本文關(guān)鍵詞：《枕草子》日記章段中的「をかし」美意識　出處：《湖南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

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【摘要】：清少納言的《枕草子》是日本三大隨筆文學(xué)作品之一。作為日本平安時期的代表作品，其獨特的“をかし”美意識，給后世的日本文學(xué)帶來了深遠(yuǎn)的影響。本文基于以往中日學(xué)界的先行研究成果，主要圍繞《枕草子》中的“日記章段”，通過文本細(xì)讀法，深入探討了“をかし”美意識的二重性、本質(zhì)以及能動作用。 首先，，本論文結(jié)合作家清少納言的經(jīng)歷及其漢學(xué)教養(yǎng)，對《枕草子》中“をかし”美意識的總體特征進(jìn)行了分析。并通過對美意識的定義進(jìn)行界定，指出“をかし”美意識不僅僅表現(xiàn)了理性知性的美學(xué)理念，而且也體現(xiàn)著作家審美意識的能動作用。 其次，以日記章段中的“笑”為出發(fā)點，分析了知性的微笑中所體現(xiàn)出的中關(guān)白家族的沙龍風(fēng)格，以及家族沒落后的“大笑”所蘊(yùn)含的“俳味”性。通過這兩種截然不同的“笑”的表現(xiàn)，可以看出“をかし”所蘊(yùn)含的二重含義。 最后，通過日記章段中定子像描寫的變化，對“をかし”美意識的能動作用進(jìn)行了深入探討。前期日記章段中對中心人物定子的描寫，主要集中于華麗的服飾、豪華的宮廷生活方面等。而后期章段則主要從優(yōu)雅的語言、高貴的姿態(tài)方面對中宮定子進(jìn)行描寫。在經(jīng)歷了家族沒落等歷史風(fēng)浪之后，中宮定子的處境出現(xiàn)了截然不同。然而在日記章段之中，雖然前后章段描寫的側(cè)重點不同，對于中宮定子的贊美是始終如一的，這也正體現(xiàn)了作家的“をかし”美意識發(fā)揮了其能動作用。 通過以上對《枕草子》日記章段中的核心美學(xué)思想“をかし”的深入研究與分析，不僅使我們進(jìn)一步了解了日本平安時期的審美情趣及文化氛圍，也有助于更好地理解日本“をかし”文學(xué)理念的獨特內(nèi)涵及其深遠(yuǎn)影響。
[Abstract]:The < > Nagon less clear pillow is one of Japan's three essays of literary works. As the representative works of the Heian period, its unique "woman, or" the sense of beauty, and brought far-reaching influence to the later Japanese literature. This paper used in Japanese scholars based on previous research results, the main focus on "the pillow sub >" Diary chapter ", through detailed reading of the text, in-depth study of the" duality of environmental consciousness, or "beauty, nature and role.
First of all, this paper combined with the experience and education of Sinology writer Nagon less clear, the general characteristics of Caozi > < pillow ", or woman" the sense of beauty are analyzed. And the definition of the sense of beauty are defined, pointed out that "or as woman" awareness of beauty not only rational intellectual aesthetics concept, but also embodies the role of writer's aesthetic consciousness.
Secondly, the chapter in the "Diary laugh" as the starting point, analysis of the embodied intellectual smile in return of the family and the family's salon style, behind the "laughter" contains "haiga taste". Through these two different "laugh", we can see that "double meaning or KA." contains.
Finally, through the diary in Chapter like description of the change of stator, dynamic role of environmental consciousness, or "the United States is discussed. Description of the central figure of the stator in the early journals chapter, mainly focus on the gorgeous costumes, luxurious palace life and so on. While the latter paragraph is mainly from the elegant language, carries on the description to the palace in the stator posture of nobility. After the decline of family history of storm, palace in the stator situations are quite different. However, in the diary of Zhang Duanzhizhong, although after chapter of description is different, is to praise the palace consistent from beginning to end of the stator, which also reflects the writer" or, "woman beauty consciousness played its active role.
Through in-depth research and analysis of aesthetic thought of "grass pillow core < sub > Chapter in paragraph or diary, woman", not only enables us to further understand the aesthetic and cultural atmosphere of the Heian period, and also has far-reaching influence to contribute to a better understanding of the concept of Japan ", or the unique literature." connotation.

【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I313.076

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 臧運(yùn)發(fā);日本平安時代對中國文學(xué)的移植與創(chuàng)新[J];解放軍外國語學(xué)院學(xué)報;2002年01期

本文編號：1414692