【摘要】：每種藝術(shù)類型的存在都有著特殊的歷史背景和現(xiàn)實基礎(chǔ)，就像每個民族一樣都有它們特殊的語言文字和精神面貌。在世界文化的歷史長河中，中國的抽象繪畫在西方抽象主義思潮的滋養(yǎng)和影響之下，借助抽象形式的外在特征來傳達自己的審美理想。本文在研究過程中，不僅借鑒國內(nèi)外已有的研究成果，而且通過與西方抽象主義的發(fā)展?fàn)顩r進行縱向和橫向的綜合比較，對中國抽象繪畫的發(fā)展做了簡明的闡述。在研究中著重描述抽象元素在現(xiàn)代中國畫藝術(shù)語言中的演變與發(fā)展，展現(xiàn)了中國抽象繪畫在藝術(shù)發(fā)展過程中被認可和被普及的過程。 20世紀的中國現(xiàn)代藝術(shù)運動中，抽象藝術(shù)作為主力軍一直在悄無聲息地持續(xù)發(fā)展著，雖然抽象繪畫本身存在著很多的爭議性，有積極的方面也有消極的方面，這也導(dǎo)致了學(xué)術(shù)界在其研究過程中的疏忽和不準(zhǔn)確性。本文從抽象元素的起源探究開始，通過對中西方抽象文化的比較，結(jié)合多位重要抽象藝術(shù)家的藝術(shù)實踐，在與抽象理論相結(jié)合的同時，分析整理出中國現(xiàn)當(dāng)代抽象藝術(shù)發(fā)展歷程中可借鑒的部分，，在進行深入研究的同時從而拉近大眾與抽象繪畫的距離，我們也能創(chuàng)作出更好的抽象繪畫作品。
[Abstract]:The existence of each kind of art has its special historical background and realistic foundation, just like every nation, it has its special language and spirit. In the long history of world culture, Chinese abstract painting is nurtured and influenced by western abstract ideology, and conveys its aesthetic ideal with the help of the external characteristics of abstract form. In the course of the research, this paper not only draws lessons from the existing research results at home and abroad, but also makes a concise exposition on the development of Chinese abstract painting through a comprehensive comparison with the development of western abstractism. The study focuses on the evolution and development of abstract elements in the art language of modern Chinese painting, showing the process of Chinese abstract painting being recognized and popularized in the process of art development. In the 20th century Chinese modern art movement, abstract art as the main force has been quietly and continuously developing, although abstract painting itself has a lot of controversy, there are both positive and negative aspects. This also led to the academic neglect and inaccuracy in its research process. This paper begins with the exploration of the origin of abstract elements, through the comparison between Chinese and Western abstract culture, and combines the artistic practice of many important abstract artists, while combining with abstract theory. By analyzing and sorting out the parts that can be used for reference in the development of Chinese modern and contemporary abstract art, we can draw closer the distance between the public and the abstract painting, and we can also create better abstract painting works.
【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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本文編號：2405462