【摘要】：在中國古代版畫發(fā)展史上,明代是一個鼎盛時期,而萬歷年間是明代版畫發(fā)展的重要時期。這一時期的木刻版畫,無論在數(shù)量上還是質量上均有顯著的成就,具有很高的藝術價值和歷史價值。 本文首先分析明代萬歷木刻版畫發(fā)展的社會背景。從明初朱元璋建國起,明代政府的政策便有利于當時刻書業(yè)的發(fā)展,市井文化的興盛又推動了明代萬歷書籍刊印數(shù)量與范圍的拓展。明萬歷時期,以戲曲、小說版畫數(shù)量最多,這個時期的教化版畫與之前或之后的時代相比,無論從數(shù)量上還是質量上都是值得引起研究者的關注。 然后,本文對明代萬歷教化木刻版畫插圖的內容進行了梳理,將其內容分為“三綱五�！�、“儒家學說”、“蒙學讀本”、“歷史內容題材”等四大類。其書籍插圖刊本大部分是女范教材和幼童讀物。 最后,本文就明代萬歷教化木刻版畫插圖的藝術風格進行了探討。重點分析了書籍插圖形式、教化人物姿態(tài)造型特征、教化人物服飾造型特征以及教化木刻版畫的鏤刻工藝特點等方面。明確了插圖的定義及插圖在書籍中所扮演的角色,分析了明代萬歷教化木刻版畫插圖的版式類型,有上圖下文式插圖、上文下圖式插圖、上下兩幅式插圖、左文右圖式插圖、整版式插圖、雙面連式插圖等六種插圖版式。而鏤刻工藝特點又有大刀闊斧與工整細致兩種截然不同的風格。 明代萬歷教化木刻版畫插圖水平高,雕刻精美,反映出了當時刻工的水準。插圖版式多,插圖造型達到巔峰。本文探討明代萬歷教化木刻版畫插圖的內容、藝術風格,力圖分析其藝術價值和意義,進而豐富中國古代版畫圖像的研究內容和視點,為后來的研究者提供更為豐富、系統(tǒng)的研究資料。
[Abstract]:In the development history of Chinese ancient printmaking, the Ming Dynasty is a prosperous period, and the Wanli period is an important period of the Ming Dynasty printmaking development. Woodcut prints in this period, both in quantity and quality, have a high value of art and history. First of all, this paper analyzes the social background of the development of Wanli woodcut in Ming Dynasty. Since the founding of Zhu Yuanzhang in the early Ming Dynasty, the policy of the Ming government has been conducive to the development of the book industry at all times. The prosperity of the city culture has also promoted the expansion of the number and scope of the publication and printing of the Wanli books in the Ming Dynasty. In the Wanli period of Ming Dynasty, the number of traditional opera and novel printmaking is the largest. Compared with the times before or after the Ming Dynasty, the educated printmaking in this period deserves the attention of researchers both in quantity and in quality. Then, this paper combs the contents of the illustrations of the woodcut prints taught by the Wanli in the Ming Dynasty, and divides its contents into four categories: "three principles and five permanent principles", "Confucianism", "Mongolian reading book", "historical content subject matter" and so on. Most of its books, illustrated and published, are women's norm textbooks and young children's books. Finally, this paper discusses the artistic style of wood engraving illustrations taught by Wanli in Ming Dynasty. The paper mainly analyzes the form of book illustration, the character of character pose modeling, the character of dress modeling and the engraving process of educated woodcut and so on. This paper clarifies the definition of illustration and the role of illustration in books, analyzes the typography types of the woodcut illustrations taught by the Wanli in the Ming Dynasty, including the upper and lower text illustrations, the upper and lower schema illustrations, the upper and lower type illustrations, the left and right schema illustrations, and so on. Full-layout illustration, double-sided illustration and other six types of illustration layout. And the engraving process features two very different styles: bold and neat and meticulous. In Ming Dynasty, Wanli taught wood engraving illustrations with high level and exquisite engraving, reflecting the standard of engraving at that time. Illustration typography, illustration modeling to the peak. This paper discusses the content and artistic style of the woodcut engraving illustrations taught by the Wanli in the Ming Dynasty, tries to analyze its artistic value and significance, and then enriches the research contents and viewpoints of the ancient Chinese printmaking images, and provides more abundant for the later researchers. Systematic research materials.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J217

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本文編號：2449480