論中國(guó)當(dāng)代繪畫作品中的“卡通風(fēng)格”
發(fā)布時(shí)間：2019-03-29 08:59
【摘要】：卡通之所以在中國(guó)得到快速的發(fā)展,得到了社會(huì)的認(rèn)可,完全取決于其自身的特點(diǎn)。它的出現(xiàn)深受年青一代的喜愛,隨著時(shí)間的洗禮卡通逐漸變成了一種當(dāng)代文化。每個(gè)不同的國(guó)家不同的文化都有著標(biāo)志著自己形象的卡通符號(hào),比如美國(guó)的加菲貓,超人,唐老鴨與米老鼠,蝙蝠俠。日本的阿童木,機(jī)器貓還有蠟筆小新。中國(guó)的哪吒,孫悟空等等。它們以各自的魅力征服了年輕一代人的心。 卡通繪畫的迅速成長(zhǎng)離不開它獨(dú)特的文化魅力,它的敘事和表現(xiàn)方式具有很強(qiáng)的可讀性,沒有過多復(fù)雜的東西,而且它們的形象恰好滿足了當(dāng)代大眾文化的審美。雖然里面的形象和場(chǎng)景大多是超越現(xiàn)實(shí),幻想或憑空編造出來的,但恰是這一特征迎合了當(dāng)下年青一代追求個(gè)性,對(duì)現(xiàn)實(shí)生活總是充滿幻想,不愿接受任何的束縛的特點(diǎn)。 卡通與其它藝術(shù)相比最大的不同在于它沒有任何的束縛,它不分階層,不分貧富得到了大眾的認(rèn)可。不同的卡通作品可以讓我們從中體會(huì)到不同的文化,它的出現(xiàn)讓年青一代變得更自信,生活變得更多彩�？ㄍǖ牧α渴俏覀儧]有辦法估計(jì)的,卡通作為一個(gè)媒介影響的不僅是我們的生活,甚至包括對(duì)人本質(zhì)的判斷,善于惡,美與丑,這都是人賴以生存的本質(zhì)!
[Abstract]:The rapid development of cartoons in China, the recognition of the society, depends entirely on its own characteristics. Its appearance is deeply loved by the younger generation, over time baptism cartoon gradually became a kind of contemporary culture. Different cultures in each country have cartoon symbols that mark their own image, such as America's Garfield, Superman, Donald Duck and Mickey Mouse, Batman. Japanese boy, robot cat and crayon Xiaoxin. China's Nezha, Sun Wukong and so on. They subjugated the hearts of the younger generation with their own charisma. The rapid growth of cartoon painting can not be separated from its unique cultural charm, its narrative and expression methods have a strong readability, there is no too many complex things, and their images just meet the aesthetic of contemporary popular culture. Although most of the images and scenes in it are beyond reality, fantasies or fabricated out of thin air, it is precisely this feature that caters to the younger generation's pursuit of individuality and is always full of fantasies about real life and unwilling to accept any restraints. The biggest difference between cartoon and other art is that it has no bondage, no class, no distinction between rich and poor, has been recognized by the public. Different cartoons can give us a sense of different cultures, and their emergence makes the younger generation more confident and more colorful. Cartoon power is we can not estimate, cartoon as a medium to affect not only our life, including the nature of judgment, good at evil, beauty and ugliness, this is the essence of human survival!
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J205
本文編號(hào)：2449366
[Abstract]:The rapid development of cartoons in China, the recognition of the society, depends entirely on its own characteristics. Its appearance is deeply loved by the younger generation, over time baptism cartoon gradually became a kind of contemporary culture. Different cultures in each country have cartoon symbols that mark their own image, such as America's Garfield, Superman, Donald Duck and Mickey Mouse, Batman. Japanese boy, robot cat and crayon Xiaoxin. China's Nezha, Sun Wukong and so on. They subjugated the hearts of the younger generation with their own charisma. The rapid growth of cartoon painting can not be separated from its unique cultural charm, its narrative and expression methods have a strong readability, there is no too many complex things, and their images just meet the aesthetic of contemporary popular culture. Although most of the images and scenes in it are beyond reality, fantasies or fabricated out of thin air, it is precisely this feature that caters to the younger generation's pursuit of individuality and is always full of fantasies about real life and unwilling to accept any restraints. The biggest difference between cartoon and other art is that it has no bondage, no class, no distinction between rich and poor, has been recognized by the public. Different cartoons can give us a sense of different cultures, and their emergence makes the younger generation more confident and more colorful. Cartoon power is we can not estimate, cartoon as a medium to affect not only our life, including the nature of judgment, good at evil, beauty and ugliness, this is the essence of human survival!
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J205
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 宋登明;;淺析新卡通繪畫語言的特征[J];電影文學(xué);2010年15期
2 韓晶;在川美催生的新一代[J];美苑;2005年05期
3 朱其;;關(guān)于漫畫一代及其爭(zhēng)議[J];天津美術(shù)學(xué)院學(xué)報(bào);2005年04期
，本文編號(hào)：2449366
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