本文關(guān)鍵詞：對(duì)中國(guó)現(xiàn)代文學(xué)批評(píng)理論的世紀(jì)回顧和總結(jié)，由筆耕文化傳播整理發(fā)布。

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文學(xué)批評(píng)理論     

literary criticism theory(10)

  

     Retrospection and summery of century towards literary critical theory of modern Chinese literature

     對(duì)中國(guó)現(xiàn)代文學(xué)批評(píng)理論的世紀(jì)回顧和總結(jié)

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     Western Literary Critical Theory's Applications in Teaching English Literature

     西方文學(xué)批評(píng)理論在英美文學(xué)教學(xué)實(shí)踐中的運(yùn)用探究

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     The author's viewpoint is that literary critical theory should receive other theories and kinds of scholarly resources in open insights and lenient breadth of mind .

     作者的觀點(diǎn)是：文學(xué)批評(píng)理論應(yīng)以開(kāi)放的眼光和寬容的胸襟接納其它理論方法和多樣化的學(xué)術(shù)資源。

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     The so-called Feminist Criticism is short of almost everything that defines it a literary critical theory.

     “女權(quán)主義文學(xué)批評(píng)”之所以不是“文學(xué)批評(píng)”是因?yàn)樗鄙傥膶W(xué)批評(píng)理論的基本特征。

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     On the Theory of Literary Criticism of Song Dynasty according Song Annals

     從《宋書(shū)》觀照劉宋文學(xué)批評(píng)理論

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     Only by founding the theory of literary criticism with Chinese characteristics can the literary criticism be guided forward from straits.

     只有倡導(dǎo)建立真正具有本民族特色的文學(xué)批評(píng)理論,才能導(dǎo)引當(dāng)今的文學(xué)批評(píng)走出困境。

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     For a long time,the theory of literary criticism in China has been difficult to vie with that in Western countries for lack of a system.

     長(zhǎng)期以來(lái),中國(guó)文學(xué)批評(píng)理論缺乏體系,難以與西方文學(xué)批評(píng)理論相抗衡。

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     Confucius' thoughts of literature have important influence on developing literature and researching the theory of literary criticism in future.

     孔子的上述文學(xué)思想對(duì)后世的文學(xué)發(fā)展及文學(xué)批評(píng)理論研究都具有十分重要的影響。

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     The 19th century's collision and fusion of Eastern and Western cultures promoted the localization of the theory of literary criticism,critical theory in the West were shielded and suppression.

     19世紀(jì)末出現(xiàn)的中西文化的碰撞與融匯促使中國(guó)的本土化文學(xué)批評(píng)理論被流派紛呈的西方批評(píng)理論所遮蔽與壓抑。

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     Taste:The Key Category of Zhong Rong's Literature Criticism Theory

     滋味:鐘嶸文學(xué)批評(píng)理論的核心范疇

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     From this special perspective --beginning from the expressive way in the ancient literature criticism, this article will discuss the importance of analogy in frame forming, frame undoing and frame constructing when the ancient literature criticism theory came into being, and the subsequent poetic character of Chinese ancient literature criticism.

     本文從這一特定視角——古代文學(xué)批評(píng)的言說(shuō)方式出發(fā)，以探討比在古代文學(xué)批評(píng)理論意義生成過(guò)程中的結(jié)構(gòu)、解構(gòu)和建構(gòu)作用，以及由此而形成的中國(guó)古代文學(xué)批評(píng)的詩(shī)性特征。

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     Taste was the key category of Zhong Rong' s literature criticism theory,it still has values and significances to exist under the contemporary critical context.

     “滋味”是鐘嶸文學(xué)批評(píng)理論的核心范疇,在現(xiàn)代批評(píng)的語(yǔ)境下,仍有其存在的價(jià)值和意義。

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     The criticism of women's right literature is a new literature criticism theory with the most powerful affection of wreck poison and bewitch from the angle of female. It reveals the essence of patriarchy in human being civilization,while studying the female image in male works,researching female literature creation,looking for female literature tradition.

     女權(quán)主義文學(xué)批評(píng)作為20世紀(jì)最具破壞力和蠱惑力的一種全新的文學(xué)批評(píng)理論,從女性視角出發(fā),通過(guò)對(duì)男性文本中女性形象的分析,以及對(duì)女性文學(xué)創(chuàng)作的研究和對(duì)女性文學(xué)傳統(tǒng)的尋找,揭示了人類文明中的父權(quán)制的本質(zhì)。

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     From the aspect of ontology and methodology,the phenomenology criticism is something like the ancient Chinese literature theory "Shi Zhao" and parallelism,both of which added important views and thoughts to the contemporary literature criticism theory.

     其觀點(diǎn)和方法與中國(guó)傳統(tǒng)文論的“識(shí)照”之說(shuō)及比擬之法多有扣合,為當(dāng)代文學(xué)批評(píng)理論的建設(shè)提供了重要的啟示和思路。

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     Thus, feminist literary theory evolved an important literary criticism theory in the 20th century until present.

     由此,女性主義文學(xué)理論逐漸形成了20世紀(jì)及至當(dāng)下的一種重要的文學(xué)批評(píng)理論。

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     It turns contemporary literary criticism theory from authors and text into readers.

     它把當(dāng)代文學(xué)批評(píng)理論從作者、文本轉(zhuǎn)向讀者。

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     Jameson attempts to transcend the traditional literary criticism theory and the postmodern literary criticism theory by establishing his own new model of literary criticism of postmodern western Marxism.

     詹姆遜試圖實(shí)現(xiàn)對(duì)傳統(tǒng)文學(xué)批評(píng)理論和后現(xiàn)代文學(xué)批評(píng)理論的超越,構(gòu)建其后現(xiàn)代西方馬克思主義的文學(xué)闡釋新模式。

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     The interpretation study in the western philosophy history it may be said is well-established,after experienced the Holy Bible interpretation study,the Roman Law explained the theory,the general literary criticism theory as well as the humanities universal methodology(rested on Mr.Handing Hong division),the 20th century 60's passed through the gal to reach writedown from memory you to promote it from the methodology dimension tothal ontology dimension,constructed have constructed the philosophy interpretation study.

     詮釋學(xué)在西方哲學(xué)中的歷史可謂是源遠(yuǎn)流長(zhǎng),在經(jīng)歷了圣經(jīng)注釋學(xué)、羅馬法解釋理論、一般文學(xué)批評(píng)理論以及人文科學(xué)普遍方法論(依據(jù)洪漢鼎先生的劃分)之后,二十世紀(jì)六十年代又經(jīng)伽達(dá)默爾將其從方法論的維度提升到了本體論的維度,建構(gòu)了哲學(xué)詮釋學(xué)。

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     Still at a stage of theoretical construction,the current American ecological literary criticism theory shares identical characteristics with and can be supplemented ethically and aesthetically by the Chinese philosophies:Confucianism and Taoism.

     當(dāng)代美國(guó)生態(tài)文學(xué)批評(píng)理論目前正處于理論建設(shè)的開(kāi)放性階段,本文試探討以儒教和道教為代表的中國(guó)傳統(tǒng)生態(tài)哲學(xué)對(duì)該批評(píng)理論倫理與美學(xué)方面的建構(gòu)意義。

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Because of his crimes of slaying his father and marring his mother, Oedipus was forced to bund his eyes and abandoned him in the wilderness in order to deliver his people from the famine. He was seen as a sample of karma before the appearance of modern psychological theories, but these trieories encouraged critics to make a study of his frustrated psyche and of the necessity of this complex, and then to reappreciate his character. In his three adventures, Oedipus was always having powerfully unconscious desires...

Because of his crimes of slaying his father and marring his mother, Oedipus was forced to bund his eyes and abandoned him in the wilderness in order to deliver his people from the famine. He was seen as a sample of karma before the appearance of modern psychological theories, but these trieories encouraged critics to make a study of his frustrated psyche and of the necessity of this complex, and then to reappreciate his character. In his three adventures, Oedipus was always having powerfully unconscious desires to pursue his mother's love, and having great spirits to dedicate to his People's prosperity and happiness. In the final act, his mother's suiede and his exile are only the wedge to promote the play to the summit:both hinting his reunion with his mother in the nether land and further exposing his greatness and brilliance.

因犯了殺父娶母大罪而被迫弄瞎雙眼流放而死以解除百姓于災(zāi)難之中的俄狄浦斯王，一直作為一個(gè)罪人而承受了因果報(bào)應(yīng)式懲罰。但是，隨著現(xiàn)代心理學(xué)理論在文學(xué)批評(píng)理論領(lǐng)域的應(yīng)用，人們才有可能從他受挫的心理出發(fā)去研究這一情節(jié)的必然性，并因此而對(duì)他的人品重新作出評(píng)價(jià)。在他的三次冒險(xiǎn)中，始終貫穿著他強(qiáng)烈追求母愛(ài)的潛意識(shí)渴望，，貫穿著他對(duì)人民的興旺與幸福的無(wú)私奉獻(xiàn)。因此，他暫時(shí)脫離母愛(ài)而流放致死只不過(guò)是一個(gè)楔子──把劇情推向高潮以更加充分地歌頌他的光輝和偉大。

Because of his crimes of slaying his father and marrying his mother,Oedi- pus was forced to blind his eyes and abandoned him in the wilderness in order to deliver his people from the famine.He was seen as a sample of karma before the appearance of modern psychological theories,but these theories encouraged critics to make a study of his frustrated psyche and of the necessity of this complex,and then to reappreciate his character.In his three adventures,Oedipus was always having powerfully unconscious desires...

Because of his crimes of slaying his father and marrying his mother,Oedi- pus was forced to blind his eyes and abandoned him in the wilderness in order to deliver his people from the famine.He was seen as a sample of karma before the appearance of modern psychological theories,but these theories encouraged critics to make a study of his frustrated psyche and of the necessity of this complex,and then to reappreciate his character.In his three adventures,Oedipus was always having powerfully unconscious desires to pursue his mother's love,and having great spirits to dedicate to his people's prosperity and happiness.In the final act,his mother's suicide and his exile are only the wedge to promote the play to the summit: both hinting his reunion with his mother in the nether land and further exposing his greatness and brilliance.

因犯了殺父娶母大罪而被迫弄瞎雙眼流放而死以解除百姓于災(zāi)難之中的俄狄浦斯王,一直作為一個(gè)罪人而承受了因果報(bào)應(yīng)式懲罰。但是,隨著現(xiàn)代心理學(xué)理論在文學(xué)批評(píng)理論領(lǐng)域的應(yīng)用,人們才有可能從他受挫的心理出發(fā)去研究這一情節(jié)的必然性,并因此而對(duì)他的人品重新作出評(píng)價(jià)。在他的三次冒險(xiǎn)中,始終貫穿著他強(qiáng)烈追求母愛(ài)的潛意識(shí)渴望,貫穿著他對(duì)人民的興旺與幸福的無(wú)私奉獻(xiàn)。因此,他暫時(shí)脫離母愛(ài)而流放致死只不過(guò)是一個(gè)楔子——把劇情推向高潮以更加充分地歌頌他的光輝和偉大。

From the theoretical angle of feminine literary criticism, this article analyzes the structural forms of the feminine discourses and their deeply implications in Ding Ling's works created during Yenan Period. The article believes that the value of her works during this period lies mainly in the fact that she placed her analysis of sex difference in a sociopolitical framework for an in-depth investigation into the environments for existence of the female sex.

本文從女性主義文學(xué)批評(píng)的理論視角出發(fā)，對(duì)丁玲延安時(shí)期小說(shuō)創(chuàng)作的女性性別話語(yǔ)的構(gòu)成形態(tài)及其深層寓意進(jìn)行了分析。文章認(rèn)為，丁玲這一時(shí)期作品的價(jià)值，主要表現(xiàn)在作者將性別分析置于社會(huì)政治思考的框架之中，進(jìn)而對(duì)女性的生存境況作了一次深人的體察。

 

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  本文關(guān)鍵詞：對(duì)中國(guó)現(xiàn)代文學(xué)批評(píng)理論的世紀(jì)回顧和總結(jié)，由筆耕文化傳播整理發(fā)布。

本文編號(hào)：218244