發(fā)布時間：2018-06-25 02:24

  本文選題：空寂 + 閑寂��； 參考：《上海師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版)》2007年02期

【摘要】：“幽玄”、“空寂”和“閑寂”是日本中世審美意識的主流,其審美的感性向度充分體現(xiàn)了日本民族獨特的審美傳統(tǒng),并影響著日本近現(xiàn)代藝術(shù)的世俗化進程。文章著重探討三個問題:1．“空寂”和“閑寂”的感性特征;2．“幽玄”、“空寂”美的自然和宗教因素;3．“閑寂”美的感性向度及其對日本文化、藝術(shù)的影響。
[Abstract]:"Youxuan", "emptiness" and "idle silence" are the mainstream of Japanese aesthetic consciousness in middle age. Their perceptual aspect fully reflects the unique aesthetic tradition of the Japanese nation and influences the secularization process of modern Japanese art. This paper focuses on three questions: 1. The perceptual characteristics of "empty silence" and "leisure silence" 2.The natural and religious factors of beauty of "emptiness" and "quiet" and their influence on Japanese culture and art.
【作者單位】： 上海師范大學(xué)
【分類號】：B83-093.13
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本文編號：2064097