本文選題：陰陽　切入點：五行　出處：《西北大學學報(哲學社會科學版)》2017年06期

【摘要】：先秦陰陽五行文化,系上古先民建構的一種關于宇宙萬物普遍性法則的系統(tǒng)結構理論,并且逐漸成為闡發(fā)宇宙三才之道、建構整體意義世界的解釋框架。當古人以陰陽五行解釋框架來認知審美實踐活動時,便形成了先秦時期以陰陽五行學說為文化底蘊的"和合"美學觀念。先秦時期的陰陽五行文化及其"和合"美學觀念,對于我國古代的美學思想、文學理論、藝術創(chuàng)作,尤其是音樂創(chuàng)作和理論批評,產生了深刻的影響。傳統(tǒng)文藝思想對于美與善、文與質、樂與悲、物與欲、音與心、禮與樂等關系的認識,都集中體現了先秦陰陽五行文化中的"和合"美學觀念。
[Abstract]:The culture of Yin Yang and five elements in the Pre-Qin Dynasty is a systematic structure theory about the universal rule of the universe constructed by the ancient people and has gradually become the explanatory framework of explaining the three talents of the universe and constructing the whole world of meaning.When the ancients used the frame of interpretation of Yin Yang and five elements to cognize the aesthetic practice activities, they formed the aesthetic concept of "harmony" in the pre-Qin period with the theory of Yin and Yang five elements as the cultural essence.The Yin-Yang and five-element culture in the pre-Qin period and its aesthetic concept of "harmony" had a profound impact on the ancient aesthetic thought, literary theory, artistic creation, especially music creation and theoretical criticism.The understanding of the relationship between beauty and goodness, literature and quality, music and sadness, substance and desire, sound and heart, and ritual and music in the traditional literary and artistic thought embodies the aesthetic concept of "harmony" in the culture of the five elements of Yin and Yang in the Pre-Qin Dynasty.
【作者單位】： 中國社會科學院外國文學研究所;
【分類號】：B83-092
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本文編號：1716669