【摘要】：從古至今,女性形象在繪畫作品中不斷存在并發(fā)展著。而在中國(guó),仕女畫作為一個(gè)獨(dú)立的藝術(shù)門類,有其獨(dú)有的風(fēng)格特征。仕女畫的形成由來(lái)已久,早在唐之前,仕女畫就已經(jīng)出現(xiàn)了。唐朝時(shí)期經(jīng)濟(jì)繁榮政局穩(wěn)定,對(duì)外交流十分頻繁,在這樣一個(gè)繁榮的歷史時(shí)期,由于前期各民族文化的交流與融合,時(shí)代的風(fēng)格特征也較具有兼容性。強(qiáng)大的民族自信心促進(jìn)了唐對(duì)于外來(lái)文化有益因子的吸收,外來(lái)文化在唐文化的影響下,也開始將本民族的文化融入大唐文化,推動(dòng)唐代社會(huì)文化審美的發(fā)展,并形成具有鮮明的民族文化特征。在諸種文化風(fēng)俗的相互交流影響的作用下,使得大唐時(shí)期人們的文化生活及審美呈現(xiàn)出繁榮景象。這個(gè)時(shí)期,政治經(jīng)濟(jì)發(fā)展繁榮,文化審美也隨之發(fā)展。仕女畫的發(fā)展也在這個(gè)時(shí)期達(dá)到了頂峰。開化的的社會(huì)意識(shí),繁榮的經(jīng)濟(jì)條件,以及這個(gè)時(shí)期對(duì)于人體的自我表現(xiàn)意識(shí)的增強(qiáng),促使唐代女性?shī)y飾風(fēng)格的發(fā)展。唐代女性的妝飾特征不斷發(fā)展、創(chuàng)新,形成了具有時(shí)代特點(diǎn)、民族特色的妝飾風(fēng)格。這個(gè)時(shí)期的女性?shī)y飾風(fēng)格多樣,且女子接觸時(shí)間早,受民族融合的影響,妝飾大膽夸張,張揚(yáng)個(gè)性,表達(dá)獨(dú)特的審美特征。本文主要通過(guò)唐代女性?shī)y飾特征,來(lái)探析唐代女性?shī)y飾與唐代仕女畫的關(guān)聯(lián)性。對(duì)唐代女性?shī)y飾特征的分析,主要包括面妝、發(fā)式、佩飾、服飾、鞋履五個(gè)部分。從其各自的發(fā)展演變,面妝又包含了面飾、眉眼妝、唇妝;其中面飾又分為面脂、額黃、花鈿、面靨、斜紅。佩飾包含發(fā)飾、耳飾、頸飾、手飾、帶飾;其中發(fā)式又分為簪、釵、梳篦、步搖等。唐代女性?shī)y飾與唐代仕女畫的發(fā)展相互關(guān)聯(lián)。唐代女性?shī)y飾風(fēng)格的發(fā)展,對(duì)唐代仕女畫繪畫藝術(shù)的影響,無(wú)論是從藝術(shù)題材,藝術(shù)審美,亦或是形象特征,對(duì)唐代仕女畫造型特征的影響都極為明顯。唐代女性?shī)y飾風(fēng)格華麗夸張,雍容繁縟,促進(jìn)了唐代仕女畫繪畫作品色彩的構(gòu)成,以及畫面布局風(fēng)格發(fā)展。唐代仕女畫在其傳播的過(guò)程中,推動(dòng)唐代女性?shī)y飾風(fēng)尚的傳播,也為唐代女性?shī)y飾提供了審美的標(biāo)準(zhǔn);畫家在藝術(shù)創(chuàng)作過(guò)程中,對(duì)于藝術(shù)形象的藝術(shù)提升,為唐代女性?shī)y飾的改良發(fā)展起到推動(dòng)的作用。通過(guò)以上研究,旨在探究唐代女性?shī)y飾與唐代仕女畫的關(guān)聯(lián),兩者在發(fā)展演變的過(guò)程中,互為依托,相互促進(jìn)。
[Abstract]:From ancient times to the present, the female image in the painting constantly exists and develops. In China, as an independent category of art, painting has its unique style characteristics. The formation of female painting has a long history, as early as before the Tang Dynasty, the painting has appeared. During the Tang Dynasty, economic prosperity and political stability, foreign exchanges are very frequent, in such a prosperous historical period, due to the early exchange and integration of various ethnic cultures, the style of the era is more compatible. Strong national self-confidence promoted the absorption of beneficial factors of foreign culture in Tang Dynasty. Under the influence of Tang culture, foreign culture also began to integrate the culture of this nation into the culture of the Tang Dynasty, thus promoting the development of social and cultural aesthetics in the Tang Dynasty. And the formation has the distinct national culture characteristic. Under the influence of various kinds of cultural customs, the cultural life and aesthetics of people in the Tang Dynasty showed a prosperous scene. In this period, the development of political and economic prosperity, cultural aesthetic development. The development of female painting also reached its peak in this period. The civilized social consciousness, the prosperous economic condition, and the enhancement of the self-expression consciousness of the human body during this period promoted the development of the Tang Dynasty female adornment style. The adornment characteristics of women in Tang Dynasty developed and innovated, forming the adornment style with the characteristics of the times and nationalities. The women in this period have various adornment styles and early contact time. Influenced by the national integration, they exaggerate boldly, spread their individuality and express their unique aesthetic characteristics. This article mainly through the Tang Dynasty female adornment characteristic, analyzes the Tang Dynasty feminine adornment and Tang Dynasty lady painting relevance. The analysis of the features of female ornaments in Tang Dynasty includes five parts: facial makeup, hairstyle, ornaments, costumes, shoes and footwear. From their development and evolution, facial makeup includes facial ornaments, eyebrow makeup, lip makeup, which is divided into facial fat, forehead yellow, mother-of-pearl, face dimple, oblique red. Ornaments include hair ornaments, ear ornaments, neck ornaments, hand ornaments, belt ornaments, among which hairstyle is divided into hairpin, comb, step and so on. The female ornaments of the Tang Dynasty are interrelated with the development of the painting of the ladies in the Tang Dynasty. The development of women's adornment style in Tang Dynasty has a great influence on the painting art of ladies' paintings in Tang Dynasty, whether in terms of artistic subject matter, artistic aesthetics, or image features, and the influence on the styling characteristics of Tang Dynasty ladies' paintings. Tang Dynasty women adornment style gorgeous exaggeration, elegant and elaborate, promoted the Tang Dynasty lady painting color composition, as well as picture layout style development. In the process of spreading the painting of ladies in the Tang Dynasty, it promoted the spreading of the fashion of women's ornaments in the Tang Dynasty, and also provided the aesthetic standard for the women's ornaments in the Tang Dynasty. In the process of artistic creation, painters play an important role in promoting the improvement of artistic image and the improvement and development of female adornment in Tang Dynasty. Through the above study, the purpose of this study is to explore the relationship between the Tang Dynasty women ornaments and the Tang Dynasty women painting, both in the process of development and evolution, rely on each other and promote each other.
【學(xué)位授予單位】：淮北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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