發(fā)布時間：2018-04-15 19:41

  本文選題：斯蒂芬·戴維斯 + 分析美學　； 參考：《煙臺大學學報(哲學社會科學版)》2015年02期

【摘要】：斯蒂芬·戴維斯對藝術定義的研究不僅停留在對各種定義路徑的梳理上,還在綜合程序性定義與功能性定義的理論成果方面提出了獨特的見解。通過"第一批藝術"何以確立這一問題,戴維斯反思了藝術的體制理論中的理論盲點——即該方案難以說明藝術體制本身何以確立,以及在沒有藝術體制的支撐下,作品何以成為藝術品的問題。戴維斯對該問題的討論從另一視角切入了對藝術定義規(guī)劃本身的理解——即它可視為尋求一種藝術共識及共同理解得以確立的相對普遍的基礎。
[Abstract]:Stephen Davis's research on the definition of art not only focuses on the various ways of definition, but also puts forward some unique views on the theoretical achievements of integrating the definition of procedure with the definition of function.Through the question of how "the first art" was established, Davis reflected on the theoretical blind spot in the theory of the system of art-that is, the scheme was difficult to explain how the art system itself was established and without the support of the art system.Why a work becomes a work of art.Davis' discussion of this issue cuts into the understanding of art definition planning itself from another perspective-that is, it can be seen as a relatively universal basis for seeking an artistic consensus and a common understanding.
【作者單位】： 南京大學哲學系;
【分類號】：B83-069
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本文編號：1755504