本文關(guān)鍵詞：《刀鋒》中的自然主義傾向　出處：《中南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 威廉·毛姆 《刀鋒》 自然主義 現(xiàn)實主義 敘事學(xué)

【摘要】：威廉·薩默賽特·毛姆是英國文學(xué)史上著名的劇作家與小說家。作為處于傳統(tǒng)與現(xiàn)代轉(zhuǎn)折期的作家,毛姆的作品具有現(xiàn)實主義特點的同時也具有法國自然主義的特點�！兜朵h》創(chuàng)作于毛姆晚年,是毛姆最受歡迎的小說之一,也是體現(xiàn)其文學(xué)創(chuàng)作上自然主義傾向的代表作。本文試圖運用法國自然主義理論對小說《刀鋒》進行具體分析,論述被稱為現(xiàn)實主義作家的毛姆在小說《刀鋒》創(chuàng)作中的自然主義傾向。根據(jù)小說內(nèi)容的主要構(gòu)成及小說體現(xiàn)出的敘事技巧與特征,本文運用自然主義理論及敘事學(xué)理論從人物、主題和敘事技巧三個方面對《刀鋒》進行具體分析,發(fā)掘出作者分別在以上三個方面上體現(xiàn)出了自然主義的科學(xué)化,“回歸自然”和非個人化的思想及主張,反映了毛姆作為現(xiàn)實主義作家在《刀鋒》創(chuàng)作中的自然主義特色,從而擴展了對毛姆文學(xué)創(chuàng)作思想的認識。 本文由導(dǎo)論、正文和結(jié)論三大部分組成。導(dǎo)論部分簡要概述《刀鋒》的國內(nèi)外研究現(xiàn)狀,簡述文學(xué)自然主義的創(chuàng)作理論與毛姆自然主義傾向的原因,提出本論文的研究課題,并闡述運用這一理論解讀小說《刀鋒》的意義。正文首先以小說人物伊莎貝爾,索菲及艾略特為研究對象,分析毛姆在人物塑造上受自然主義中生理學(xué)及社會學(xué)對“人”的理解這一科學(xué)化原則的影響。接下來本論文以小說的主題為研究對象,分析《刀鋒》在“人”與“社會”主題上所流露出自然主義“回歸自然”的思想傾向,從而在主題上反映了作者的自然主義特征。另外,本論文還通過分析小說的敘事技巧來研究《刀鋒》創(chuàng)作上的自然主義傾向,通過對小說的敘事視角、隱匿的敘事主體及片斷聯(lián)綴型敘事結(jié)構(gòu)這三方面的分析來體現(xiàn)毛姆在敘事技巧上對自然主義“非個人化”主張的接受。本論文最后得出結(jié)論：小說《刀鋒》是毛姆超越現(xiàn)實主義的一種嘗試,《刀鋒》中的自然主義傾向揭示了毛姆作為現(xiàn)實主義作家并未局限于現(xiàn)實主義的創(chuàng)作手法,還接受了自然主義的合理成分,從而豐富了對小說《刀鋒》的理解以及提高了對毛姆文學(xué)創(chuàng)作思想的認識。
[Abstract]:William Somerset Maugham is a famous playwright and novelist in the history of English literature. Maugham's works have the characteristics of realism as well as French naturalism. The Blade was written in the late years of Maugham and is one of Maugham's most popular novels. It is also a representative work of naturalism in his literary creation. This paper attempts to use French naturalism theory to analyze the novel "Blade" in detail. This paper discusses the naturalistic tendency of Maugham, who is called a realistic writer, in the creation of the Blade, according to the main composition of the novel and the narrative skills and characteristics embodied in the novel. This paper uses naturalism theory and narratology theory to analyze "Blade" from three aspects: characters, themes and narrative techniques. In the above three aspects, the author reveals the scientific nature, "return to nature" and the idea of impersonalization. It reflects the naturalistic characteristics of Maugham as a realistic writer in the creation of Blade, thus expanding his understanding of Maugham's literary creation. This paper consists of three parts: introduction, text and conclusion. The introduction briefly summarizes the domestic and international research situation of "Blade", briefly describes the literary naturalism creative theory and the reason of Maugham naturalism tendency. This paper puts forward the research topic of this thesis, and expounds the significance of using this theory to interpret the novel "Blade". Firstly, the text takes Isabel, Sophie and Eliot as the research objects. This paper analyzes that Maugham is influenced by the scientific principle of understanding "human" in physiology and sociology in naturalism. Next, this thesis focuses on the theme of the novel. This paper analyzes the tendency of naturalism "returning to nature" in the theme of "Man" and "Society", which reflects the author's naturalistic characteristics on the theme. This thesis also analyzes the narrative skills of the novel to study the trend of naturalism in the creation of the Blade, and through the narrative perspective of the novel. The analysis of the hidden narrative subject and the narrative structure of the piecemeal combination reflects Maugham's acceptance of naturalism's "impersonal" proposition in narrative techniques. Finally, this thesis draws a conclusion:. The novel Blade is an attempt by Maugham to transcend realism. The tendency of naturalism in Blade reveals that Maugham, as a realistic writer, is not confined to realistic writing techniques, but also accepts the rational elements of naturalism. It enriches the understanding of the novel Blade and improves the understanding of Maugham's literary creation.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I561.074

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相關(guān)期刊論文 前2條

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本文編號：1418313