【摘要】：版畫語言是版畫創(chuàng)作者與觀眾進行交流的媒介。版畫創(chuàng)作者的版畫語言是在特定的環(huán)境中衍生出來的，版畫創(chuàng)作者經(jīng)過對所處環(huán)境的分析、提煉和總結(jié)，并通過某個版種、某種特定的技法和印刷方式將個人情感觀念呈現(xiàn)在版畫作品中，由此版畫創(chuàng)作中的個性語言形成。版畫個性語言的出現(xiàn)是版畫語言不斷發(fā)展的結(jié)果，是時代的要求，是當代成熟的版畫家的具體體現(xiàn)，，也是當代版畫藝術(shù)發(fā)展的主要趨勢。本文通過對版畫創(chuàng)作中的個性語言概念及現(xiàn)狀、版畫創(chuàng)作中的個性語言形成的影響因素和特性進行研究，從而對版畫創(chuàng)作中的個性語言的單向性、模式化及版畫創(chuàng)作中的個性語言缺乏當代意識的困境進行分析,并試圖尋求解決對策。
[Abstract]:Print language is the medium of communication between the creator and the audience. The printmaking language of the printmaker is derived from a specific environment. The printmaker analyzes, refines and summarizes the environment in which he is located, and passes through a certain type of print. A particular technique and printing method presents personal emotional ideas in print works, and the individual language in print creation is formed. The emergence of individual language is the result of the continuous development of print language, is the requirements of the times, is the specific embodiment of contemporary mature printmaking artists, but also the main trend of the development of contemporary printmaking art. In this paper, the concept and present situation of personality language in print creation, the influencing factors and characteristics of the formation of personality language in print creation are studied, and the unidirectional character of personality language in print creation is studied. This paper analyzes the dilemma of the lack of contemporary consciousness in the stylized and printed language, and tries to find solutions.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J217

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