論表現(xiàn)主義油畫創(chuàng)作中的個(gè)性表現(xiàn)
發(fā)布時(shí)間:2018-12-29 09:12
【摘要】:表現(xiàn)主義油畫創(chuàng)作與個(gè)性表現(xiàn)是密切相關(guān)的,它是創(chuàng)作個(gè)性的自然流露。在體現(xiàn)畫面?zhèn)性表現(xiàn)中如何傳達(dá)自我情感,如何運(yùn)用材料表達(dá)出來,怎樣才能更好的結(jié)合是我在表現(xiàn)主義油畫創(chuàng)作中的重點(diǎn)。一件作品不僅要展示畫者繪畫的技巧、造型、色彩、構(gòu)圖、筆觸等等,同時(shí)更重要的是要展示畫者精神層面的東西和觀念的傳達(dá),尤其在表現(xiàn)性油畫創(chuàng)作中,為了強(qiáng)調(diào)“自身的存在”,我會(huì)把我的感受、情緒、思想等強(qiáng)化;筆下的人、物、景往往是某種共性的抽象與象征,,同時(shí)這種象征能引起我們的反思與感悟,在畫面中產(chǎn)生一股“氣”,只有這樣才能更好的傳達(dá)個(gè)性表現(xiàn),使作品喚發(fā)出無限的生命力。
[Abstract]:Expressionism oil painting creation is closely related to personality expression, it is the natural expression of creative personality. How to convey self-emotion, how to use materials to express it, how to combine it better is the key point of my expressionist oil painting. A piece of work not only shows the artist's painting skills, modeling, color, composition, strokes, etc., but also more importantly shows the conveyance of things and ideas at the spiritual level of the artist, especially in the creation of expressive oil paintings. In order to emphasize the "self existence", I will strengthen my feelings, emotions, thoughts and so on; The people, objects and scenery in the works are often some kind of common abstraction and symbol. At the same time, this kind of symbol can cause us to reflect and understand, and produce a "spirit" in the picture. Only in this way can we better convey the individual expression. Make the work call out infinite vitality.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J213
本文編號(hào):2394635
[Abstract]:Expressionism oil painting creation is closely related to personality expression, it is the natural expression of creative personality. How to convey self-emotion, how to use materials to express it, how to combine it better is the key point of my expressionist oil painting. A piece of work not only shows the artist's painting skills, modeling, color, composition, strokes, etc., but also more importantly shows the conveyance of things and ideas at the spiritual level of the artist, especially in the creation of expressive oil paintings. In order to emphasize the "self existence", I will strengthen my feelings, emotions, thoughts and so on; The people, objects and scenery in the works are often some kind of common abstraction and symbol. At the same time, this kind of symbol can cause us to reflect and understand, and produce a "spirit" in the picture. Only in this way can we better convey the individual expression. Make the work call out infinite vitality.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 唐華;;油畫創(chuàng)作中個(gè)性化語言的解讀[J];美術(shù)界;2011年03期
2 尉艷麗;梁衛(wèi)民;;表現(xiàn)性油畫創(chuàng)作中的技術(shù)性因素解析[J];美術(shù)教育研究;2012年06期
3 馮媛媛;;談日用陶瓷設(shè)計(jì)中的個(gè)性表現(xiàn)[J];陶瓷研究;2012年01期
相關(guān)碩士學(xué)位論文 前2條
1 楊靜;析當(dāng)代中國油畫語言的“意象化”[D];西安美術(shù)學(xué)院;2008年
2 李躍芹;西方表現(xiàn)主義繪畫和中國意象性油畫精神表達(dá)的異同[D];河北師范大學(xué);2009年
本文編號(hào):2394635
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2394635.html