“十七年”民間年畫的女性形象研究
發(fā)布時間：2018-12-29 07:54
【摘要】：“十七年”民間年畫是指1949年新中國成立至1966年文化大革命前夕這段時間內(nèi)的年畫作品。介于時代特殊性,“十七年”時期的小說、電影等藝術(shù)形式一直都是學(xué)界研究的熱點(diǎn)。同樣,作為一門古老而經(jīng)典的傳統(tǒng)藝術(shù),年畫在1949—1966年間也發(fā)生著巨大變化,乘著新中國成立的東風(fēng),傳統(tǒng)年畫完成了向新年畫的轉(zhuǎn)變,其生產(chǎn)機(jī)制、創(chuàng)作內(nèi)容、出版發(fā)行等逐步成熟。而作為組成年畫中的重要元素一—女性形象,在這些翻天覆地的變化中自然也被附上了特殊的色彩,理應(yīng)成為“十七年”研究的關(guān)注對象。 1949年,新中國的誕生正式開啟了婦女解放的道路,“男女平等”之核心觀念深入人心。女性不再是男權(quán)附庸下的產(chǎn)物,她們終于得以和男性站在了同一起跑線上,開始大量參與到社會事務(wù)中來,不僅在各行各業(yè)中扮演著不可忽視的重要角色,而且常常不遜于男性,獲得大力肯定與贊揚(yáng)。盡管大量已有研究批評這一時期的女性形象缺乏性別特征和個體感受,是一些空洞的能指,但不可否認(rèn)的是,此時女性形象的書寫為當(dāng)代中國提供了重要的價值觀念,即甘陽所說“通三統(tǒng)”的平等價值觀念。 本論文以“年畫”這個最為貼近民生的藝術(shù)形式為載體,以當(dāng)中的女性形象作為研究對象,選取了1949—1966年間全國范圍內(nèi)具有代表性的年畫作品,對其中的女性形象進(jìn)行深描與解讀,以還原“十七年”時期日常生活中的女性形象,考察民俗經(jīng)典對女性形象的建構(gòu)與傳播,以及背后的生產(chǎn)機(jī)制。通過研究,本論文力圖對“十七年”年畫中的女性形象進(jìn)行總結(jié),捕捉女性形象在這一時期的變化軌跡,探討主流意識形態(tài)對文藝作品的滲透,及特殊年代中文藝作品的政治宣傳功能。 本論文主要分為四章節(jié)：第一部分即緒論,主要討論本文的研究緣起、文獻(xiàn)綜述、研究內(nèi)容、研究方法等問題。第二部分是對“十七年”新年畫概念與流變的梳理,這是把握年畫中女性形象的前提與基礎(chǔ)。第三部分則對“十七年”年畫女性形象展開細(xì)致入微的論述,按照時代特征,該部分將“十七年”分為三個階段：1949——1956、19571959、1960——1965,分別各時期中典型的女性形象予以深描,包括其特征、變化等,這也是本論文的重點(diǎn)章節(jié)。第四部分為總結(jié)與思考,在此對“十七年”年畫中的女性形象進(jìn)行集中分類,探討其建構(gòu)的意義與價值,挖掘表征背后的生產(chǎn)機(jī)制,在認(rèn)識“十七年”生活圖景中女性形象的同時,也為當(dāng)今女性媒介形象的生活化書寫提供借鑒意義。
[Abstract]:Folk New year Pictures of 17 years refers to the period between the founding of New China in 1949 and the eve of the Cultural Revolution in 1966. In view of the particularity of the times, the artistic forms of the 17-year period, such as novels and movies, have always been the hot spot of academic research. Similarly, as an ancient and classical traditional art, New year Pictures also had great changes in 1949-1966. Taking advantage of the founding of New China, traditional New year Pictures completed the transformation to the New year Pictures, its production mechanism and creative content. Publication and distribution are gradually maturing. As an important element in New year's Pictures, the female image is naturally attached with special colors in these earth-shaking changes, and should be the object of attention in the study of "seventeen years". In 1949, the birth of New China officially opened the road of women's liberation, and the core concept of "equality between men and women" was deeply rooted in people's hearts. Women are no longer the product of male subservience, they can finally stand on the same starting line with men, and begin to participate in social affairs in a large number, not only in various industries play an important role that can not be ignored. And often not inferior to men, won strong recognition and praise. Although a large number of studies have criticized the lack of gender identity and individual feelings of female images in this period, which are some empty signifiers, it is undeniable that the writing of female images at this time has provided important values for contemporary China. That is, Ganyang said that the "Tong three Unification" of equal values. This thesis takes "New year's Pictures", which is the most close to the people's livelihood, as the carrier, takes the female image as the research object, and selects the national representative New year's paintings from 1949 to 1966. In order to restore the female image in the period of "17 years", to investigate the construction and dissemination of the female image in folklore classics, and the production mechanism behind it. Through the research, this paper tries to summarize the female image in the New year painting of "seventeen years", catch the changing track of the female image in this period, and probe into the permeation of the mainstream ideology to the literary works. And the political propaganda function of literary works in special age. This paper is divided into four chapters: the first part is the introduction, mainly discusses the origin of this study, literature review, research content, research methods and other issues. The second part is to sort out the concept and evolution of the New year painting of 17 years, which is the premise and foundation of grasping the female image in the New year painting. The third part discusses the female images of "seventeen years" in detail. According to the characteristics of the times, this part divides "seventeen years" into three stages: 1949-1956-19571959-1960-1965. the typical female images in each period are described in depth. Including its characteristics, changes and so on, which is also the focus of this paper. The fourth part is summing up and thinking, in this paper, the author classifies the female image in the New year painting of seventeen years, discusses the significance and value of its construction, and excavates the production mechanism behind the representation. While recognizing the female image in the life picture of 17 years, it also provides reference for the living writing of the female media image.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J218.3;G206
本文編號：2394540
[Abstract]:Folk New year Pictures of 17 years refers to the period between the founding of New China in 1949 and the eve of the Cultural Revolution in 1966. In view of the particularity of the times, the artistic forms of the 17-year period, such as novels and movies, have always been the hot spot of academic research. Similarly, as an ancient and classical traditional art, New year Pictures also had great changes in 1949-1966. Taking advantage of the founding of New China, traditional New year Pictures completed the transformation to the New year Pictures, its production mechanism and creative content. Publication and distribution are gradually maturing. As an important element in New year's Pictures, the female image is naturally attached with special colors in these earth-shaking changes, and should be the object of attention in the study of "seventeen years". In 1949, the birth of New China officially opened the road of women's liberation, and the core concept of "equality between men and women" was deeply rooted in people's hearts. Women are no longer the product of male subservience, they can finally stand on the same starting line with men, and begin to participate in social affairs in a large number, not only in various industries play an important role that can not be ignored. And often not inferior to men, won strong recognition and praise. Although a large number of studies have criticized the lack of gender identity and individual feelings of female images in this period, which are some empty signifiers, it is undeniable that the writing of female images at this time has provided important values for contemporary China. That is, Ganyang said that the "Tong three Unification" of equal values. This thesis takes "New year's Pictures", which is the most close to the people's livelihood, as the carrier, takes the female image as the research object, and selects the national representative New year's paintings from 1949 to 1966. In order to restore the female image in the period of "17 years", to investigate the construction and dissemination of the female image in folklore classics, and the production mechanism behind it. Through the research, this paper tries to summarize the female image in the New year painting of "seventeen years", catch the changing track of the female image in this period, and probe into the permeation of the mainstream ideology to the literary works. And the political propaganda function of literary works in special age. This paper is divided into four chapters: the first part is the introduction, mainly discusses the origin of this study, literature review, research content, research methods and other issues. The second part is to sort out the concept and evolution of the New year painting of 17 years, which is the premise and foundation of grasping the female image in the New year painting. The third part discusses the female images of "seventeen years" in detail. According to the characteristics of the times, this part divides "seventeen years" into three stages: 1949-1956-19571959-1960-1965. the typical female images in each period are described in depth. Including its characteristics, changes and so on, which is also the focus of this paper. The fourth part is summing up and thinking, in this paper, the author classifies the female image in the New year painting of seventeen years, discusses the significance and value of its construction, and excavates the production mechanism behind the representation. While recognizing the female image in the life picture of 17 years, it also provides reference for the living writing of the female media image.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J218.3;G206
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，本文編號：2394540
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