本文關(guān)鍵詞： 卡夫卡小說 陌生化詩學(xué) 對兩種暴力的反抗 卡夫卡秩序 “反抗語言”的小說　出處：《山東大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：在西方世界,弗蘭茨·卡夫卡被認(rèn)為是與但丁、莎士比亞和歌德齊名的作家。卡夫卡的作品是非常新穎奇特的,這主要?dú)w因于他在小說中所使用的各種陌生化手法。陌生化是維克多·什克洛夫斯基提出的一個(gè)美學(xué)范疇。這一范疇的內(nèi)涵在于通過增加感受難度而使人們重新發(fā)現(xiàn)被忽視的事物。本篇論文主要從形式對語言暴力的反抗、形式對文化符號暴力和特定時(shí)代意識形態(tài)暴力的反抗兩個(gè)角度去闡釋陌生化這一概念的內(nèi)涵。這也是本篇論文從陌生化角度審視卡夫卡小說時(shí)的兩個(gè)核心。文學(xué)不是語言的藝術(shù),而是反抗語言的藝術(shù)。由于語言的絕對優(yōu)勢,文學(xué)與語言的矛盾就轉(zhuǎn)變成了語言對文學(xué)所施加的暴力了。這決定了文學(xué)必須對作為其表現(xiàn)媒介的采取措施。同樣地,文化符號和特定時(shí)代的意識形態(tài)對人和人的感受方式和感受習(xí)慣的暴力也是陌生化的形式所要反抗的。 本篇論文的章節(jié)安排也是圍繞著陌生化理論的兩個(gè)方面展開的。本篇論文共有五個(gè)部分。緒論部分介紹了卡夫卡的生平及其作品,并分別總結(jié)了國內(nèi)外卡夫卡研究的研究狀況。第一章陌生化——突圍與觸摸,詳細(xì)論述了陌生化理論的兩個(gè)方面：對語言暴力的反抗；對文化符號和特定時(shí)代意識形態(tài)的反抗。第二章卡夫卡秩序與陌生化詩學(xué),首先從邏輯的斷裂、象征的斷裂和人物形象的斷裂幾個(gè)角度論述了卡夫卡秩序,繼而從文學(xué)對文化符號和特定時(shí)代意識形態(tài)的暴力的反抗的角度論述了卡夫卡秩序?qū)ξ幕柋┝吞囟ㄒ庾R形態(tài)暴力反抗的一些表現(xiàn)。第三章“反抗語言”的小說,從文學(xué)對語言暴力的反抗的角度論述了卡夫卡小說“反抗語言”的表現(xiàn)。主要包括兩個(gè)“滑動(dòng)反論”和小說節(jié)奏兩個(gè)方面。第四章是結(jié)語。 整篇文章正是從陌生化的兩個(gè)角度對卡夫卡小說所做的闡釋�？ǚ蚩ㄐ≌f通過對兩種暴力的反抗,成就了自身的陌生化形式,消除了語言方面、文化符號和意識形態(tài)方面的自動(dòng)化,意義深遠(yuǎn)。
[Abstract]:In the Western world, Franz Kafka is considered to be a writer of the same calibre as Dante, Shakespeare and Goethe. Kafka's works are very novel. This is mainly due to the various defamiliarization techniques he uses in his novels. Defamiliarization is an aesthetic category proposed by Victor Shklovsky. The meaning of this category is to make people reinvent by making it more difficult to feel. This paper mainly focuses on the formal resistance to language violence. This paper explains the connotation of the concept of defamiliarization from the angles of form's resistance to the violence of cultural symbols and the violence of ideology in a specific era, which is also the two cores of this thesis when examining Kafka's novels from the angle of strangeness. Not the art of language. But the art of resisting language. Because of the absolute superiority of language. The contradiction between literature and language turns into the violence that language exerts on literature, which determines that literature must take measures to act as its medium of expression. The violence of cultural symbols and ideology towards people and their feelings and habits is also revolted by defamiliarization. The chapter arrangement of this thesis also revolves around two aspects of the theory of strangeness. There are five parts in this paper. The introduction part introduces Kafka's life and his works. And summarized the domestic and foreign Kafka research research situation. Chapter one is defamiliarization-break through and touch, elaborated the defamiliarization theory two aspects: the revolt to the language violence; The second chapter discusses Kafka order and defamiliarization poetics from the angle of logic, symbol and character image. Then, from the point of view of literature's violent resistance to cultural symbols and ideology of a specific era, this paper discusses some manifestations of Kafka order's violent resistance to cultural symbols and specific ideologies. Chapter three, "resisting language" The novel. This paper discusses the expression of Kafka's "resistance to language" from the angle of literary resistance to language violence. It mainly includes two aspects of "sliding counter theory" and novel rhythm. Chapter 4th is the conclusion. The whole article is the interpretation of Kafka's novels from the two angles of defamiliarization. Kafka's novels achieve their own defamiliarization form and eliminate the linguistic aspect by resisting the two kinds of violence. The automation of cultural symbols and ideologies is of profound significance.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I521.074

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本文編號：1493215