本文選題：盧卡契 + 人類自我意識(shí)��； 參考：《復(fù)旦學(xué)報(bào)(社會(huì)科學(xué)版)》1996年02期

【摘要】：“外化及其向主觀回復(fù)”范疇是盧卡契龐大審美反映論美學(xué)體系上的主要支點(diǎn)，，盧卡契在這一范疇中揭示出藝術(shù)的本質(zhì)是通過塑造一個(gè)“世界”來(lái)表現(xiàn)人類的自我意識(shí)，這個(gè)塑造的世界是人對(duì)客觀現(xiàn)實(shí)的擬人化的反映。藝術(shù)的發(fā)展是人類自我意識(shí)發(fā)展的否定之否定的動(dòng)態(tài)過程。本文通過研究盧卡契這一范疇中包含的美學(xué)思想，探討盧卡契美學(xué)思想在當(dāng)代哲學(xué)文化背景中的思想價(jià)值及盧卡契美學(xué)對(duì)黑格爾美學(xué)的超越和對(duì)馬克思美學(xué)的豐富。
[Abstract]:The category of "externalization and its subjective recovery" is the main fulcrum of Lukacs' huge aesthetic reflection aesthetic system. In this category, Lukacs reveals that the essence of art is to express human self-consciousness by shaping a "world". This shaping world is the personification reflection of man to the objective reality. The development of art is the dynamic process of negation of the development of human self-consciousness. By studying the aesthetic thoughts contained in Lukacs, this paper probes into the ideological value of Lukacs' aesthetic thoughts in the background of contemporary philosophy and culture, the transcendence of Lukacs' aesthetics to Hegel's aesthetics and the enrichment of Marx's aesthetics.
【分類號(hào)】：B83-02

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本文編號(hào)：1818339