【摘要】：人類(lèi)的“自戀”和對(duì)美的追求自古而來(lái)，早期人類(lèi)對(duì)自己身體的涂畫(huà)、簡(jiǎn)單的裝飾是人類(lèi)最早利用技術(shù)追求自身形象的美的開(kāi)始，此后隨著人類(lèi)自我意識(shí)的萌生，人類(lèi)“技術(shù)美化”自我視覺(jué)形象的方式和手段也隨著技術(shù)和媒介的發(fā)展而發(fā)生著嬗變，從畫(huà)筆和畫(huà)布的繪畫(huà)技術(shù)創(chuàng)作的自畫(huà)像和肖像畫(huà)，到機(jī)械時(shí)代利用攝影技術(shù)和照相機(jī)拍出自拍照和肖像照，再到數(shù)字時(shí)代，人們利用計(jì)算機(jī)和修圖軟件完成對(duì)自我視覺(jué)形象的“數(shù)字化修改”，，移動(dòng)互聯(lián)網(wǎng)時(shí)代，自拍神器帶來(lái)的流行文化的“自拍”風(fēng)潮，人類(lèi)的自我視覺(jué)形象是隨著技術(shù)的進(jìn)步和媒介傳播的變化發(fā)生不斷的變化。 數(shù)字時(shí)代，人們利用美化的軟件對(duì)自我形象進(jìn)行數(shù)字化的“虛擬重塑”，形成系列化，多方位，多時(shí)空，多角度的自我形象展示，海量的形象素材和碎片化的表達(dá)成為今天“技術(shù)美化”自我視覺(jué)形象的特點(diǎn)。 本文從媒介和傳播的角度探討了人類(lèi)“技術(shù)美化”的歷史嬗變，著重分析了數(shù)字時(shí)代“技術(shù)美化”的工具，產(chǎn)生的原因，帶來(lái)的流行文化現(xiàn)象，它對(duì)自我視覺(jué)形象的重塑，以及“技術(shù)美化”在今天帶來(lái)的對(duì)自我形象的沉溺，以及真實(shí)和虛擬自我視覺(jué)形象的失焦等負(fù)面影響。
[Abstract]:Human "narcissism" and pursuit of beauty come from ancient times. The painting and simple decoration of human body in the early period is the beginning of the beauty of human being using technology to pursue their own image, and then with the emergence of human self-consciousness. With the development of technology and media, the ways and means of "technical beautification" of human beings' self-visual image also change, from the self-portraits and portraits of brushes and canvases to the technical creation of painting. In the mechanical age, the use of photography and cameras to take self-photographs and portraits, and then to the digital age, people use computers and graphic repair software to complete the "digital modification" of their own visual image, the era of the mobile Internet. The "selfie" trend of popular culture brought by selfie artifact, the self-visual image of human being is changing constantly with the progress of technology and the change of media communication. In the digital age, people use the software of beautification to carry on the digital "virtual remolding" to the self-image, and form a series, multi-direction, multi-space-time, multi-angle self-image display. The massive image material and the fragmented expression become the characteristic of the self-visual image of "technology beautification" today. From the angle of media and communication, this paper probes into the historical evolution of "technological beautification" of human beings, and emphatically analyzes the tools of "technological beautification" in the digital age, the causes of its emergence, the phenomenon of popular culture, and the remolding of its self-visual image. And the "technology beautification" in today's self-image indulgence, as well as the real and virtual self-visual image of the defocus and other negative effects.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：B832.1

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