于后殖民、歷史敘事等相關(guān)理論，將小說置于更大的文化語境進(jìn)行考察,挖掘潛隱在其敘事藝術(shù)策略背后的文化思考,以期推動(dòng)對(duì)作家翁達(dá)杰和小說《遙望》的研究。 本文由導(dǎo)論、正文和結(jié)論三部分組成。主要內(nèi)容如下： 第一部分是導(dǎo)論。導(dǎo)論部分介紹了加拿大著名作家邁克爾·翁達(dá)杰及其代表作品，梳理了國(guó)內(nèi)外對(duì)翁達(dá)杰作品的研究情況，闡明了從敘事學(xué)角度對(duì)翁達(dá)杰小說《遙望》進(jìn)行研究的意義，同時(shí)提出本文研究宗旨：既關(guān)注小說《遙望》的敘事藝術(shù)，也注重探詢敘事策略運(yùn)用對(duì)深化文章主題的重要作用及其背后的人文內(nèi)涵。 第二部分是正文，由三部分組成： 第一章從經(jīng)典敘事學(xué)角度入手，以三位主人公的經(jīng)歷為切入點(diǎn)，通過敘述視角和敘事話語等方面，分析敘事策略在“農(nóng)場(chǎng)”與“離開農(nóng)場(chǎng)”兩個(gè)場(chǎng)景描寫中的應(yīng)用。小說運(yùn)用多重聚焦方式和話語形式,以廣闊的時(shí)空為背景,為讀者營(yíng)造一種身臨其境之感,同時(shí)留下敘事的空白,以引導(dǎo)他們主動(dòng)思索小說的深層意義。 第二章從歷史敘事角度出發(fā)，探討小說《遙望》人物角色塑造上運(yùn)用的移位和替代的敘事策略。同時(shí)這些不斷重疊反復(fù)的故事設(shè)置又蘊(yùn)含了翁達(dá)杰對(duì)過去與現(xiàn)在后殖民世界的思考，，表現(xiàn)了翁達(dá)杰的歷史觀。 第三章論述了小說《遙望》最明顯的敘事策略——跨界，即融合、跨越生命與藝術(shù)的邊界。這一策略的運(yùn)用有利于推動(dòng)全文主題的深化與發(fā)展。同時(shí)本章基于阿蘭·巴迪烏的事件哲學(xué)相關(guān)理論,進(jìn)一步探究小說主題：和平共存的道德觀。隨著小說人物試圖理解那些給他們帶來傷痛的過去，翁達(dá)杰提醒讀者注意那些對(duì)社會(huì)邊緣的人以及那些被忽視的世界的不公。 最后一部分是結(jié)論，這部分主要對(duì)前面的論述進(jìn)行總結(jié)，點(diǎn)出本文的主旨。
[Abstract]:"Vision" is a novel with exquisite narrative techniques. It uses a variety of narrative methods to deliberately create a broad space-time background and primitive cultural amorous feelings, thus creating a fictional space-time with endless afterthought. It contains profound meanings different from ordinary novels and has been praised as the classic narrative of postmodern novels. On the basis of narratology and related theories, this thesis will deeply study the novel "Vision", and strive to be comprehensive, scientific and reasonable. On the one hand, the thesis inherits the traditional research mode of classical narratology. On the one hand, it breaks through the closed research of classical narratology, draws on the relevant theories of post-classical narratology, such as post-colonial, historical narration and so on, on the one hand, puts the novel in a larger cultural context to investigate. Explore the cultural thinking hidden behind his narrative art strategy in order to promote the study of the writer Ong Daget and his novel Vision. This paper consists of three parts: introduction, text and conclusion. The main contents are as follows:. The first part is an introduction. The introduction introduces the famous Canadian writer Michael Ondajie and his representative works, and combs the research situation of Ondaghi's works at home and abroad. This paper expounds the significance of the study of Weng Da Jie's novel "Vision" from the perspective of narratology, and puts forward the purpose of this study: paying attention to the narrative art of the novel "Vision". It also pays attention to exploring the important role of narrative strategy in deepening the theme of the article and the humanistic connotation behind it. The second part is the text, which consists of three parts:. The first chapter starts from the classical narratology angle, with the experience of the three protagonists as the breakthrough point, through the narrative perspective and narrative discourse, etc. This paper analyzes the application of narrative strategy in the description of "Farm" and "leaving the Farm". The novel uses multiple focus and discourse forms to create a sense of reality for readers in the context of a wide space and time. At the same time, the blank narrative is left to guide them to think about the deep meaning of the novel. In the second chapter, from the perspective of historical narration, This paper probes into the shifting and alternative narrative strategies used in the characterization of the characters in the novel "Vision". At the same time, these overlapping and repeated story settings contain Ong Daget's thinking on the past and present post-colonial world, which shows Ondachet's view of history. The third chapter discusses the most obvious narrative strategy of the novel, the Cross-Border, that is, fusion. The use of this strategy is conducive to the deepening and development of the full text. At the same time, this chapter is based on Alain Badiu's theory of event philosophy. Further explore the theme of the novel: the moral concept of peaceful coexistence. As the characters try to understand the past that hurts them Ong Daget reminds readers of the injustice to the marginalized and to the neglected world. The last part is the conclusion, which summarizes the previous discussion and points out the main purpose of this paper.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I711.074

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