人學語境中康德與馬克思的審美文化選擇
發(fā)布時間:2019-02-15 04:24
【摘要】:審美與藝術(shù)活動始終指向著人類的現(xiàn)實世界。為此,康德、馬克思在其各自入學語境中將審美視為重構(gòu)人、社會、自然總體關(guān)系的價值對策,將審美與藝術(shù)活動理解為人的生成、發(fā)展和自我發(fā)現(xiàn)的歷史過程,實現(xiàn)了具有當代性意蘊的審美文化選擇。
[Abstract]:Aesthetic and artistic activities always point to the real world of mankind. For this reason, Kant and Marx regarded aesthetics as the value countermeasure to reconstruct the overall relationship between man, society and nature in their respective context, and understood aesthetic and artistic activities as the historical process of the generation, development and self-discovery of human beings. Realized the aesthetic culture choice with the contemporary implication.
【作者單位】: 黑龍江大學
【分類號】:B83-09
本文編號:2422960
[Abstract]:Aesthetic and artistic activities always point to the real world of mankind. For this reason, Kant and Marx regarded aesthetics as the value countermeasure to reconstruct the overall relationship between man, society and nature in their respective context, and understood aesthetic and artistic activities as the historical process of the generation, development and self-discovery of human beings. Realized the aesthetic culture choice with the contemporary implication.
【作者單位】: 黑龍江大學
【分類號】:B83-09
【相似文獻】
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