本文選題：美學(xué) + 空寂　； 參考：《延邊大學(xué)》2010年碩士論文

【摘要】：通過對日本哲學(xué)思想和美學(xué)思想的學(xué)習(xí),我們可以了解到日本美學(xué)思想的主要特點(diǎn),它可以可以概括為空寂、物哀、幽玄三個方面,分別從實(shí)踐主客體以及主客體之間的關(guān)系等各個角度來表達(dá)了日本人對美的看法,它是同日本的哲學(xué)思想是相互聯(lián)系相互影響的。日本人的美學(xué)審美具有明顯的當(dāng)下性,日本哲學(xué)也是如此,思想脈絡(luò)上受到傳統(tǒng)的神道思想影響,在現(xiàn)實(shí)中受到自然環(huán)境以及社會環(huán)境制約。日本哲學(xué)的主要目的在于論證神人關(guān)系的合理性,受此影響產(chǎn)生了富有日本特色的審美意識。 從論文難度來講,要單以一篇研究生水平的論文從整體性把握日本哲學(xué)是非常難的。因此,本文刻意回避了篇幅巨大的整體問題,而選擇從美學(xué)思想這一角度,通過對日本美學(xué)思想的研究來探索它的思想之所以成其自身的深層原因。 在個體情感表達(dá)中,日本人對擁有物重視而對共同物抑制,即外在物的價(jià)值判斷都由自我所感知,自我是判斷的核心,因此日本人在對事物的認(rèn)知上是相當(dāng)感性和自我的。這樣,感性導(dǎo)致無常的短暫,短暫關(guān)注于并發(fā)掘出事物的瞬間美,具體表現(xiàn)為空寂、物哀和幽玄,過于關(guān)注瞬間和自我個體導(dǎo)致日本人生死觀的暴烈。這種“活在當(dāng)下”的態(tài)度和審美情結(jié)在其審美意識中有著個體情感和社會行為的表現(xiàn)。 而通過運(yùn)用分析哲學(xué)的基本研究方法對其行為表現(xiàn)的解構(gòu),我們可以認(rèn)識到這種審美意識之何以可能的來源即在于日本哲學(xué)的主體實(shí)踐性和日本哲學(xué)的身心兩重感受性。關(guān)注主體的實(shí)踐而在一定程度上忽視普世恒定的價(jià)值觀,強(qiáng)調(diào)身心兩重感受性就使得其審美意識重實(shí)踐和自我體驗(yàn),這也是日本人得以展現(xiàn)其具有鮮明民族特色的哲學(xué)思想和審美意識的總的根源。
[Abstract]:Through the study of Japanese philosophical thought and aesthetic thought, we can understand the main characteristics of Japanese aesthetic thought, which can be summarized as three aspects: emptiness, object mourning, and seclusion.From the perspective of the practice of subject and object and the relationship between subject and object, this paper expresses the Japanese view of beauty, which is interrelated with Japanese philosophy and affects each other.The aesthetic aesthetics of Japanese people is obviously present, and so is Japanese philosophy. The ideological context is influenced by the traditional Shinto ideology, and is restricted by the natural environment and social environment in reality.The main purpose of Japanese philosophy is to prove the rationality of the relationship between God and man, and the aesthetic consciousness with Japanese characteristics has been produced under this influence.From the point of view of the difficulty of the thesis, it is very difficult to grasp Japanese philosophy from the integrity of a graduate thesis.Therefore, this paper deliberately avoids the whole problem of huge space, and chooses to explore the deep reason of Japanese aesthetic thought through the study of Japanese aesthetic thought from the point of view of aesthetic thought.In the expression of individual emotion, the Japanese attach importance to the possession and restrain the common thing, that is, the value judgment of the external thing is perceived by the self, and the self is the core of the judgment, so the Japanese are quite perceptual and self in the cognition of things.In this way, sensibility leads to the impermanence of transience, a brief attention to and discovery of the instantaneous beauty of things, which is manifested in emptiness, sorrow and seclusion, and too much attention to the moment and the self-individual, which leads to the violent outlook on life and death of the Japanese.This kind of "living in the present" attitude and aesthetic complex has individual emotion and social behavior in its aesthetic consciousness.By using the basic research method of analytical philosophy to deconstruct its behavior, we can realize that the possible source of this aesthetic consciousness lies in the subject practicality of Japanese philosophy and the dual feeling of body and mind of Japanese philosophy.Paying attention to the practice of the subject and neglecting the universal constant values to a certain extent, emphasizing the two senses of body and mind makes its aesthetic consciousness pay attention to practice and self-experience.This is also the general root of the Japanese showing their philosophical thought and aesthetic consciousness with distinct national characteristics.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：B83

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本文編號：1755681