【摘要】：和諧美學(xué)以美是和諧為核心，，邏輯必然地發(fā)展為古代素樸的和諧美（包括由壯美、優(yōu)美向崇高萌芽的發(fā)展）、近代對立的崇高（包括經(jīng)丑向荒誕的發(fā)展）和現(xiàn)代辯證和諧美三大歷史形態(tài)。與此相對應(yīng)，藝術(shù)則由古典主義，經(jīng)浪漫主義、現(xiàn)實(shí)主義、現(xiàn)代主義、后現(xiàn)代主義向社會主義藝術(shù)發(fā)展。和諧美學(xué)又認(rèn)為，東西方美學(xué)和藝術(shù)一方面有著上述的共同規(guī)律，同時又有不同的規(guī)律和特色。古代的西方偏于神人以和，偏于分解對立，偏于模仿、典型和美真統(tǒng)一，東方則更偏于人人以和，偏于相輔相成，偏于表現(xiàn)、意境和美善相和。和諧美學(xué)倡導(dǎo)和運(yùn)用多樣綜合的辯證思維的一體化方法，以塑造和諧全面發(fā)展的新人為最高理想和終極關(guān)懷。
[Abstract]:Harmonious aesthetics takes beauty as the core, and logic inevitably develops into the harmonious beauty of ancient simplicity. There are three historical forms: the development of beauty to the bud of sublime, the sublime of modern opposition (including the development from ugliness to absurdity) and the modern dialectical harmonious beauty. In contrast, art developed from classicism, romanticism, realism, modernism and postmodernism to socialist art. Harmonious aesthetics also holds that the eastern and western aesthetics and art have the same law on the one hand, but also have different laws and characteristics on the other. In ancient times, the west was inclined to the harmony of God and man, to the decomposition of antagonism, to imitation, to the unity of the typical and the beautiful, and to the harmony of everyone, to the complementarity, to the expression, to the harmony of the artistic conception and the beauty and the good in the east. Harmonious aesthetics advocates and uses the integrated method of diverse and comprehensive dialectical thinking to shape the harmonious all-round development of the new person as the highest ideal and ultimate concern.
【作者單位】： 山東大學(xué)美學(xué)研究所
【分類號】：B83-0


本文編號：2289807