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大眾審美文化視域下的性別錯置時尚及流行根源

發(fā)布時間:2018-08-13 12:28
【摘要】:"性別錯置"這一概念大致借用了西方精神病學和心理學中的能指,特指生理性別上為女或者男,在性對象上是正常的(即愛戀異性),只是在氣質(zhì)上出現(xiàn)反向的現(xiàn)象,具體包含女性男性化與男性女性化兩種。前者的代表有李宇春、周筆暢等,后者的代表有F4、木村拓哉、向鼎等。這一在當下青少年中得以流行的現(xiàn)象根源是根深蒂固的女性對男性的崇拜情結(jié)與消費社會下發(fā)達的大眾傳媒合謀的結(jié)果,而并非女性意識的覺醒。
[Abstract]:The concept of "gender misplacement" largely borrows the signifier of western psychiatry and psychology, especially the physiological sex of a woman or a man, which is normal in terms of sex (that is, love of the opposite sex), but with the opposite appearance in temperament. It contains two kinds of masculine and masculine. The former is represented by Li Yuchun, Zhou Bichang, and the latter by F 4, Takuya Kimura, Xiangding and so on. The root of this phenomenon, which is popular among teenagers at present, is the deep-rooted female adoration complex of men and the collusion of the developed mass media in the consumer society, rather than the awakening of female consciousness.
【作者單位】: 華南師范大學文學院;
【分類號】:B83-0
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本文編號:2180992

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